Morgan Page

Excerpt from interview:

What do you like about having them on your master fader?

So with the Limiter, I finally have a master solution that I love. It’s loud, but it doesn’t sound like it’s getting choked. I can really push the sound, and use fast attack and release settings without it sounding like anything in the mix is getting held back or the kick is being over compressed. There’s something about the low end that is almost indescribable, it’s totally unique. Having that tool with programs like Ableton really helps make it sound round and even analog-like with a big thump.

The biggest game changer for me is the Limiter. It’s a permanent part of my template on the road since I’ve been doing more touring, and I just know it’s going to give me the results that I want. You have to be able to get work done in the airport, on the plane and in the hotel. You need a good limiter to hear everything because I tend to be in noisy environments, so I think having a tool that I trust and know is invaluable.

Recently, I did an experiment where I created a remix in one day. I was able to do one from start to finish on the plane and in the hotel and then play it live that night. It was cool, as I’d never tried that before, but it was great. The Limiter was an important part of that. It’s really a game changer for me.

Excerpt from interview:

What other Sonnox plug-ins do you use?

I use TransMod to add extra edge to effects. It’s perfect for adding a little more attack and/or changing the contour or timbre of certain sounds. I’m also using the Oxford EQ, and I think it’s amazing for doing cuts and such without hurting the overall sound. You can really get surgical with it. I’ll also use the Inflator - especially on mix busses.