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In this interview by Propellerhead, KOAN Sound talk about how they approach sound design in Reason:

"We use Reason mainly for creating synths and basslines. The Malström synth is used for pretty much every bass sound, and we normally use the different saw and square wave variations. By themselves they’re very chunky waveforms so they provide a great basis for an endless number of sounds. Most of our bass sounds are made by first making a long bass note and giving it some movement so we can later resample it in interesting ways. To get the movement we tend to go crazy with automation and effects until we get a dynamic but clean sound. For example we’ll add an EQ before a Scream 4 in the chain of effects because when you automate the EQ frequency and gain, it combines with the distortion to create really cool movement. Then we’ll usually export and resample the sound.

We resample a lot in Reason with the NN-19. It’s an easy way to get a bass sounding really techy. For example when we have a sound we like in the NN-19, we’ll duplicate it then apply different effects to each one, dedicating one to the low end and the other for highs and mids. For example we might add a bandpass filter to one of them and slightly detune it in the sampler so when the bandpass is automated it sweeps through the frequencies and phases them which sounds pretty nice. We could then export this again and repeat if needs be. Also, the notch filter on the NN-19 is awesome and we use it often to give bass more movement.

The Scream 4 distortion is probably our favourite thing about Reason. It’s such a versatile tool and can completely mangle sounds whilst keeping them relatively clean. We’ve used it to process snares too. The loud, metallic snares in ‘Meanwhile, In The Future’ were made by putting live snare samples through the Scream 4. It created these huge exaggerated tails which didn’t sound overly distorted."

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Koan Sound are using Ableton Live 9 to produce their track 'If You Hadn't' for Movember 2015

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In this photo posted to their Facebook, one of the members of Koan Sound can be seen using Logic 9 on his laptop.

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This is a community-built gear list for KOAN Sound.

Discography

Album Credits

  • Evocation

    Evocation

    KOAN Sound · 2024

    Mastering Engineer Mixing Engineer Producer
  • AlterCast

    AlterCast

    KOAN Sound · 2024

    Producer
  • Silk Wave

    Silk Wave

    KOAN Sound · 2020

    Mixing Engineer
  • Polychrome

    Polychrome

    KOAN Sound · 2018

    Mixing Engineer Recording Engineer

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