Roland Juno-106

While updating Twitter on his near completed studio, deadmau5 tweets "Synths on synths" and a Juno-106 can be seen leaning on a table

At :40 into this video, "Wolfgang Gartner: The 'Weekend' Trip" he says "... got the Juno-106 over here under the black light, it's kind of a must-have. Classic analog synth in any studio. I think I've had that thing since I was 14 years old."

Posted by his Label "Acid Test" John Frusciante names various Instruments he used over time. One of those is the Roland Juno 106. The Instrument can be seen at the very bottom of the picture.

In this page he says, "Twenty years ago your Juno 106 had just 32 presets, so you had to be much more creative with what you had."

"But I have been pulling a few vintage bits of kit off of the shelves too. Things like an old [Roland] Juno-106 and a Korg MS20. All you need is one sound and you're off on your journey. Who knows where you'll end up."

Starting at 1:53, Guy Lawrence talks about how they use the Roland Juno-106 synth in their live set: "I use it for sub during Boiling. I play the bass riff of Boiling, underneath the chords that Howard plays..."

In this Instagram posted by Dirty South, his Roland Juno-106 synth can be seen. He says: > "Father & Son re-united in my studio @roland_us" "Son" refers to the Roland JU-06 module sitting on top of the Juno-106.

Kaskade lists the Roland Juno-106 as one of the pieces of analog gear he still uses.

Sebastian Ingrosso tweets about his love for the vintage Roland Juno-106 synth, saying he made the chords for "Leave The World Behind" with it.

"At the top of the synth rack is the Juno 106 and everyone has one of these. It was one of my first synths."

"We used a Juno patch as a bass and it's stereo, so it could be cooler because then it doesn't interfere with your kick. This is because your kick stays in the middle and the bass pans hard left and right, and the track breathes more." "At the end of the day, the Juno we've used has come in hand for bass, it's come in handy for chords. If you notice, all of my default bass sounds are just one octave low or one octave high, and they all sound Minimoogish. I like fake Minimoog sounds because they always sound really different. When I want that Minimoog sound I try to recreate it with something else. It always gives something interesting because this one is stereo. It's a bit colder but it's still trying to be the Minimoog."

A Juno 106 can be seen in the left side of a photo The Crystal Method tweeted showing their studio during a AMA.

Daft Punk "...brought their own synths into the studio, with a modular synth and things like an Oberheim OB8 and a Juno 106 and quite a few old polyphonic analogue synths."

In this page, he use for Carl Cox Collective - My Life In Music.

"There are some good tracks coming up using this classic bad boy!"

I used the Juno-106 a lot in the early 90s, then I think I got the Korg Triton.

"When we did the first EP we used a lot of plug-ins such as the LinPlug Delta but now we're just using a Juno 106 to compose the tracks. Then we are replacing most parts with samples on one computer."

"Basically from my first trip to Japan I bought myself a 303, 909 and 808. Then I got a Juno-?60 and Juno-106."

In these video interviews Harley talks about the different aspects of the creation of his second album Skin; while he talks he demonstrates his Juno-106.

"Juno-106, gotta have that."

If you look at 1:15, you can see the synth Martin is playing has the Juno-106 label on it.

"My first synth was a Juno-106."

The Roland Juno-106 Synthesizer makes an appearance in Gesaffelstein's studio in this video, about 0:37 in. It's the keyboard on the top rack.

A synthesizer which Tommy Lee uses in his solo electronic music projects.

3:07 into the video "Carl Craig - Modular Pursuits" on Vimeo, the Juno-106 can be seen on the left-hand side of the shot, just left of the Prophet-5.

In this photo, one can see Jaar with a Roland Juno-106.

"...The item can be seen 11:26 into this video..."

Haywyre posted a snap with the caption "New toys" whitch shows some new gear.

In this YouTube video for *FACTMagazine*, you can see the Juno 106 at 0:12 in the very top of the rack right in front of Perez.

at the right in this photo we can see his juno 106..

This synthesizer can be seen at 1:03 into this video.

