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Average Price: $1,419
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$501+
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Based on price data from 1 merchant for "Eventide Clock Works H910 Harmonizer". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Unlock the sonic potential of your studio with the Eventide Clock Works H910 Harmonizer, a legendary effects processor that revolutionized the music industry as the first digital effects processor. This versatile tool combines pitch shifting, modulation, and delay to craft a soundscape like no other. From the gritty riffs of AC/DC to the ethereal tones of David Bowie, the H910's unique character has left an indelible mark on countless iconic tracks.
The H910 Harmonizer plug-in is a meticulous recreation of the original hardware, delivering the same rich, organic sound that made the H910 an industry staple. Its pitch-changing prowess is perfect for creating musical intervals, harmonies, and even slap-back delays. With extreme settings, delve into a world of mechanical sounds, drone effects, and robot-like vocalizations using self-oscillation and anti-feedback.
New enhancements like Keyboard and Envelope pitch control modes, along with the Output 2 Delay Group and Mixer, allow for greater sound sculpting flexibility. The addition of the H910 Dual Harmonizer brings a new dimension with its ability to run two H910 units in parallel, creating lush, doubling effects and more.
Whether you're looking to fatten up snares, spread guitar tones, or add a touch of digital magic to vocals, the H910 Harmonizer offers an unparalleled array of possibilities to elevate your music production.
Key Features:
- Faithful recreation of the original H910 hardware
- New Keyboard and Envelope pitch control modes
- Output 2 Delay Group for stereo sound expansion
- True analog modeling of original H910's electronics
- Create musical intervals, harmonies, and unique sound effects
- Includes H910 Dual Harmonizer for parallel processing
- Hundreds of artist presets for creative inspiration
Product specs
| Brand | Eventide |
| Model | H910 Harmonizer |
| Finish | Black |
| Year | 1970s |
| Categories | Multi-Effect |
FAQs
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What are the main features of the Eventide H910 Harmonizer?
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The Eventide H910 Harmonizer is renowned for its pitch shifting, delay, and modulation capabilities. It was the first commercially available digital effects unit, offering unique sound processing options that became iconic in the 1970s.
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How does the Eventide H910 Harmonizer affect sound?
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The H910 Harmonizer can alter pitch and apply delay and modulation to create complex sound textures. This makes it ideal for adding depth and character to recordings, as famously used by artists like Eddie Van Halen.
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Is the Eventide H910 Harmonizer suitable for live performances?
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Yes, the Eventide H910 Harmonizer can be used in live settings to enhance sound with its pitch shifting and delay effects, providing dynamic and unique audio processing in real-time.
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Can the Eventide H910 Harmonizer be used with modern recording setups?
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While originally designed in the 1970s, the H910 Harmonizer can be integrated into modern studios with the appropriate connections, offering vintage digital effects to contemporary productions.
Videos
Eventide Audio
History of the Eventide H910 Harmonizer®
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Eventide Clock Works H910 Harmonizer.
Setup and maintenance
Features and functionality
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The H910's pitch shifting is notable for its gritty, lo-fi sound, often described as unique and highly desirable by vintage gear enthusiasts.
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Users highlight the H910's ability to change pitch without altering speed, making it versatile for processing samples and inspiring creative experimentation.
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Use cases and applications
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The H910 was used in combination with a computer running autotune to create effects heard in Bon Iver's "Creeks" and other tracks by Chance the Rapper.
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The H910 is praised for creating unique, trippy effects on snare drums, as demonstrated in covers of Frank Zappa's "Watermelon in Easter Hay."
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User experience
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Owners find the Eventide H910 valuable for its distinct "Time Machine" effect, famously used by artists like David Bowie and Brian Eno.
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Critic Reviews
Based on 0 Reviews and 0 Ratings
Artist usage
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According to Guitar Lobby, Jimmy used H910.
Used for vocals on Villains, as stated by co-producer and engineer Mark Rankin in this October 26, 2017 AudioTechnology interview.
When it came time to record Homme’s final vocals, Rankin said there were three different schools of thought: “One was the upfront, clean condenser — a Sanken CU51; a ribbon for a bit of character — an RCA 44; and sometimes an old dynamic like an Electro-Voice. The Sanken has two capsules. United had one and it was insanely good; I wanted to use it for everything. The RCA44 ribbon also sounded fantastic. United have copies that have been there since they bought them new, and they’re really well looked after. Sometimes we’d use an Electro-Voice dynamic, purposely trying to get a harder, harsh sound.”
