Tom Bailey
Thompson Twins
Role
Role
Tom Bailey's Studio Equipment
This article mentions the Thompson Twins using a prototype MCS Mimic sampler.
"At the moment, though, we've got quite a massive library of chips for the Movement, and recently we parallel triggered an SDS7 Simmons set-up. Plus we have a Fairlight as well to do drums if we really want to."
According to this fact file, the Thompson Twins had a Movement MCS drum computer Mk.1 on hire in late 1982, with the MCS-2 on order.
In this 1983 article, Tom Bailey mentions the Oberheim OB-Xa is rarely disconnected to an AMS reverb and Roland Dimension D.
In this 1983 article, Tom Bailey mentions the Oberheim OB-Xa is rarely disconnected to an AMS reverb and Roland Dimension D.
"I've recently made two fantastic discoveries - the AMS Digital Delay/Reverb, which is made in Burnley somewhere, and Roland's Dimension D, which both help to keep the keyboard sounds clear and separate. Almost anything you do with them sounds great. Also I use the Roland Chorus Echo and the Yamaha 1010 signal processor live."
"I've recently made two fantastic discoveries - the AMS Digital Delay/Reverb, which is made in Burnley somewhere, and Roland's Dimension D, which both help to keep the keyboard sounds clear and separate. Almost anything you do with them sounds great. Also I use the Roland Chorus Echo and the Yamaha 1010 signal processor live."
"I use the Oberheim DSX quite a lot, but when we were at Compass Point Studio I had trouble getting it to synchronise; in the end it wasn't worth the effort and I played everything by hand."
Tom Bailey is seen with a Movement MCS Drum Computer Mk. II model in this photo from the Compass Point sessions for Into The Gap, courtesy of roadie Stephen Dewey. Previously they hired a Mk. I movement.
Tom had this to say about the Movement drum machine in an interview with One Two Testing:
"I really like the Movement. I suppose there's an extent to which you like what you know, because you can get the best out of it. To be honest it's like a fancy Linndrum, except that it's got that element of visual interaction. Everything's clearly laid out... the song's built up in a very visual way and becomes like a visual pattern."
This is a community-built gear list for Tom Bailey.
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