"But that's when I heard Daft Punk's first album. Wow! It just blew my mind. It was electronic music, but it was also rock 'n' roll. I went and bought a little computer, Cubase, an Akai S3000, a Roland Juno-106… and, luckily, we still had access to the big studio in Tel Aviv. I was no longer an indie kid. Now, I wanted to make electronic music."

When asked if he has any advice for up-and-coming producers, the Juan Maclean states, "I'm a big advocate of getting outside your computer, using as much hardware as possible. I made so many tracks with just a few pieces of gear, like my old Akai S1000, Waldorf Q and a Juno 106. Just having stuff like that and a cheap mixer sounds loads better than doing everything in the computer with soft synths."

In this Facebook photo, the VCF, VCA, ENV, and CHORUS portions of the Juno-106 are visible behind the bottle of whiskey.

[“This instrument was Szary’s very first serious keyboard. He bought it in 1992 and that time the Juno was already 10 years old."](http://www.musicradar.com/news/tech/in-pictures-moderats-berlin-studio-586914/2/#!5)

pues mi tema se llamara stronger. la reproducire en mexico el 15 de febrero del 2017

In an [interview](http://www.soundonsound.com/sos/1997_articles/nov97/autechre.html) with "Sound on Sound" Rob and Sean say that they use the Roland Juno 106 Synthesizer.

At 5:3, Julian start playing "Glass" on a Roland Juno 106.

"Then I did this other project last year which was a documentary for Red Bull. It's called Distance Between Dreams with Ian Walsh, the star surfer. That was a very soft, ambient electronic score. I did everything live with MIDI and just mixed it on the board and that was the end result. I used the Jupiter-8 for that, the Jupiter-6, the Juno-6 with the sequencer, the MSQ, the Roland 60, the 106, also the GB4, Roland VP-03, the vocoder. I used a Roland S-770 sampler, which has a really great tone to it. A couple of Yamaha synthesizers, the CS-60, the CS-70M—all pretty rare machines to have. But for that kind of stuff they sound so fantastic."

Magne has been using a Roland Juno-106 as his principal synthesizer since early 2006. Before that time, he was using a Waldorf Q.

Inside of the album "You’ve Come A Long Way, Baby", on the top left, behind the 909

At 8.07 we can see Roland Juno-106 Synthesizer in his studio equipment

in this photo we can see his juno-106..

During a short Roland interview Jerome states his first ever keyboard was a Roland Juno-106

What’s your favourite synthesizer? The Monomachine. I use that an awful lot. I have two Voyetras that are getting mended at the moment; I remember them very fondly. But the one that gets the most use is the Juno 106. So I suppose that is me favourite. A close thing between that and the Monomachine.

"I have a Juno 106 looking at me right here."

A Roland Juno 106 can be seen in Vince's studio (bottom right of photo).

In this Instagram picture (submited by ZHU himself), this Synthesizer can be seen in his studio.

In this video, Bruno is seen playing his Roland Juno-106 at about 3:30 for the fast brass synth used in his single *24K Magic*. A Roland Juno-60 is also noticeable by its white momentary/toggle button in the left side, just in front of the Roland Juno-106.

On this video she shows her setup of synthesizers. The item can be seen 1:13 into this video in the middle of the rack on the left.

Iain shows off his Roland Juno 106 At 0:35 in this stage tour video.

In this photo, Mayberry is visible playing the Roland Juno-106 Synthesizer.

At around 1:38 minute mark, Wilson is playing Roland Juno-106.

"A lot of the songs on this record started with the Juno. I've never had a proper hardware polysynth before," says Caribou, in [this interview](http://tapeop.com/interviews/105/caribou/). Early in the interview he specifies that he uses a Juno-106.

In this photograph, Kevin Parker can be seen playing his Roland Juno-106 Synthesizer.

"Oh, and I also got an 808, a Yamaha CS-30, an E-MU sampler and, eventually, a Juno-106."

George Michael used a Roland Juno 106 for bass and strings on his "Faith" album.

..."@dsisequential Prophet 08 & Juno 106 for pads..."

In Protohype's interview with Icon Collective, The Juno -106 can be seen in his studio.at 0:01 of the video.

