Stephen Hague

Stephen Hague used the Emulator II a lot on the Pet Shop Boys' Please album, released 1986. At that time the Emulator was his workhorse. He even played the "West End Girls" trumpet solo on the Emulator.

According to International Musician & Recording World March 1986 issue, the Yamaha DX7 was one of the synths used for the composite bass part on the Pet Shop Boys' "West End Girls". It provided a low percussive bass sound. Stephen Hague programmed and played everything on that track alone as per this article.

According to International Musician & Recording World March 1986, a Roland Jupiter-6 provided the body of the sound for the bassline in Pet Shop Boys' "West End Girls", on which Stephen Hague plays and programs everything himself.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

According to International Musician & Recording World March 1986 issue, an Emulator I was used to blend with the Emulator II for the string sounds on Pet Shop Boys' "West End Girls". Stephen Hague programmed and played everything on that track alone as per this article.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.