Suzanne Ciani

You can notice it on the her right side, running H9 Control App. In another videoclip produced by Moog Music she plays a Model 15 on iPad.

Listed to the "gear" section of her Eventide web site dedicated page.

In a user-uploaded photo on the Arturia website, Suzanne Ciani is shown using the Arturia BeatStep Pro, highlighting its role in her music production setup.

The CFIIIS was recorded using two B&K 4006 microphones, a Boulder mic preamp, and a DCS DCS900 24‑bit A/D converter, while the Disklavier was recorded using two Neumann M50 microphones. Recording was accomplished in24‑bit with a Tascam DA88 digital 8‑track and a Rane RC24T PAQRAT recording converter. Coincidentally, this allows 24‑bit recording in stereo on a DA88. The album was assembled and pre‑mastered with the Sonic Solutions Mac‑based audio editing system, which was created by James Moorer, a music software genius whom Suzanne knew from her days of studying computer music at Stanford University's Artificial Intelligence Laboratory. A Sony PCM9000 was used to finally transfer the album for mastering.

In this early 80s TV mini-doc, Suzanne Ciani can be seen (and heard) creating the vocal queues for the arcade pinball machine Xenon. Her Bode Vocoder can be seen in the rack shot at 0:43, and (presumably) this is the vocoder we are hearing Suzanne talk through in the segment opener.