Roland Juno-106 Synthesizer

While recording Mutemath's second album, "Armistice" in 2008, Paul can be seen in his house using the Roland Juno-106 to create a bass line for the track called Clipping at 8:00.

jimmy kimmel preformance

Alex Metric takes future music on a studio tour

In an interview where they sit down with artist [Nicky Romero](http://equipboard.com/pros/nicky-romero), they ask him what pieces of gear in the studio he loves, to which he answers, "The [[Moog] Little Phatty](http://equipboard.com/items/moog-little-phatty-stage-ii-keyboard-synthesizer)." He goes on to say that he records the notes from his favorite preset so that he can use the sounds while producing on the road. Cash Cash confess to doing the same thing with their vintage Roland Juno 106. The full interview can be found [here](http://www.huffingtonpost.com/cash-cash/cash-cash-nicky-romero-ultra-music-festival_b_2990305.html).

The Juno-106 can be seen in the left side of this photo of Gold Panda; “I just stand there and play it while looking out of the window. It sounds even better when you run it through a tape machine or tape delay. There might be better polysynths, but this is pretty versatile and really simple to use.”

The Roland Juno 106 can be seen in the lower right side of this photo of LFO in the studio.

Some more studiotime

"We also use quite a lot of old stuff, because I've still got things like a PPG 2.2, and we've used a Prophet 5, Juno 106 and Jupiter 8 because there's a lot of arpeggiated stuff. A big problem with a lot of modern sequencers is that you have to write arpeggiation in yourself- there isn't actually a machine which arpeggiates, which is a shame because it's nice when it's more random. We use S1000s, S900s, and an FZ1. I tend to use the FZ1 as my main sampler just because that happened to be the one that I bought."

Badwan is credited in this album as playing a Roland Juno 106.

Juno 106 as shown in photo

The Juno 106 is shown at the [0:03](http://https://www.youtube.com/watch?v=qKh8FiKzfvQ) mark of this video

"This one is missing one voice but it still does the job...ghetto style. I bought it in the mid 90s quite cheaply from some teenage girl who had put all kinds of New Kids on the block stickers on it....it has been serving in the studio since then and it has been used in countless of productions...this is probably my most used synth." via [Legowelt Official Website](http://awolfe.home.xs4all.nl/studiodjuno.htm)

”A lot of big, maximalized electronic music now is kind of easy to make, and we were trying to find a different sound.”

in this photo we can see his juno-106..

Villem is asked what his computer/hardware setup is for producing music, to which he replies, "imac 2.8GHz Core i7 32GB Ram Logic 9 Roland Juno 106 Novation Supernova 2 UAD-2 Quad Satellite" (original reddit post [here](http://www.reddit.com/r/edmproduction/comments/2oyxto/i_am_villem_utopia_musicsymmetrysamurai/cms79vs)).

Although he uses software synths, Laurent Garnier favours the hardware variety, particularly where lots of knobs and sliders are available. Vintage keyboards in his The Kub studio include Roland Juno 106 and Jupiter 8 and Korg MS20 analogues, plus the under-rated Yamaha DX100 FM synth (bottom right), while Garnier also uses the Kurzweil K2000 workstation (top right).

William Orbit (about the gear he used for the recording session of Madonna's Ray of Light album) : “How did I know you would ask me that? Oh, it’s all in a pile there if you wanna look at it . It’s not a ton of gear. Most of it is pretty retro; a Korg MS-20, a [Roland] Juno-106, a [Roland] JD-800. Much of the album was done on a Juno-106. You can get so much out of that synth. Also a significant amount of it was done on the MS-20 – the more spiky sounds. A few things that people think are guitar are actually the MS-20. And then there were a few more bits and pieces: a few modules, a Yamaha DX7, a Novation Bass Statlon, a [Roland] JP-8000, a lot of Roland stuff. I’ve always liked Roland stuff. ”

"Synth-wise and for our sounds, we’ve got a Moog Voyager, Yamaha CS10, Korg MS20, Access Virus,** Roland Juno106**, JD 800, JV2080, Novation Supernova and a Korg MS2000.”

