Junkie XL

In this video at 5:57 see E-mu E6400 Ultra sampler

"Then, I have a massive collection of samplers going back to one of the very first ones that came out, which was the Mirage. I'm working now on a movie with Peter Jackson—I can't tell anything about the movie at this point—but I'm using a lot of these older samplers because they give me a lot of quality. I'm using the ASR-10, Ensoniq, the Mirage. I'm using the Emulator II. It's all really good for that stuff."

In video at 22:12 Tom shows Roland S-770 sampler

"Then, I have a massive collection of samplers going back to one of the very first ones that came out, which was the Mirage. I'm working now on a movie with Peter Jackson—I can't tell anything about the movie at this point—but I'm using a lot of these older samplers because they give me a lot of quality. I'm using the ASR-10, Ensoniq, the Mirage. I'm using the Emulator II. It's all really good for that stuff."

In this video at 1:15 Tom shows Yamaha TX16W sampler

In this video at 3:07 see Akai S3200XL

"Then I did this other project last year which was a documentary for Red Bull. It's called Distance Between Dreams with Ian Walsh, the star surfer. That was a very soft, ambient electronic score. I did everything live with MIDI and just mixed it on the board and that was the end result. I used the Jupiter-8 for that, the Jupiter-6, the Juno-6 with the sequencer, the MSQ, the Roland 60, the 106, also the GB4, Roland VP-03, the vocoder. I used a Roland S-770 sampler, which has a really great tone to it. A couple of Yamaha synthesizers, the CS-60, the CS-70M—all pretty rare machines to have. But for that kind of stuff they sound so fantastic."

In the YouTube video "Tom Holkenborg (aka Junkie XL) - Warren Huart: Produce Like A Pro," at the 1:03:47 mark, Junkie XL discusses his use of the Oberheim Prommer.

In this video at 1:57 Tom shows Akai S950 sampler

In this video at 6:04 see E-mu E4XT Ultra

In this video at 17:56 see Yamaha A3000 sampler

In this video at 26:27 see Roland S-550 sampler