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Average Price: $509
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Description
he SDS9 is a 5-drum kit, comprising bass, snare and 3 tom-toms, triggering up to 40 complete “drum kits” (20 factory and 20 programmable presets).
Hitting a specific pad triggers the corresponding channel on the ‘electronics’. A microprocessor controls the dynamic (or volume) of each individual ‘hit’ giving a sensitivity to playing previously unheard of in electronic drums: a ‘real’ drum feel, in fact!
The Simmons SDS9 gives you the sounds, feel and control of acoustic drums plus all the sounds and advantages of electronic drums.
To add to all this ‘reality’, the small pads (snare and toms) have a floating head, the snare also has a rim shot/cross stick facility and the bass pad is piston loaded – giving you the feel and playability of acoustic drums.
The SDS9 electronically synthesises the sounds of each drum. The bass, snare and toms use different methods of synthesis – each the most appropriate for the sound and control you require. The bass is software generated directly by the computer. The snare/rim are digital samples of acoustic drums. The tom-toms are synthesised using analogue circuitry. The tom also have unique ‘second skin’ switch to match the sound and response of a double headed acoustic tom.
The program/store memory facility allows you to build up your own drum sounds. These programmed sounds can be saved to tape, giving you almost limitless capacity to store new sounds, or recall previously stored sounds.
There is also a sophisticated automatic trigger that allows sounds to be reviewed without hitting the pads, and a mode where the drums can be triggered by button tapping.
The SDS9 is the first drum kit that has a built in MIDI interface. This is completely assignable in terms of voice changes and note values. By using the MIDI interface you can directly interface with many available keyboard synthesisers and play their voices from the pads. You can also use MIDI real time recorders/sequencers to record your playing and then playback the SDS9 exactly as you played it.
Another interesting feature of the SDS9 is its built in programmable echo. This programmable effect can be used for single slap-back echo or for long repeating echoes to produce stunningly unique rhythmic-ic-ic patterns and eff-eff-ects-ects.
We have done a lot of work using the latest high technology and computer aided design tools to develop the SDS9 – a new instrument, using new voicing techniques and new materials to give you everything any acoustic kit has to offer and much more besides – the kit that’s destined to add a whole new dimension to your art
Product specs
| Brand | Simmons |
| Model | SDS9 6-Channel Drum Synthesizer |
| Finish | Black |
| Year | 1985 |
| Made In | United Kingdom |
| Categories | Electronic Drum Modules |
FAQs
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What are the sound capabilities of the Simmons SDS9 drum synthesizer?
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The Simmons SDS9 offers a range of electronic drum sounds with six channels, allowing for a variety of customizable tones typical of 1980s electronic music. It is known for its distinct, punchy sound that can be tailored using onboard controls.
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Is the Simmons SDS9 suitable for live performances?
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Yes, the Simmons SDS9 is suitable for live performances, offering reliable electronic drum sounds that can be easily integrated into a live setup. Its robust build and intuitive interface make it a favorite among electronic drummers for stage use.
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How does the Simmons SDS9 compare to other drum machines from the 1980s?
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The Simmons SDS9 stands out for its hexagonal pad design and distinctive sound, which became iconic in the 1980s. Compared to other drum machines of the era, it offers more customization for each channel, making it versatile for various electronic music styles.
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Can the Simmons SDS9 be integrated with modern recording setups?
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While the Simmons SDS9 was designed in the 1980s, it can still be integrated into modern setups using MIDI connectivity. It requires some adaptation for seamless integration but remains a valuable tool for those seeking vintage electronic drum sounds.
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What are the key features of the Simmons SDS9's sound engine?
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The Simmons SDS9's sound engine features six channels of electronic drum synthesis, each with adjustable parameters for pitch, decay, and noise, allowing users to craft a wide range of electronic drum sounds.
Videos
WIRECOOLEY
SIMMONS SDS9 FLEXI-DISC PROMO. 1985
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Simmons SDS9.
Setup and maintenance
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SDS9 users have reported needing to replace failing chips, specifically affecting tom inputs, indicating potential maintenance needs for vintage units.
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The SDSV's low tom card issue was resolved by reseating a connector due to a missing retaining bit, suggesting that some issues can be simple hardware fixes.
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User experience
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Simmons SDS9 pads are appreciated for their unique hexagonal shape and nostalgic appeal, which can lead to owners choosing to keep them despite initial plans to sell.
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Comparisons
Use cases and applications
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The SDS9 is effectively used in conjunction with Elektron Analog Rytm for a hybrid analog-digital setup, leveraging SDS9 for pads and Rytm for cymbal sounds.
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SDS9's onboard features allow for unique sound manipulation, particularly when deep sampling chip samples, offering creative possibilities for experimental sound design.
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Pairing the SDS9 with a TR-808 offers a compelling combination, enhancing sonic depth and texture in electronic and house music production.
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Critic Reviews
4.0 out of 5
Based on 1 Review and 4 Ratings
1255
Don't get it without the manual!!
Mine was a snap decision to both buy and then later sell on. My former SDS 9 came in it's own home-made rack, with 5 of the ubiquitous hexagonal pads - Kick, snare (with rim trigger) and 3 "toms" - a kick pedal, and the mounting hardware. This set me back less than $400 AUD! On experimenting with it, I discovered that the editing was severely limited without knowing what the hell to do with the single LED display. Because the 9's brain had MIDI, I was keen to hook it up to my sampler and trigger samples. It took many frustrating months of trial-and-error of every button press imaginable when I finally managed to trigger one of my synths from the pads. When I borrowed a friends Alesis D4, all that drama was over. When he moved overseas and wanted it back, it started again! Anyway, it was fun to have while it lasted. Rather wish I still had it to be honest, nothing says 80s more than those red hexagonal pads :)
https://www.google.com/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&uact=8&ved=2ahUKEwi_2LTGk_zdAhVi4YMKHTbMBzoQjhx6BAgBEAM&url=https%3A%2F%2Fdeskgram.net%2Fexplore%2Ftags%2FMatthewThiessenAndTheEarthquakes&psig=AOvVaw134Hm5gHu3NylIcI1klPxo&ust=1539270170467646
I SAW OWL CITY LIVE 10/9/18 AT THE COMPLEX IN SL CITY GOT THIS INFO FROM A PICTURE ON GOOGLE HE IS USING 2 KEYTARS LIVE BUT I WAS ONLY ABLE TO FIND THIS ONE FOR RIGHT NOW. THE YAMAHA KX5
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