At the timestamp 2:56, a CZ-101 can be spotted at the bottom of the screen in Mac’s studio.

Used on "Midnight", as stated in this February 1, 2017 Music Radar interview.

"I used a little Casio CZ-101 to record the flute, if you can believe it.

“But Bongo Bob, he's such a creative guy, he totally got my whole imagery of a secret ceremony in the middle of the forest, in the middle of the night. And, so, he started to create all the funny percussion, and John was totally cool with trying to get that little CZ-101 Casio keyboard to sound like some sort of dream orchestra. It sounded very much like an old-school Moog synthesizer. It was the cheapest imitation you could ever get. I miss that keyboard. I played it until it broke."

In this photograph capturing a live performance by Boards of Canada, we see a Casio CZ-101 synthesizer positioned on the drum stands in front of Michael Sandison. The CZ-101 is visibly linked to other equipment solely through a MIDI cable, indicating its probable role as a MIDI keyboard within this live setup. Strikingly, the synth's audio output remains unutilized during the performance.

Identification of the synthesizer is possible thanks to its distinctive side profile, featuring two audio jacks, a DC jack, and a guitar strap peg. The Casio logo is concealed beneath tape.

As I browsed through the sleeve notes on Moby's albums I noticed that the gear lists documented in the 1995 release Everything Is Wrong are almost identical to his current setup. Could it really be possible that this successful musician had no spare cash to spend on new studio gear during the last four years? "From Everything Is Wrong until now I've bought a vocoder and a new sampler and that's about it. On the one hand I'd love to get a bunch of new equipment, but on the other hand there's something to be said for working with equipment with which I'm comfortable. I'm thinking that at some point I will actually switch over and get a full Pro Tools setup and start doing things more in the computer, but for this record I didn't feel compelled to do that."

SYNTHS/KEYBOARDS Casio CZ101.

A Casio CZ-101 can be seen in Vince's studio (in front of the Roland Juno 60).

(@6:15) "I have my TR-707 and a CZ-101 that's bent already for this modification"

one of the presets on the CZ-101 is called "fairy tale" (heard at 9:20) it is the exact sound used on "Rundgang Um Die Transzendentale" from Filosofem. i've noticed other patches on the synth are in Burzum songs, but i don't remember which ones. its possible some other synth from the CZ series was used, as they all share the same sound engine.

In this image taken directly from the pod we can clearly see a Casio CZ101

can be seen at 0:26 in the video

Charly used his Casio CZ in New York, when he and Pedro Aznar were composing "Tango"

Studio buffs tend to forget that modern recording studios are imposing and disorientating places for the average lay person. The technology seems to be surpassed in complexity only by military and space hardware, and Mark King's 'home' studio is certainly state of the art, as the above listing indicates. There's also a Macintosh SE30 with Performer software, an SRC SMPTE-to-MIDI convertor, Adams Smith Zeta 3, NS 10 and Tannoy DTM8 monitors, and two Otari MTR90 24-track recorders with 48 tracks of Dolby SR. Sound sources include a DX7, Roland D110 and 550, Yamaha TX816, Juno 60, Emu III and Emax, Casio CZ101, plus an Akai-Linn MPC60 workstation and a DDrum 2 drum sampler.

In this photo, Jorge González is seen using a Casio CZ-101 synthesizer, which he employs in songs such as "Muevan Las Industrias," "Por Favor," and "Exijo Ser Un Héroe."