Joe Gosney

Joe Gosney uses the Marshall JCM900 SL-X, praised for its straightforward design and comprehensive capabilities. This is highlighted in the Marshall source titled "JCM900 4100."

Assuming its the selected amp but not quoted as to the exact version:

"Aside from firing up a cornucopia of living-the-dream amp heads, including a Marshall Plexi, Diezel VH4 and Orange Thunderverb, Joe’s other great discovery on All That Divides was a quick-fire alternate tuning. While he usually opts for D standard, with the odd drop-C sledgehammer thrown in, he explains that one small tweak was behind a number of the album’s highlights and his now-trademark chord drones."

Assuming its the selected amp but not quoted as to the exact version:

"Aside from firing up a cornucopia of living-the-dream amp heads, including a Marshall Plexi, Diezel VH4 and Orange Thunderverb, Joe’s other great discovery on All That Divides was a quick-fire alternate tuning. While he usually opts for D standard, with the odd drop-C sledgehammer thrown in, he explains that one small tweak was behind a number of the album’s highlights and his now-trademark chord drones."

JOE GOSNEY PLAYS THROUGH... JCM900 4100

1960A AND 1960B

Assuming its the selected amp but not quoted as to the exact version:

"Aside from firing up a cornucopia of living-the-dream amp heads, including a Marshall Plexi, Diezel VH4 and Orange Thunderverb, Joe’s other great discovery on All That Divides was a quick-fire alternate tuning. While he usually opts for D standard, with the odd drop-C sledgehammer thrown in, he explains that one small tweak was behind a number of the album’s highlights and his now-trademark chord drones."