Kaskade

"The Crane Song HEDD 192 was a new purchase for [Fire & Ice], and I'm really happy with the converters on that... I've got a few pieces of their outboard gear, most studios I've visited have their stuff, and I've definitely noticed a difference when I A/B against the last record."

To record his female vocals, Kaskade uses a Blue Dragonfly microphone, into a Manley VOXBOX.

Kaskade routes vocals from the mic into the Manley VOXBOX. He says "I think the Manley is cool because it can sound like not a lot is there, but you can easily add just a little bit of color. This combination is light, airy, has some character but isn't overbearing, and I always feel like the most important thing is to get a nice, clean sound that I can mess around with a little bit later."

For Marcus Bentley's vocal on his album Fire & Ice, Kaskade decided not to go with his usual mic setup and instead use the Telefunken CU-29 microphone and a Brent Averill 1073 preamp.

The first device in Kasakde's premastering hardware chain, "for sheen."

The second device is Kaskade's premastering hardware chain, "to thicken the transients."

The Dangerous Music BAX EQ is in Kaskade's premastering chain. He says "[The BAX] beefed it up, gave it that shimmery sparkle on top - the BAX is an amazing piece of gear."

Kaskade praises the improvement in the speakers on the MacBook Pro with Retina display.

Kaskade tweets about being a new owner of the Akai MPC Renaissance Controller.

A photo Kaskade posted of him during a live set reveals him using the APC40 by Akai.

The Apogee Duet 2 USB Audio Interface can be spotted in a photo of Kaskade's live setup.

The MIDI keyboard above Kaskade's computer keyboard is an LPK 25. The item can be seen throughout the video, but you can see it very clearly at 29:03

In the sidecar Rack to the right of mix position. The Avalon is the 4th or 5th item from the top. There are two of them mounted side by side

They are clearly visible at 42:35

In the top left of his desk rack is the Retro Instruments Sta-Level compressor.

Sort of dark but in the bottom right of his desk rack, you can see his Zener Limiter from Chandler Limited.

On his side rack to the right, there is a Universal Audio LA-610 MkII preamp.

Below the UA 610 Pre amp in the side rack off to the right is a Avalon AD2044 compressor.

At around 29:07 in the video, you can see a Kush Audio Clariphonic EQ between his Zener Limiter and the Retro Instruments compressor.

In combination with his API 2500, he also uses the Pendulum OCL-2 Compressor in his pre-mastering chain. (Pictured at 30 mins in the video)

Below his Crane Song chassis in his side car, you can see his Avid HD I/O which he uses for conversion along with Pro Tools HD.

Kaskade mentions using the Epure EQ plugin when doing the mastering for his tracks himself.

When Kaskade does his own mastering, he mentions using the Waves SSL G-Master Buss Compressor Plugin.

"I master my own stuff when I’m in a rush. I have no set rule about which plugins to use, but typically I’ll use something like this: Epure II EQ from Flux, SSL G-Master Buss Compressor by Waves and Ozone 4 from iZotope."

"Occasionally I also turn to the McDSP ML4000 HD" says Kaskade about how he masters his own tracks.

Discussing how he masters his own tracks, Kaskade says he sometimes uses the SPL Transient Designer Plugin.

Kaskade turns to the Flux Mastering Pack when choosing to master his own tracks.

The bundle includes the following plugins: Solera II, Pure Limiter II, Elixir, Epure II (Native), Stereo Tool, and BitterSweet II.

Omnisphere is the plugin most closely attributed to Kaskade's sound and is certainly one of his go-to pieces of software.