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Average Price: $2,600
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Description
Step into the realm of sonic innovation with the Eventide H3000 SE, a revered effects processor that has shaped the sound of countless records. Known for its iconic DSP4000 chip, this unit delivers an exceptional range of effects from pitch shifters to delays, reverbs, and beyond. A staple in professional studios, the H3000 SE offers unparalleled versatility, making it an indispensable tool for both sound engineers and musicians looking to expand their sonic palette.
Designed with precision, the Eventide H3000 SE provides an intuitive interface that allows users to easily navigate its extensive library of presets and customizable parameters. Whether you're crafting lush soundscapes or adding subtle enhancements to your mix, this processor ensures that every detail of your audio is captured with pristine clarity. Its robust construction and reliable performance make it a trusted companion for live performances as well as studio sessions.
Key Features:
- Equipped with the legendary DSP4000 chip for high-quality effects processing
- Wide range of effects including pitch shifting, delay, and reverb
- Extensive library of presets with customizable parameters
- Intuitive user interface for easy navigation and control
- Suitable for both studio and live performance environments
- Trusted by industry professionals for its reliability and sound quality
Product specs
| Brand | Eventide |
| Model | H3000 SE Ultra-Harmonizer |
| Finish | Black |
| Year | 1980s |
| Categories | Multi-Effect |
FAQs
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What types of effects can the Eventide H3000 SE produce?
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The Eventide H3000 SE offers a range of effects including pitch shifting, delay, reverb, modulation, and more, making it versatile for various audio processing needs.
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Is the Eventide H3000 SE suitable for use in a professional studio environment?
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Yes, the Eventide H3000 SE is highly regarded in professional studio settings for its robust DSP capabilities and wide array of high-quality effects.
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How does the Eventide H3000 SE compare to other models in the H3000 series?
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The H3000 SE is a Special Edition version, offering a comprehensive selection of effects and presets, distinguishing it from other H3000 variants with unique configurations.
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What is the primary function of the Eventide H3000 SE Ultra-Harmonizer?
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The primary function of the Eventide H3000 SE Ultra-Harmonizer is to serve as a multi-effect processor capable of producing complex and high-quality audio effects.
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Can the Eventide H3000 SE be integrated with modern digital audio workstations (DAWs)?
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Yes, the Eventide H3000 SE can be integrated with modern DAWs, although it may require appropriate interfacing equipment to connect with contemporary digital setups.
Videos
Michael Nielsen - Big Hairy Guitars
Eventide H9 vs H3000D/SE
Eventide H9 vs H3000D/SE
Michael Nielsen - Big Hairy Guitars
Eventide H3000 -D/SE for Rob
foleytronics fx repair
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Eventide H3000 SE.
Setup and maintenance
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Beamish Electronics in Cleveland is highly recommended for servicing Eventide H3000, particularly for relay replacements.
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Stereo effects of the H3000, like micropitch detune, require a stereo setup to fully realize their "space" and dimension, with mono setups offering only basic thickening.
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Comparisons
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The Soundtoys Crystalizer plugin is noted for emulating favorite settings of the Eventide H3000.
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Use cases and applications
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The H3000 is particularly effective on guitars, often used in real-time during tracking for enhanced dynamics and timing.
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Classic guitar tones from artists like Eddie Van Halen and Steve Vai heavily utilize the H3000, particularly for stereo micropitch detune and unique delay effects.
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It's particularly noted for delivering "indescribable pitch shifting warped frequency panned delays," which are ideal for psychedelic and experimental music styles.
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Features and functionality
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The H3000 is recognized for its high-quality pitch shifting, adjustable delay, and feedback, often used as a chorus generator.
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The H3000 is praised for its intelligent harmony and reverse pitch shifting, with its micropitch detuning noted for unparalleled phase-coherent pitch shifting.
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The H3000 offers a vast library of 500 presets, catering to users who prefer preset tweaking over creating custom sounds from scratch.
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Other
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HugeRacksInc.com and GearSlutz.com are recommended for detailed H3000 programming tips and setup guides, with contributions from ex-Eventide experts providing invaluable information.
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User experience
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Owners describe the H3000's learning curve as steep, suggesting it may require significant time to master for custom sound design.
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Value and pricing
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Owners who purchased during sales express satisfaction, indicating that the discounted price provides substantial value for the H3000's unique capabilities.
