Stian Westerhus

Stian used this at the end of the chain, after delays, before Boss looper.

"On the pedalboard, I now have a Boss tuner into a Fulltone FullDrive 2 that’s always on with a clean setting."

standard part of Stian's pedalboard

"I was using Boss RC-20 loopers when I first started building those big boards, but I didn’t like their headroom and preamps."

"That goes into a Fulltone OCD and then a Boss OC-3 octave pedal."

"From there it goes into the Line 6 Echo Park delay, the Moog Ring Modulator, and then into and Eventide H9. That goes into the laptop through a MOTU Ultralite audio interface."

"That goes into a Fulltone OCD and then a Boss OC-3 octave pedal."

"From there it goes into the Line 6 Echo Park delay, the Moog Ring Modulator, and then into and Eventide H9. That goes into the laptop through a MOTU Ultralite audio interface."

"From there it goes into the Line 6 Echo Park delay, the Moog Ring Modulator, and then into and Eventide H9. That goes into the laptop through a MOTU Ultralite audio interface."

Stian Westerhus extensively uses the Moog Moogerfooger MF-102 Ring Modulator, notably for the tremolo effect in the song "Sabkah" from Nils Petter Molvaer's album Hamada. This is highlighted in the BBC Radio 3 photo gallery for the Late Junction collaboration session with Swati Natekar.

Stian Westerhus consistently uses the MXR M-132 Super Comp compressor pedal, as seen in the BBC Radio 3 photo gallery from his collaboration session with Swati Natekar.