Inside the cover of the album "You’ve Come A Long Way, Baby", on the top left, behind the 909

In this Sound on Sound Article it says Mark Ronson uses a Juno 106 . Exerpt: As far as hardware instrumentation at Allido goes, Ronson has a collection of synths and vintage keyboards that are constantly in use, including a Moog Voyager, a Roland Juno 106, a Nord Electro and a Hohner Clavinet D6, alongside his trusty Wurlitzer, Rhodes and upright pianos. "It's cool when you have a keyboard that nobody has or isn't using much any more," he says. "One of them I put all over Robbie Williams' 'Lovelight' is the Roland String Ensemble. It comes in with the second chorus and phases through the whole thing doing the big string line. Then there's the gated sound at the beginning of the track, which is me just scratching a synth sound on a [Pioneer] CDJ1000."

Juno 106 seen in Oh! Land's studio in this photo from her Instagram account

At 16:21 Olga is spotted playing a Roland Juno-106 while performing live with The Dirty Projectors.

> “I’ve always had a lot of Roland stuff,” says Archer. “I have a JX-10, a Juno 106, and I’ve also just got the V-Synth XT."

He is most known for using Roland Juno-106 keyboards on the Automatics debut

In this Instagram photo posted by Chislett on his Instagram profile, the Roland Juno 106 can be seen behind Chislett.

In this photo, posted to Joris' [Facebook](https://www.facebook.com/jorisvoorndj/), his Juno-106 can be seen. The caption reads, " "I love this part of the Roland family! (New Remix on the way..)"

"The chorus I love" - Jody Wisternoff at 13:26.

He speaks about his Roland Juno-106 Synthesizer

At 1:49 in the video for "Kayleigh" a Juno-106 can be seen on the top of the stack behind Mark.

In this image, taken at Nemo Studios, found on Vangelis' [website](http://elsew.com), one can see some the equipment used by Vangelis, including a Roland Juno 106.

#recording #always #juno #juno106 #eventide #H3500

Can be seen at 10:56.

This is one of the synths that he uses.

"It's mostly Eurorack, but I have a classic Moog Voyager and a Synthesisers.com set up that emulates the old Moog 5U modular system. Then I have things like the TTSH (Two Thousand Six Hundred), which is an ARP 2600 replica, an original Roland System 100M - I love the way that thing sounds, a Roland Juno-106, a Juno-160 and a couple of Prophet 600s. I also have a Buchla set up, and a Swarmatron, which I use a fair amount as well, so I can kind of do anything I want."

Horn states in [this interview](http://www.roland.co.uk/blog/trevor-horn/) with Roland that he owns a Roland Juno-106.

Richard's keyboard in this picture has the words "Juno-106" on it (hard to read, but definitely there).

In [this interview](http://glasswerk.co.uk/magazine/article/2821/Interview+with+Dean+Garcia/) Dean says that he used a Roland Juno-106 Synthesizer while writing a track for Curve.

Next to his QuNeo you can see the Roland Juno 106

uses it in 4:19 duration

We can see the 106 next to CC

• Classic Roland synth. Gotta have one to love one, it does make a great synthesizer for anyone starting out with analog synths. It is the kind of synth that will never leave your studio, no matter how packed that studio becomes over the years.

«The Juno is the very first synth I bought after getting my first gig paycheck in 2007. It’s still my favourite, a great workhorse which taught me the hands-on basics of synthesis. Every time I turn it on I know it’s gonna be fun and easy»

Toxic Avenger starts showing off his Juno-106 around 5:17

> For Very they used: > > Korg M1Rs > Akai S1000s > Akai S3000s > Roland S770 > E-mu Systems Proteuses > Oberheim Matrix 1000 > Roland MKS80s > Roland MKS50s > PPG Waveterm > Roland JD800 > Roland Juno 106 > Sequential Circuits Prophet V > Roland R70 > Fairlight CMI > Macintosh running Notator Logic > Dynaudio monitors > > > This is according to Music Technology magazine (Dec 1993)

In the studio, Matt played Wurly, Hammond B-3, and Hohner Clavinet. He brought in a trio of Rolands from his live rig—Jupiter-6, Juno-106, and Fantom-G—then fleshed things out with Arturia Minimoog V and Prophet V soft synths, and “a little bit” of Reason programming.

