Shadow Child

"My main tool, if you like, has always been Reason. It still is now. I use Logic for audio, obviously Remix Stems, that thing. I use some plug-ins as well, but something I really have adopted in the last few years is the UAD software. You know, I love it, and I can’t sort of do without it. So that is the UAD Satellite box here that I’ve got with me today." - Shadow Child.

"As soon as I put it into Ableton which is where I do my stretching it sounded great" - Shadow Child in the studio making his remix of The XX's "Angels". At 2:49 he explains he uses Ableton Live for his vocal time stretching.

He rewires Logic Pro and Reason

Trough the whole video the speakers are visible.

"I don't think there's any Shadow Child tracks that haven't used Omnisphere to be honest with you. It's so inspiring every time for me, for all sorts of reason, not just pads but basses. I can always find at least more than two or three sounds per track from Omnisphere," Shadow Child says, in this video, at 6:15.

"The UAD stuff is brilliant for [limiting]," says Shadow Child, at 12:46 in this video.

"Which gives you a real ambiance. It can be used as a kind of reverb but it just adds a kind of vibe to these drums," Shadow Child says about Ocean Way Studios, at 14:36 in this video.

"I use this to give a sound a bit of shape," Shadow Child says a bout Cooper Time Delay, at 21:07 in this video by Future Music.

In this Logic Pro Masterclass with Shadow Child at 55:37, he can be seen using Logic's built in EFM1 Synth.

A Roland Jupiter-6 is visible in the top left corner of this video, of Shadow Child in the studio, for most of the video, starting at 0:15.

When asked on Facebook: "Which UAD plug ins do you use the most?"

Shadow Child answers: "Precision maximiser ...and the space echo spring reverb is killaa"

Shadow Child tests his Roland System-1 in this video.

Neawww-ne-neaw-neaawww addition to the gang.

In Shadow Child's producer masterclass with Future Music Magazine, the Juno-60 can be seen in the upper left corner below the Jupiter 6.

At 7:45 Shadow Child mentions using Fab Filter Timeless on the vocals. "I love all their stuff, it feels very creative, its not just a grey box with a couple of sliders on it."

UAD Precision Maximiser can be seen at 17:51 of Shadow Child's Producer Masterclass with Future Music Magazine.

UAD Studer A800 Can be seen being used by Shadow Child at 19:30 of his Producer Masterclass with Future Music Magazine.

At 0:56 a close up shot of Shadow Child's JD-990 is shown in one of his "In the studio" videos.

In a MusicRadar Tech video preview for Issue 308, Shadow Child is seen with a Roland Jupiter-80 76-Key Synthesizer in his collection, indicating its use in his music production setup.

Throughout this video Yamaha NS-10M Studio monitors are visible.