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Average Price: $2,604
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Description
The Eventide H3000 D/SE Ultra Harmonizer is a classic effects processor that has left an indelible mark on the world of studio recording. Known for its iconic DSP power, this versatile machine is a favorite among audio engineers and musicians alike, offering a wide array of effects that include pitch shifting, delay, reverbs, and more. Its adaptability makes it perfect for both studio and live performances, allowing artists to explore new sonic landscapes effortlessly.
At the heart of the H3000 D/SE is its ability to create lush, complex harmonies and intricate modulations. With an interface designed for intuitive operation, users can easily access its powerful algorithms to craft unique soundscapes. This unit has been a staple in professional studios for decades, celebrated for its reliability and expansive tonal possibilities.
Whether you're looking to add depth to vocals, create stunning guitar effects, or experiment with ambient sound, the Eventide H3000 D/SE offers the tools you need to elevate your music production. Its legacy is not just in its renowned performance, but also in its ability to inspire creativity and innovation in music creation.
Key Features:
- Iconic DSP power for complex harmonies and modulations
- Versatile effects including pitch shifting, delays, and reverbs
- Intuitive interface for easy access to powerful algorithms
- Ideal for both studio and live performance settings
- Renowned reliability and expansive tonal possibilities
Product specs
| Brand | Eventide |
| Model | H3000-D/SE Ultra-Harmonizer |
| Finish | Black |
| Year | 1980s |
| Made In | United States |
| Categories | Multi-Effect |
FAQs
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What are the key features of the Eventide H3000 D/SE Ultra Harmonizer?
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The Eventide H3000 D/SE Ultra Harmonizer is renowned for its diatonic pitch shifting, high-quality chorus, flanger, and reverb effects, making it a versatile tool for sound design and music production.
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Can the Eventide H3000 D/SE be used for live performances?
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Yes, the Eventide H3000 D/SE is suitable for live performances, offering reliable pitch shifting and multi-effects processing that can enhance live sound setups.
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How does the Eventide H3000 D/SE differ from other harmonizers?
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The H3000 D/SE stands out with its pioneering diatonic pitch shifting and a broad range of effects, providing unique sound processing capabilities compared to other harmonizers.
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What type of connectivity options does the Eventide H3000 D/SE offer?
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The Eventide H3000 D/SE typically includes standard audio input and output connections, making it compatible with various studio and live sound equipment.
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Is the Eventide H3000 D/SE suitable for studio recording?
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Yes, the Eventide H3000 D/SE is highly regarded in studio environments for its multi-effect capabilities and high-quality sound processing, making it ideal for recording and mixing applications.
Videos
Sandris Savickis
Eventide H3000 D/SE
Reviews
PROS
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Exceptional for vocals and instruments that "breathe"
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True stereo image presentation for immersive effects
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Over 700 presets, expandable to 1000 with EPROM update
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Includes legendary presets from Steve Vai and Bob Clearmountain
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Versatile: enhances guitars, drums, synths, and vocals
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Maintains relevance and presence in top studios today
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Historical significance in music production since the '80s
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Stereo XLR in/out and MIDI connectivity for professional setups
CONS
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Cannot process two effects simultaneously (e.g., different effects panned left/right)
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Limited to 16-bit audio resolution, though considered CD quality
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Eventide H3000 D/SE Ultra Harmonizer.
Setup and maintenance
Use cases and applications
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The H3000 is especially effective on guitars, often used in a hardware send setup during tracking for real-time effects.
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Real-time effects during guitar playing can significantly impact dynamics and timing, differing from post-recording effects application.
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Owners highlight the H3000's effectiveness in stereo setups, enhancing spatial dimensions with certain presets optimized for stereo rather than mono.
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Features and functionality
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The H3000 offers high-quality pitch shifting with adjustable delay and feedback, making it excellent for creating chorus effects.
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The H3000's micropitch detuning is praised for its phase-coherent pitch shifting and unique A/D converter "color," offering unmatched stereo spatial effects.
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The H9 includes algorithms that combine elements like delay, pitch, modulation, and reverb, but it isn't a traditional user-definable multi-effects unit.
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Eventide's PitchFactor is highlighted as a cost-effective option focused on pitch effects, offering a more affordable alternative to the H3000's capabilities.
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Comparisons
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The Soundtoys Crystallizer plugin is designed to emulate some of the H3000's popular settings, offering a software alternative.
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The H3000's effects, like "Reverse Crystals" and "Ultratap," have inspired modern iterations in Eventide's H9 and Strymon's "Ice," showcasing its lasting influence on effects technology.
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The Pigtronix Echolution 2 is noted for closely mimicking the Eventide H3000's Crystal Echos with reverse mode and double pitch shifted taps engaged.
