Michael Segal
photographer
Michael Segal's Gear
"As shoegaze went, Majesty Crush had an uncharacteristically well-developed rhythm section from Spahn Ranch, but Segal, most importantly for the evolving band’s sound, was now playing a six-string—a Stratocaster no less, with a simple but effective pedal ensemble that also defied shoegaze expectations: Boss Delay, Boss Tremolo and RAT distortion. That was it. No massive pedal board, just the essentials."
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"As shoegaze went, Majesty Crush had an uncharacteristically well-developed rhythm section from Spahn Ranch, but Segal, most importantly for the evolving band’s sound, was now playing a six-string—a Stratocaster no less, with a simple but effective pedal ensemble that also defied shoegaze expectations: Boss Delay, Boss Tremolo and RAT distortion. That was it. No massive pedal board, just the essentials."
Find it on:
"As shoegaze went, Majesty Crush had an uncharacteristically well-developed rhythm section from Spahn Ranch, but Segal, most importantly for the evolving band’s sound, was now playing a six-string—a Stratocaster no less, with a simple but effective pedal ensemble that also defied shoegaze expectations: Boss Delay, Boss Tremolo and RAT distortion. That was it. No massive pedal board, just the essentials."
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Michael Segal, guitarist of Majesty Crush, frequently used the Boss DM-2 Delay pedal, as evidenced by footage from a 1990 performance titled "Majesty Crush - Shut Up, Detroit," recorded by Eden Bloom and shared on YouTube.
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francis_fernandesGear IQ 9572
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