Moonlight Matters

In the video where Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:13:09 you can see the mixer above the synth that Moonlight Matters is playing (Alesis A6 Andromeda).

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:56:32 he says "Okay, the next one is a, as we said, is a D85 by Yamaha, it's a younger brother of the EX1 . . .".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:00:15 he says "Here I have the Roland JD-800" standing on front of the synth.

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:06:46 he says "Next, this is the Yamaha YC-45D. It's actually an organ, a really basic organ".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:10:21 he says "What I have here is a Simmons SDS9 electronic drums".

In this video, this plugin can be seen at 4:41 in his studio.

In the video where Moonlight Matters is taking Future Music Magazine on a tour of his studio, right before the synth is shown in the video he says ". . . for example the Omega 8 by Studio Electronics is a really amazing synth. You can see it here, it's the big purple beast. It's a synth that's really versatile, it's probably the most versatile analog subtractive synth I have next to the Alesis Andromeda".

In the video where Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:1:31 while the keyboard is shown, he says "Gonna play it [some patches from Studio Electronics Omega 8] from the D50 here because that's the one I use as master keyboard".

In the video where Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:5:32 the Roland JV-1080 is shown right under the Studio Electronics Omega 8.

In the video where Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:6:30 he says "So, let's move on. We are now moving on to the Andromeda. As I said it's probably the most versatile analog synth I have in my studio. The reason for that is because it just has a lot of modulation possibilities that other analog subtractive synths don't have".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:13:39 the synths model name is, for a glimpse, shown on the top section of the video.

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:29:03 he says "Okay, so next synth we have over here is a Prophet-5. One of the most legendary synths by far . . . ".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:30:52 he says "Next we are going to move to the Memorymoog which is probably one of my favourite synths".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:36:09 he says "Next is definitely on of my favourite synths of all time, the reason being because I've got a lot of analog stuff but these oscillators are the phattest I've ever come across". You can see the model name at 0:38:25 in the video on the mixer part of the synthezator.

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:46:35 he says ". . . Yamaha SY-1 that is over here" while pointing to the synth.

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 0:45:20 he says "Next up is one of my beasts, obviously, takes up a lot room in the studio but i think it's definitely worth it" He also mentions this organ later in the video at 0:56:35 where he says ". . . it's a younger brother of the EX-1 that is over here".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:02:44 he says "Next up here is the OB-Xa".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:05:12 he says "Next up is something of the same caliber [about the Roland Juno-106], I mean a very nice bread and butter synth. Obviously totally different style of synthesis, this is FM synthesis, the DX7 . . .".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:08:00 he says "For example, this is the Roland TR-606, it's a really legendary machine. I think if you don't have the money to buy a real 808 this is definitely worth it".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:08:36 he says "I also have an Oberheim Xpander back here . . .".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:08:57 he says "SH-101 is definitely a typical bass synth that always works, you can always get a useful sound out of it".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:09:14 he says "Next up we have the LinnDrum" while showing it to the camera.

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:09:51 he says "Right here I have a small Casio, you have to have a Casio, the CZ-101. It's a really small and cheap synth but it was used in a lot of revolutionary techno songs and early house songs. Very straightforward interface on modulation possibilities. So, again, a good starter synth and also great to use live".

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:11:50 he says ". . . the Roland JX-8P . . ." While the camera is showind the synth.

In the video in which Moonlight Matters is taking Future Music Magazine on a tour of his studio, at 1:11:56 he says ". . . the PG-800 programmer I have here . . .".

In this video, KRK VXT8's ca be seen at 0:34.

This plugin can be seen at 5:16 in this video.

This plugin can be seen at 8:49 in this video.

This plugin can be seen in this video at 8:20.