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Critic Reviews
5.0 out of 5
Based on 3 Reviews and 16 Ratings
1822
Eventide H3000
I've wanted one of these bad boys for a long time! What can I say? Its and Eventide! One of the coolest effects processors ever! From my understanding it will not do 2 effects at a time (say huge hall panned right and distortion panned left) like some processors do. But this guy has been around since the 80's (my favorite era for music) and has been used on countless records. It has about 700'ish presets. It has stereo in and out by XLR as wells as midi in/thru/out. I love it! I just hope my wife doesn't find out how much i paid for it! ;o)
UPDATE I've updated the EPROM chips to H3500 "everything" and have a total of 1000 presets. This thing is just unbelievable! I love it! I hear people mention that its only 16 bit but that's CD quality for crying out loud! LOVe it!
41029
the 3000 and AMS harmonizers are cool in how limited they are... though to my ear the H3000 patches on that eventide pedal, the H9? they do the business plus if you get a max you get a billion more algorhythms. Not to mention having the ability to layer patches, pan and such in ways the H3000 can't. I mean, the 3k was really meant as a studio piece. Just print your effect to a track if you wanna use your H3k for another effect, right? but as a guitarist its limiting.
1822
Yeah, I've read about some guitarist actually having 2 or more in they're rack because of the limitations. But for what it does it does extremely well! I'm mainly going to use it in my studio for vocals, reverbs, and delays etc. The h3000 has some really wild effects. I fell in love with it the first time i heard it back in 95 I think? Hmm.
The backround sparkle wideness you can't live without
I love using this on groups of vocals or anything that ''breaths''.When used with wisdom and fineness the unit is capable of creating effects you’ve never heard before.True stereo image presentation - highly futuristic!
271
Iconic piece of studio gear
Used on almost every recording in the late 80's and early 90's, this unit is still found in most of the top studios today. The D/SE had presets from Steve Vai and Bob Clearmountain and was part of the Eddie Van Halen guitar sound throughout this period. Not only for guitar, this unit sounds wonderful on every instrument, not to mention drums, synths and vocals. A myriad of presets and programmable algorithms and parameters, this unit can keep you inspired and busy for decades to come.
Artist usage
Add artist
This article on the making of Marr's 2018 Call the Comet album by MixOnline.com touches on some of the gear used during the recording process. "'There is hardly any processing on the guitars, maybe a little cut if too bright or boost if too dull, and a highpass filter,' says Doviak. 'Sometimes the guitar sound is thickened with an Eventide H3000 or Lexicon PCM81 guitar doubler effect, which I run as an insert or auxiliary channel in Pro Tools. But nearly all the guitar sounds and effects on Call the Comet come straight from the pedals and amps. The instant feedback and imperfections can be more difficult and slower to reproduce in the plug-in world.'" (While the engineer is providing this feedback, the gear is housed in Marr's own Crazy Face studios, which contains gear he's collected over his decades in the music industry.)
Another item mentioned on the Syro album packaging as being one of the pieces of gear used on the recording of such album is the Eventide H3000 D/SE.
In this interview with Music Radar, The Edge's guitar tech, Dallas School details The Edge's complex rig during the 360 tour. The H3000 is listed as one of his rackmounted effects under the stage, meaning it's either controlled by Dallas or a switching system.
Robert used an Eventide H3000 during The Cure's live set up. The source here is a screenshot of an archived version of an April 2000 edition of Guitar World magazine. More verification of Robert's and The Cure's use of this can be found in this Sound on Sound article.
In this article it says Justin Vernon (Bon Iver) used an Eventide H3000 harmonizer while recording his last album 22, A Million
"The 8000s are generally what Robert uses to create those massive loops that go on for days."
"He'll play things and forty seconds later they'll appear in the surround speakers. The 3000s are used for other effects, like the tap delay."
Chief workhorses in the effects pedal department included Audio Kitchen's The Big Trees valve preamp; OTO's BIM 12-bit delay unit, BAM Space Generator and BOUM Warming Unit; along with a Klon KTR Centaur overdrive, MWFX's Judder analogue sampler/repeater; and Hologram's Dream Sequence pitch-shifter/sequencer. In addition there was also much use of a Maestro Echoplex and Roland Space Echo for delay, and the Eventide H3000 Harmonizer.
In this video put out by Eventide, Richard Devine states:
My first unit that I purchased was the [Eventide] H3000. I was in high school. Of course, you know, when most kids were buying cars and I was like, "No, Mom. I want to save up and buy an H3000." I didn't even know what they did, but I knew I had to have one. And I remember bringing it home and turning it on. It was just kind of like the wormhole of crazy sound effects.
Album Usage
The Eventide H3000 D/SE Ultra Harmonizer has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Eventide H3000 D/SE Ultra Harmonizer, it is most commonly used with the following gear.
Community setups
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