Although Tom owns an SBX80, swears by an RE501 Chorus Echo and is recording much of his current song with a Juno 106, it's the Drumatix and TB303 Bassline which he finds indispensable.

"I still have a great love for the old SH09, its big Bro’ the SH2 and its progeny the SH101. But the Roland Juno 106 is still hard to beat. I do still have (hopefully) working examples of ’em all. Although primarily a vintage Roland fan, I do have the odd bit of Korg and Yamaha kit, and of course the wonderfully proletarian Casio VL Tone… required equipment in my League days, we all had one in our make up bags!"

Seen sometime in the mid 80's.

This article states Paul Buchanan and The Blue Nile's use of the Juno-106

Posted a photo from a studio session on Facebook with him using the Juno-106 synth

from Dan's instagram: "Milking the synth cows yesterday."

posted October 28th, 2015

Manufactured: 1984-1988 Type: Analogue MIDI synthesizer A classic and very common polyphonic analogue sizer, mainly because it has a quite good MIDI interface and 128 memories. It has got lots of good acid sounds and nice bass sounds. The Juno-106 was the third in the Juno series of digital/analog synthesizers. Its predecessors, the Roland Juno-6 and Roland Juno-60, were somewhat different in appearance than their later sibling, but shared most of the internal components and features in common with the exception of a tradeoff between a simple up/down arpeggiator on the earlier models and a portamento feature on the Juno-106. The Juno-106 also featured MIDI connectivity, rather than the proprietary Roland Digital Control Bus (DCB) found on the Juno-60. Roland also produced a Juno-106 variant with built-in speakers and a slightly redesigned enclosure, intended for the consumer market rather than professional users. In Japan, this version was called the "Juno-106S", and elsewhere in the world it was called the HS-60. The Juno-106 is a unique synthesizer in a large part because it came at a time period when digital synthesizer components were just being introduced, MIDI being the most important, yet it featured the best of the analogue and digital worlds. The Juno-106 was one of the last synthesizers to feature all of its controls as buttons and sliders on the faceplate which allowed for quick programming. The Juno-106 also featured DCOs with an analog signal path including VCFs. This allowed for perfectly tuned pitch with the warmth of analogue waveshaping and filters, along with the drive provided by the VCA. It is because of this balance of analogue and digital that there really is no other synth quite like the Juno-106 and it is still a staple in many studios today. Technical information: Oscillators: 6 DCO's - pulse, sawtooth and square, sub oscillator and noise generator Polyphony: 6 voices 61 keys, no aftertouch or velocity 6 VCF's and HPF's LFO: rate and delay Effects: chorus (rich/harmonic/off) VCA: 1 ADSR envelope (AttackDelaySustainRelease) MIDI: in, out, thru Memory: bank A 88 patches, bank B 88 patches Due to their enduring popularity and despite their overall simplicity and limited range of sonic possibilities, Juno-series synthesizers still make appearances with a number of bands, including Fatboy Slim, William Orbit, Underworld, Leftfield, Fluke, Josh Wink, Todd Terry, Depeche Mode, Apollo 440,Faithless, The Black Eyed Peas, Blue Nile, Steve Adey, Franz Ferdinand, Covenant, Clarence Jey, Daft Punk, Dosh, Moby, The Chemical Brothers, Justice, Jessy Lanza, Mutemath, Sigur Rós, Solemn Camel Crew, Doll Factory, Islands, the Unicorns, Pet Shop Boys, Mansun, a-ha, Laserdance, Uzi and Ari, Late of the Pier, the Automatic, Tame Impala, Four Tet, Pivot, the New Deal (band), Andy Kuncl, Howlermonkey, Winter Palace, Passion Pit, Bleachers (band) and scores of other projects. Liam: "I like the [Roland Juno] 106 because it's so easy to use. I program it for bass lines, but it's better for string sounds."

