The Roland S770 is mentioned in Aphex Twin's official online store for the production of his works under the alias The Tuss.

Vangelis used a Roland S770, according to this book.

In a July 1992 article from Muzines titled "News Of The World," Ryuichi Sakamoto is listed as using the Roland S770 audio sampler.

"Then I did this other project last year which was a documentary for Red Bull. It's called Distance Between Dreams with Ian Walsh, the star surfer. That was a very soft, ambient electronic score. I did everything live with MIDI and just mixed it on the board and that was the end result. I used the Jupiter-8 for that, the Jupiter-6, the Juno-6 with the sequencer, the MSQ, the Roland 60, the 106, also the GB4, Roland VP-03, the vocoder. I used a Roland S-770 sampler, which has a really great tone to it. A couple of Yamaha synthesizers, the CS-60, the CS-70M—all pretty rare machines to have. But for that kind of stuff they sound so fantastic."

For Very they used: Korg M1Rs Akai S1000s Akai S3000s Roland S770 E-mu Systems Proteuses Oberheim Matrix 1000 Roland MKS80s Roland MKS50s PPG Waveterm Roland JD800 Roland Juno 106 Sequential Circuits Prophet V Roland R70 Fairlight CMI Macintosh running Notator Logic Dynaudio monitors This is according to Music Technology magazine (Dec 1993)

Composer David Wise has confirmed that he used the Roland S770 during the SNES Donkey Kong Country era, as stated in a response on Twitter: "I once had a U220, but that was before the SNES era. However, by that time I had the Roland S770. These same sounds are still being used in most of their 'ZEN-Core Pro' sound sets today."

Per Sound On Sound, May 2005:

"The very first sampler we had was a Roland F10," recalls Simpson, "and then we went with the Akai S900. Those were still mono samplers. Then we dabbled with the SP12, the predecessor of the SP1200, and then we had a Roland S770, which I think was the first stereo sampler.

Eric Persing has had a unique and influential relationship with Roland Corp for two decades. He started as a product demonstrator in 1984, showing some of Roland's first MIDI instruments. He quickly became involved in the R&D side with Roland Japan, earning the title "Chief Sound Designer", and began contributing his design ideas, real-world studio experience and sound design expertise. Persing's skills have left their mark on countless classic Roland instruments.

He is the originator of many legendary Roland sounds that have become part of the vocabulary and lexicon of musical sound. These include the Factory D-50 sounds such as Fantasia, Soundtrack and Digital Native Dance, a majority of the JV/XP/XV series Classics, all the Factory JD-800 sounds, the original Juno "Hoover" sound and thousands of others.

Here is a partial list of the Roland instruments that Eric has contributed his sound design, sampling and design consulting skills:

Juno-106 Alpha Juno 1&2 JX-3P JX-8P JX-10 Jupiter 6 Super Jupiter D-50 D-550 D-110 D-10 D-20 D-70 MT-32 U-110 U-20 U-220 Sound Canvas JD-800 JD-990 JV-80 JV-90 JV-1000 JV-1080 JV-2080 XP-10 XP-50 XP-60 XP-80 XV-3080 XV-5050 XV-5080 Fantom JP-8000 JP-8080 S-10 S-220 S-50 S-550 S-770 S-760 S-750 MC-303 MC-500 MC-505 VP-9000 MSQ-700 MSQ-100 MKS-20 MKS-30 MKS-50 MKS-70 MKS-80 R-8 R-5 DR-660 DR-770 R-70 V-Drums V-Drums expansion board SRV-2000 DEP-5 RSP-550 R-880 SRV-330 SE-50 SE-70 VS-880 VS-1680 SR-JV series expansion boards SRX series expansion boards Sound Canvas Project series CD-ROM libraries Archives series CD-ROM libraries Composers series CD-ROM libraries

Most of the album was recorded and mixed in Brook's flat, the guitarist having turned a spacious living room into a home studio centred around a 24-channel Allen & Heath Sabre mixing desk and a Fostex E16 multitrack, with monitoring via Yamaha NS1000s. Along with footpedals and rack-mount effects units, the studio includes an Atari 1040ST, C-Lab's Notator software, a Digital Music MX8 MIDI patchbay, a Yamaha DX7 synth with TX802 synth module, a Roland R8M drum module and (recently-acquired) S770 sampler.

The screencap from Tommy Tallarico's studio in the 1990s at Virgin Games, sourced from the Virgin Press Kit's Tech Talk section, confirms that he used the Roland S770.

Past experience hasn't entirely put Hughes off, however, and the juxtaposition of old and new hardware makes his studio a veritable Aladdin's cave of music technology. As well as the two SampleCell cards, a Roland S770 sees a fair amount of action when it comes to sampling.