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5.0 out of 5
Based on 1 Review and 1 Rating
1034
Still worth it!
Aboslutely worth the hype, this one. Great tool for placement during recording or mixing (doublers, pitch shifters, modulation modes). That's what I use it for. But it also has verbs, delays,... This is a very complete multi-effects unit for any studio. And a great allround asset with options to dive into parameters to finetune everything. But still with an easy enough interface to still be creative during production.
Preferred Settings + Usage:
505 - Death flange is the bomb!
Artist usage
Add artist
In a letter dated June 26, 1992, Brian Eno expressed his admiration for the Eventide H3000 SE Harmonizer, confirming his use of this effects processor. The letter serves as definitive proof of Eno's engagement with this particular piece of music gear.
Used live in his rack around 1994
In a 1993 guitar magazine picture, Vernon Reid's stage rig is shown to include the Eventide H3000 SE.
Per "Rock This Town" publication, special issue 1991:
In 1991, the setup was as follows: [Rock This Town special issue 1991]
Sound studio: Analog Synths: Roland System 100/100M/101 (+Roland Midi interface MPU-101);YAMAHA CS-40M (in the Take One video); Oberheim Matrix 1000; Digital Synths: Yamaha DX-7 (2); Ensonic VFX; Roland DDR30; Yamaha tg77; Korg Wavestation; Sequencer: Atari 1040 (Sequ. Cubase 2.0); Samplers: AkaiS9000 (2); AkaiS1000 (8Mg + Hard Drive Mfile 44); AkaiS1000PB (4Mg); Emulator II; akai 1100, e-mu Procussion, roland s-10 for live use @ the mixing desk; Effects: Lexicon 480L; Yamaha SPX90 II (2); Roland SRV-2000; Roland SDE-3000; Alesis Midiverb II; Alesis Quadraverb; ART DRX; spx 1000 (x2); Eventide h3000 se; Mixing: Table TAC Scorpion 32/16; Recorder TASCAM MS16 tracks; Recorder DAT Luxman; Speakers Yamaha NS 10M pro ATC SCM50; QUAD ampli (for NS-10M); Diverse: compressor/limiter, noise gate, parametric eq. Live: Backline: Akai S9000; Roland DDR30; Simons & Roland Pads; Emulator II; TASCAM238 8
Graphic Studio: Commodore Amiga 2500 (6Mg + Hard Drive 40Mg); Commodore Amiga 500; Digitizer SNAPSHOT; Camera Sony CCD V-200E; Laserprint NEC Silentwriter LC890; Monitor NEC Multisync 2A.
In a reel posted on Instagram by whitedenimmusic, James Petralli is seen in his studio with several racks of equipment in the background. The Eventide H3000 SE is clearly visible in the upper right rack, positioned just above the Yamaha E1010, confirming its use in his setup.
Jay Kay uses the Eventide H3000 SE, as confirmed in the article "Jay Kay: Jamiroquai's Chillington Studio" on Sound On Sound.
Visible in his studio during 2018 the Vinyl Factory interview
In a photograph accompanying the May 2000 Sound on Sound article "ALAN MOULDER: Recording Nine Inch Nails & Smashing Pumpkins," Alan Moulder is shown using the Eventide H3000 SE, confirming his use of this effects processor.
In the YouTube video titled "Eventide H3000 SE from Chris Lord-Alge" by ANALOGr, Chris Lord-Alge discusses his use of the Eventide H3000 SE, highlighting its role in creating many of his acclaimed records.
Listed among Fisher's gear in the May 1991 Musician interview "Fishbone Swims Upstream To Spawn Its Punk-Funk Hybrid" by Roy Trakin.
JOHN NORWOOD FISHER plays a Warwick thumb bass with a bubinga and wengewood body, a fretless Fender bass and an Alembic bass, with Dean Markley Blue Steel strings, through an EBS-1 preamp and a Trace Elliot MP-11 mini-programmable preamp and an Eventide H-3000 SE Ultra-Harmonizer. with a Rockman Mini-Octopus for the switching. He also uses EPS-600 and Trace Elliot RA-500 SuperX power amps and two SWR Goliath speakers. In addition, live he uses a Musictronics Mu-Tron 3 envelope filter/effects box, which "gives him a bow-wow bass sound just like Bootsy Collins."
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Eventide H3000 SE, it is most commonly used with the following gear.
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