In this instagram post we can see a Juno-106 in his studio setup

Joe Ryan take a picture of his Roland Juno-106 synth.

"Juno Bass from Top Gun - Take my breath away by Giorgio Moroder"

At 3:37, Scott mentions that his Juno-106 was his favourite keyboard.

You can see his Juno 106 at the top of his keyboard rack

In this picture, Shura can be seen with a Roland Juno-106.

You can see the Roland Juno 106 in the 3rd picture during this interview.

Seen in this video at 0:16 ("80s...")

Joe mount uses a juno 106 on some of the metronomy albums. It is visible in some pictures of the band in the studio and band member Oscar Cash played it during the "love letters" tour. You can also see the juno 106 in footage of the bands previous tour where it was often brought on stage half way through the show to play some of the songs.

In this photo from British Summer Time concert in 2015, Cash can be seen performing with Roland Juno 106.

You can see the Juno 106 in the background at 1:16

Calls this synth fat and dirty.

You can see a JUNO-106 behind Terje in this studio interview

in his study he uses a juno 106 along with other things ...

In this video at 8:51 Billain mentios how he uses Juno to synthesize sounds. Also this proves the exact model: https://www.facebook.com/BillainSystems/photos/a.366478446707733.83801.109080849114162/873167862705453/?type=1

In an interview, when asked, "Do you tend to upgrade your software and hardware regularly?" Röyksopp answers: > "There is a hunt [for new gear] but we already have quite a lot of synthesisers and so on. It’s always fun to get something new, although we have a few favourites that we always turn to – because we have bought things in the past that we don’t really use that often. We don’t use the Moog that often, but a few of the synths that have always been there - and I guess always will be - are the very versatile Roland Juno-106 and the Korg MS-20; also good for creating effects - even bass lines." Original interview [here](http://www.barcodezine.com/Royksopp%20Interview.htm).

Proof on Instagram.

"I also have a lot of classic Roland stuff including an 808, 909 and a Juno 106"

"That’s hard to say, in the past years I used the Juno 60 and the Juno 106 a lot"

On this Instagram post we can see a Juno-106 in Lenno's studio.

Juno 106 can be seen in this picture from his studio.

WHAT IS YOUR FAVOURITE SYNTH? Probably the Roland Juno-106 – classic analogue gear. We used it on all our early records- but it’s a little bit temperamental to take on the road with us.

sharooz takes future music on a studio tour

WRLD posted a photo of his new room that has this synth in it.

You can see Michael with the Juno-106 in his synth rack in a photo in this article

You see it in this video about him. However, you don't see this one at live performances with Snarky Puppy.

"I think they really just fit my sound. The 106 I use if I really need to MIDI program something, the 60 if I can play it. I prefer the sound of the 60. It's easy to make a Juno work with strings. If you put the filter really low, they become really warm and soft. I almost always track them through the [Roland RE201] Space Echo — it's like my automatic thing — and that combination, it always works. And it works wonderfully along with strings and piano."

She uses it in live and studio

used a lot fo times in life&death productions

"Everyone knows about those"

"I had just moved to NYC and I didn’t have much equipment with me – a LinnDrum, DX7 and a Juno 106 and I made the record with just those instruments."

25 Aug. 2016 – Robert Parker's studio Robert Parker mentioned the item in a tweet :"My studio, 2012. #tbt #minimoog #rhodes #polysix #juno106 #sh101 #re201 #tr707". We can see it under the screens, on the left

Tings can be seen using a Juno 106 in this video.

The Roland Juno-106 is used by Matthew in this live version of cs60.

"specially this Juno 106, which is absolutely one of my favourite synths, but it gave me a lot of problems with the voices, the chorus and the battery."

Photos taken by Hypnos Studio of Seismal D

This photo was taken at The Vagabong (http://www.miaminewtimes.com/music/junior-boys-at-the-vagabond-march-16-6386328) During there live performance. ( https://www.instagram.com/p/IQ5qoeBSB_/ )

In this photo of synths, which belong to Hultquist, the Roland Juno 106 can be seen.

