Joe Gosney

"I use it just for the octave and dry signal. Its just for those single-note riffs, to fatten the low-end up a bit."

“I use some chorus but also the Leslie effect, the rotating speaker... I use that a bunch, more on the new songs.”

“I’m running it in stereo, which is really cool, actually, especially for the single-guitar stuff. It doubles the signal but with the slightest bit of latency on one of the amps, and it just sounds chunkier; you put it on and just everything widens out. It’s on everything, all the time.”

Can see an image of the RV-5 on Joes pedalboard

"I’ve gone through a bunch of different presets: dual delays, reverse on some things, and then it’s all running on MIDI through to the ES-8, so I have a bank for each song. We don’t play to a click, but tempo-wise, they’re in sync roughly, if we’re playing in time! [laughs]”

"I’m using both sides on that. It’s running through the ES-8; you can toggle between the settings via the ES-8, which is cool. I run it into the distortion with the octave on; it just gives the octave a bit more bite, and then I use it again with the distortion, but the Blues Driver side of it with the drive turned right down but the volume right up; I use it more as a clean boost for solo stuff.”

As seen on pic of Joes pedalboard in the article. no quote from artist

In an article on MusicRadar, a photo of Joe Gosney's pedalboard features the Boss TU-3S Chromatic Tuner, highlighting its role in his setup.