Thomas Bangalter of Daft Punk wrote to Studio Electronics to tell them how much he enjoyed the Omega 8:

"here is a quick note to tell you my first impressions about the machine you made for me. i've just tried it deeply today for a few hours, and i must thank you very much as i've finally found in the omega 8 a synthesizer that can match the quality and musicality (even maybe surpass) and probably replace for now my only favorite synthesizers Yamaha Cs-60 & 80's (i had never heard something so warm and modern at the same time - i like the vintage idea, but when it's an opportunity to take what's good from the past and push it forward to the future).

i was forced to get rid of some of my too-hard-to-maintain dinosaur synths anyway and i must confess i was delivered a long awaited steinway&sons model L from 1911 (some metal parts of it were molded in 1885 !) to my studio just today. i've put both 'instruments' next to each other, they match with style and elegance: glossy black was the right choice..."

According to Sound On Sound, Hans Zimmer's studio includes aStudio Electronics Omega 8.

"My Rack family has offspring. It's a green little lump of sweetness! Lets see what he has to say..." says Dominik Eulberg, about the Studio Electronics Omega 8 in this Facebook photo.

The item can be seen at 7:02 in the video as part of a tall rack mount space.

In an interview with Resident Advisor, Guy Gerber discusses the Studio Electronics Omega 8, highlighting its unique features such as a custom-made CS-80 filter and an Oberheim emulator.

In a video interview with Future Music, Fred Falke discusses his track-building process and points out the Studio Electronics Omega 8 synthesizer, visible to the left of his computer screen. While he doesn't use it in the featured track, he highlights it with a distinctive 'Death Records' plaque from the 1974 movie 'Phantom of the Paradise.' Falke has also shared photos of this synth on his Instagram, showcasing it in his impressive modular synth room.

In a studio tour video by MusicRadar Tech on YouTube, Alan Braxe showcases his use of the Studio Electronics Omega 8 synthesizer.

"Is using modular gear a more recent thing for you and what hardware synths have you been using?" R: "The synth I probably use the most is the Studio Electronics Omega 8, that's my go-to analogue polyphonic synth."

Per Jimmy's 2016 Facebook post.

"I am mostly working on the studio electronics Omega 8"

In the video where Moonlight Matters is taking Future Music Magazine on a tour of his studio, right before the synth is shown in the video he says ". . . for example the Omega 8 by Studio Electronics is a really amazing synth. You can see it here, it's the big purple beast. It's a synth that's really versatile, it's probably the most versatile analog subtractive synth I have next to the Alesis Andromeda".

"SEA WITCH VS THE ALIENS" by Drew Neumann c2010 Droomusic ASCAP

"The story so far--fresh from their easy victory over the brainless Zombies, the Aliens dive into the Pacific Rim of Fire to raid the earth's resources and steal Methane Hydrates. They encounter something deep underwater that can actually fight back, and she is on her own home turf...

This cue features the Euro and Frac system set up in this simple patch--the one on the left is called Morbeus, it is an Emu/Paia homebrew made from Emu SSM evaluation boards and Paia EKX series boards. On the right top to bottom is an Encore Expressionist, Analogue Systems modular, Blacet, and Doepfer A100 modulars. Below that is a Powertran Digital Delay and an Alesis Quadraverb. These synths are backed up by 2 Waldorf Microwave 1, WAVE, and Q+, a Minimoog, 2 Minimoog Voyagers, Studio Electronics Omega 8, 2 Oberheim SEMS, a Tom Oberheim New SEM, Access Virus B and C, Arturia Origin, 2 MacBeth M3X, Jomox Sunsyn, Alesis Andromeda, and the 5U Knob Grotto. Mixed live off of all of the synths, this used 63 tracks and a couple of hundred voices. It probably should be titled the battle against noise floor and ground loops, but I won that battle!"