He would put either an Eventide 910 or 949 Harmonizer in the chain. “It’s a favourite,” said Rankin. “A little bit of delay and a little bit of pitch gives that really good fake room sound.” That balance between dryness and space was pretty critical. “A lot of times we’re letting the low end of the drums or the bass be the big thing and keeping guitars small. We’d have a the 949 on the vocal a lot, and then the guitars will be out wide. If we got to the point where it felt like we needed some space, we would just send something out into the room at United and record the room. It’s like the Ocean Way plug-in on UAD. Because the rooms sounds so good, you’ll fire something out on the PA, record it back on the ambient mics and all of a sudden it works.”
In this photo of Eddie Van Halen's 5150 home studio circa 1986, two Eventide model H910 Harmonizers are seen among the outboard effects. Also confirmed in this report.
Ozzy Osbourne has incorporated the Eventide Clock Works H910 Harmonizer into his sound, a key element of his musical identity as detailed in the Red Bull Music Academy article, "How the Eventide Harmonizer Expanded the Possibilities of Sound."
In an excerpt from his autobiography, See a Little Light, Mould states that he started using an H910 unit around the time Husker Du began recording the Metal Circus EP.
In this photo, Daniel Lanois is seen what looks like an Eventide model H910 Harmonizer (slightly obscured due to photo quality) in the studio racks at Grant Avenue studios. Seen beneath his Lexicon Prime Time delay and AMS delay.
Harold Budd mentions the Eventide Harmonizer being used for treatments on The Pearl in this interview, which was recorded with Lanois and Brian Eno at Grant Avenue.
In this 2014 interview, Posdnuos mentions the gear used for "3 Feet High And Rising". From the interview:
"We made the whole of 3 Feet High and Rising for $13,000, using just a Casio RZ-1 drum machine/sampler and another gadget called an Eventide harmonizer, which allowed us to match songs that had totally different pitches – we could put Daryl Hall's voice over a Sly and the Family Stone record. It was amazing."
In this photo of Laurie Anderson in her studio from 1980 that accompanies this article from The New York Times, an Eventide H910 is visible in the background. A version with the item circled can be found in this October 12, 2021 Facebook post by Eventide.
In the making of his album Peak of Normal, Holger Czukay used an Eventide Clock Works Harmonizer, as confirmed in the May 1982 issue of Electronics & Music Maker.
"The effects returns on the SSL are pretty much hard-wired, and I would have used a selection of them. On the left side are the Elysia compressor, Fatso Jr tape simulator and compressor, Neve 33609 compressor, Ridge Farm Boiler compressor, Distressor, Dbx 160 compressor, AMS DMX150s delay, Eventide 2016 and H3500 effect units, and EMT plate reverb, and on the right the Drawmer compressor, Valley People Dynamite compressor, Marshall Time Modulator which is an '80s short delay and phaser, Delta Lab Effectron which is a very old digital delay, Thermionic Culture Vulture, Dbx 120 [subharmonic synthesizer] and Eventide H910 Harmonizer.”
Album Usage
The Eventide Clock Works H910 Harmonizer has been featured on the following albums:
Radio Wave Surfer
Holger Czukay (2018)
Heavy Traffic (feat. Eric Martin & Dave Meniketti)
Ricky Phillips & Eric Singer & Ronnie Montrose (2017)
Color Blind (feat. Sammy Hagar & Steve Lukather)
Ricky Phillips & Eric Singer & Ronnie Montrose (2017)
Villains
Queens of the Stone Age (2017)
Captain Future Youtube
Christian Bruhn (2016)
3 Feet High and Rising
De La Soul & De La Soul (1989)
Acadie (Gold Top Edition)
Daniel Lanois (1989)
Montrose
Montrose (1973)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Eventide Clock Works H910 Harmonizer, it is most commonly used with the following gear.
Similar
Add recommendation1 alternative for Eventide Clock Works H910 Harmonizer, curated by the Equipboard community.
$229.40 - $279.00
Be honest, you're looking up the H910 because you like Eddie. Eddie used two of these units between 86' and 95' live and in the studio. He used it for nothing else but pitch shifting, specifically -/+9cents left and right. You don't need to spend $5K on these for that "Balance" sound. You don't need a Helix or an AxeFX III either. I recommend the Eventide Micropitch Delay (retails for $260) for that Eddie tone. You don't even need to dial it in-- Eddie's H910 setting is one of the presets. The Eventide Micropitch Delay is a permanent fixture in my pedalboard.
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