Testing out his Juno 106

Upper left corner under the lamp. Photo from official facebook site.

Q: Here’s one for the gearheads: If you were on a desert island and could take just a few pieces of gear, what would they be? "For synths, I like the Juno 106 and Prophet 5."

Rachel Goswell is stood behind a Juno 106 in this clip.

Between 1:38 and 1:40 you can see a Roland Juno-106 to the left of the screen.

In their UK Adapta interview, they briefly talk about some of thie gear: "Q: Do you have any favourite equipment or software? A: We like to use our oldies stuff, like Cubase VST 32 or Cool edit pro and also vintage synths like Juno 106, or old Casio keyboards toys."

His Juno 106 can be seen at 1:31

In a reply to a fan who asked what synths he used on his album Pool, he says "Juno 106 and dx7".

Zeffira is credited on this album as playing a Roland Juno 106.

2:11- 2:22 Back in the day in Bad Nauheim I used the Juno 106 a lot. Single note stuff was somehow crap, but playing chords on the Juno was great and I was really crazy for that sound somehow.

In this facebook post we can see a Juno 106 on the desk.

You can see Josh playing the Juno @ 4:46

I ? SYNTHS: Chi è il tuo giocatore preferito sintetizzatore e qual è la vostra azienda sintetizzatore preferito? RetroSound: Vangelis ha una grande influenza del mio lavoro musicale dal momento che so che cosa sono stati utilizzati sintetizzatori. Ho sentito le melodie futuristici in fine degli anni '70 e mi è stato completamente spazzato via. Ho un sacco di epoca Roland sintetizzatori così, quelli sono probabilmente il mio preferito.

Seen on the Torstraßen Festival 2016 in Berlin

"Got keys:" This is from their fb photos. Probably every synth in the last 20 years. They can usually be seen using Ableton during live gigs.

This Instagram posted by CFCF proves he owns a Roland Juno-106 synth. He captions the photo "junobug" and the buttons correspond to the buttons found right above the end of the first octave on the Juno-106's keyboard.

Used for new music project murder tracks

"Ready for the weekend:) Graz, London and Essen"

Here is Jerry Paper using his Roland Juno 106 live.

Visibile nella foto.

The Juno 106 is also the main synthesizer. Now in use. He replaced Yamaha AN1X.

Pictured right at the top in this shot from Global Citizen's Official Facebook.

Personal tweet. Keyboard can be seen on right.

Roland Juno-106 Synthesizer

Along with a Juno-60 in his studio.

Synth next to the dog

There are three keyboards in this picture, one of them is this item.

In Multiple Instagram Videos, you can spot in George's studio the Iconic Juno-106 synthesizer.

Bottom right in the pic a Juno-106 can be seen. " * Where the magic happens * " from the official instagram iamtimecop1983

Used by Eloy Fritsch to recorded the album The Garden of Emotions.

Can be seen at 1:07

At the [2:12](https://www.youtube.com/watch?v=lGKlIJsz7bM) mark of the video Goransson is shown demonstrating the Juno 106, using it for synth bass in Chidlish Gambino's "Redbone"

"but lately been using my Juno keyboard"

"i need someone to play keys with me this summer. it would be best if you are based in new york. dm me if you or someone you know might be interested. ty <33"

In this video you can see Dr Headlong's Roland Juno 106 Synthesizer

In studio on the rack.

"The [Roland] Juno 106 is practically on every track. It was our workhorse when we came to the bass on every track. You can hear it really well on Sunrise, on that classic [early House producer) Mr Fingers sound, which we're constantly referring to on the bass. We would leave the two main oscillators off and use the sub oscillator on the Juno 106 with Chorus Number 2 on. Then lock it into mono. If you do that you get that empty sub sound, which makes it sound bulbous. Pacific comes back in this track, like a motif. But then it takes off in a completely different direction."

as listed by tim simenon used for ULTRA lp of DEPECHE MODE

una storie del juan con el juno

Playing several keyboards in this video the Roland Juno 106 is one of them.

