Kendall Jones

Listed among Jones' gear in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."

Listed among Jones' gear in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."

Listed among Jones' gear in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."

Listed among Jones' gear in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."

Listed among Jones' gear as one of two "Eventide M-3000" units in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."

Listed among Jones' gear as one of two "Eventide M-3000" units in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."

Listed among Jones' gear in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."

Listed among Jones' gear in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."

Listed among Jones' gear in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.

KENDALL REY JONES' "Rack o' Doom" includes two MESA Boogie 2x12 cabinets with EV speakers, a Furman Power Conditioner and Light Module, a Samson Broadcast STD Series channel switcher with 10-channel capacity, a dbx 160X compressor limiter, a 32-band IEQ-ART MIDI-programmable EQ, a t.c. electronics 2290 digital delay and effects controller, two Eventide M-3000s, including the SE with the "real cool crazy psycho-effects." His axes include a '57 Strat reissue he's gutted and rebuit with Seymour Duncan live wire pickups and a Floyd Rose tremolo. He uses a Switch 2 L for all the amp and MIDI switching and running two MESA/Boogie Mark IVs in stereo. His other guitar is a Tom Anderson Pro-Am custom-built in Sylmar, California, with Stay-in-Tune strings. He also uses a Jim Dunlop Cry Baby wah-wah pedal and "various secret stomp boxes I can't tell you about."