Sarah Lipstate

'Yes! I collaborated with a boutique pedal maker. He’s based in the Netherlands and his company’s called Dr. No Effects and we created the Moon Canyon pedal. I used it for Do Not Go Gentle.

All of the bowed guitar stuff is being played through the Moon Canyon so it’s essentially a multi-effect. It has a transparent overdrive circuit, it has a reverb which is like a long, cathedral-y reverb and it has an analogue sounding delay. All the pedals are handmade, they come in this creepy packaging – it’s a book, it’s crazy.

The pedal itself has this carved moon light in the center and based on which circuits are engaged, it lights up like different sections of the moon. So you’ll get the different phases of the moon. And it comes in a book because I’m Noveller and it’s kind of like a novel. The initial run is supposed to be about 350 pedals but I don’t know how many we’re up to at this point.'

In an Instagram post dated August 14, 2019, Sarah Lipstate mentions using the Empress Effects ZOIA on her pedalboard, highlighting its role in crafting her Iggy soundscapes live.

In an Instagram post, Sarah Lipstate features the Keeley Dark Side Workstation among her gear, highlighting its use alongside her Squier Bass VI.

In an Instagram post, Sarah Lipstate showcases her gear setup, which includes the Keeley Dyno My Roto pedal.

Rig Rundown

I go through my setup and explain the signal flow across my two pedalboards

In this photo uploaded by Sarah of his pedals forming a heart, you can see the Keeley Loomer

Sarah Lipstate includes the Fractal Audio Systems AX8 Amp Modeler/Multi-FX Processor in her live setup, as seen in her Instagram post.

In this photo you can see the Sarah's live set up using the FX8

Working on a film score today using this bag of tricks

In this YouTube video, Sarah is demoing the Solid Gold FX NU-33 Vinyl Engine