San Soda

"Well one of my favorite things to do is this filter treatment. [Gestures to the Rodec / Sherman Restyler] You know the Sherman filter? It's like a 19-inch Belgian device, very famous for distorting everything, like a noisy sound. That came out a couple of years ago with this little device. It's actually on the market as a DJ tool, but I don't understand—I think it's a beast. You need to master it incredibly to be able to use it in a DJ context because it's so powerful," says San Soda, in this interview.

San Soda can be seen with his Roland TR-909 in this photo, from this article.

"This thing here: the SND ACME-4 Advanced Clock Management System. How I use it is, I have an audio signal coming from Ableton Live—just a click track—and [the ACME-4] sends basically four or five MIDI-out signals and DIN sync, and also an audio click track," says San Soda, in this interview.

You can see the Roland Juno 106 in the 3rd picture during this interview.

They show his Roland SH-101 in the 4th picture during this interview.

You can see his Roland TR-707 to the right of him in the 2nd picture of this interview.

You can see his Roland Space Echo RE-201 in the 9th picture during this interview.

You can see the Alesis Microverb III in the 9th picture of this interview.

You can see the keys and the lower row of knobs and faders of the MFB Dominion 1 in the 11th picture of this interview.

You can see the Acidlab Miami sitting on his desk in the 11th picture of this interview. Easy to spot with the red/yellow row of buttons on the machine.

"Usually the MPC was my main part of the studio. I used to do most things on the MPC. "

5th picture in the article, in the background.

"There are other things. I mean, I have the Moog filter."

" I got the E-mu SP-1200 and the MPC3000, so yeah, now I'm sampling again. "