"As hardware I use a Juno 106"

According to this article on the making of Goldie's *Timeless* album from the [June 1998 issue of *Sound on Sound* magazine](https://web.archive.org/web/20150416233330/http://www.soundonsound.com/sos/jun98/articles/goldie.html), Playford's studio gear includes a Juno-106 synth.

Featured in this Instagram post by Maier.

According to Babydaddy, the equipment at Discoball Jazzfest consists of a G5 Mac running Logic Pro 7 with assorted plug-ins including the Native Instruments Komplete package, Korg's Legacy Collection, Arturia's CS80V and Gforce's Minimonsta. Hardware includes the Access Virus Indigo and Virus Polar, Roland XV5050, Studiologic SL880 master keyboard, Roland Juno 106 and Novation K-station synths. The band's main microphone is a Neumann M149, which went through the studio's HHB Radius 50, Avalon VT737, or Universal Audio 6176 preamps, and then into their MOTU 828 MkII, with monitoring taken care of by Mackie HR824s.

Among the key pieces of gear are the Roland Juno-106 synth (which Dikiciyan first used way back on Quake 2), a Moog Slim Phatty for arpeggiated bass parts, the highly-desirable, retro-futuristic OP-1... and an iPad. Dikiciyan calls the iPad "a legit tool to use as a music pro" and notes that he used the Animoog app on "pretty much every single cue."

Eric Persing has had a unique and influential relationship with Roland Corp for two decades. He started as a product demonstrator in 1984, showing some of Roland's first MIDI instruments. He quickly became involved in the R&D side with Roland Japan, earning the title "Chief Sound Designer", and began contributing his design ideas, real-world studio experience and sound design expertise. Persing's skills have left their mark on countless classic Roland instruments. He is the originator of many legendary Roland sounds that have become part of the vocabulary and lexicon of musical sound. These include the Factory D-50 sounds such as Fantasia, Soundtrack and Digital Native Dance, a majority of the JV/XP/XV series Classics, all the Factory JD-800 sounds, the original Juno "Hoover" sound and thousands of others. Here is a partial list of the Roland instruments that Eric has contributed his sound design, sampling and design consulting skills: Juno-106 Alpha Juno 1&2 JX-3P JX-8P JX-10 Jupiter 6 Super Jupiter D-50 D-550 D-110 D-10 D-20 D-70 MT-32 U-110 U-20 U-220 Sound Canvas JD-800 JD-990 JV-80 JV-90 JV-1000 JV-1080 JV-2080 XP-10 XP-50 XP-60 XP-80 XV-3080 XV-5050 XV-5080 Fantom JP-8000 JP-8080 S-10 S-220 S-50 S-550 S-770 S-760 S-750 MC-303 MC-500 MC-505 VP-9000 MSQ-700 MSQ-100 MKS-20 MKS-30 MKS-50 MKS-70 MKS-80 R-8 R-5 DR-660 DR-770 R-70 V-Drums V-Drums expansion board SRV-2000 DEP-5 RSP-550 R-880 SRV-330 SE-50 SE-70 VS-880 VS-1680 SR-JV series expansion boards SRX series expansion boards Sound Canvas Project series CD-ROM libraries Archives series CD-ROM libraries Composers series CD-ROM libraries

"Blake got his synth fixed today and I took the opportunity to take this picture which looks like it should be in synth nerd magazine" -Sierra Kusterbeck in 2015

Equipment used on Rick Astley's "Never Gonna Give You Up," which was recorded at Stock, Aitken & Waterman's PWL Studio, included "The Linn 9000, which most sequences and drums were done on, was run from a [Friendchip] SRC synchroniser, and a [Yamaha] DX7 was used for virtually all of the bass lines. There was also a [Roland] Juno 106; a [Yamaha] Rev 5 and Rev 7; Dbx 160 compressors; SDE 3000 delays; an Emulator; and the wonderful Publison Infernal Machine 90, which was the first sampler that could actually pitch?change without really affecting the time signature. You could time?stretch things and make them fit reasonably well — It was a little choppy, but for the time it was phenomenal. Other than that, there was an AMS delay/harmoniser, which always had a number of kick and snare samples, and that was pretty much it."