Tom Petersson's Gear

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Petersson can be seen playing a Waterston TP-12 bass in this photo.

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1967 Fender Telecaster Bass Prototype Introduced in 1968, the Fender Telecaster bass was essentially a reissue of the original Precision. "They've been a favorite of mine since Ronnie Wood used one with the Jeff Beck Group in '68," says Petersson. "This is an all-original, candy-apple-red prototype with a '50s neck." (Edit: I couldnt find a specfic mention of candy apple red but i did find this)

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Petersson has a number of unique examples of other American-made basses, and one of the more notable is a ’64 Epiphone Embassy in TV yellow finish. “It was basically Epiphone’s version of a Thunderbird bass, with all the same parts,” he said.

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Petersson can be seen in this photo playing a Hamer B-12A.

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Gibson had a very small production run for what is essentially an ES-335 with a bass bridge, Petersson's 6-string 1960 Gibson EB-6 bass is a very rare find. "With its PAF pickup, it's the heaviest-sounding 1960s ES-335 ever," says Petersson.

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Tom's Bass Collection 1967 Fender Coronado II Bass Despite being designed by famed Rickenbacker luthier Roger Rossmeisl, the 30Ã??-scale Fender Coronado II hollowbody (and the one-pickup Coronado I) never quite caught on and was discontinued in 1973. "It's very much like a Guild Starfire," says Petersson of this specimen from the first year of production. "It's a great-sounding, underappreciated bass."

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And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

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1964 Gibson Thunderbird II "I had it refinished by RS Guitar Works to look like John Lennon's Gibson J-160E that was used for the worldwide live satellite broadcast of All You Need Is Love ," Petersson says.

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"The members of Cheap Trick have reigned as the high priests of hard-rocking U.S. power pop for more than 40 years, with an influential and infectiously ever-youthful sound driven by the impeccable playing and volcanic sound of bassist and co-founder Tom Petersson.

Petersson pioneered the creation and use of the 12-string bass guitar, and now, on the heels of Cheap Trick’s April 2016 induction into the Rock and Roll Hall of Fame, the Gretsch Custom Shop is supremely delighted to introduce the USA Custom Shop Tom Petersson Signature 12-String Falcon™ Bass. Stunning in style and utterly seismic in tone, it puts Petersson’s distinctive stamp on the classic White Falcon Bass design, with premium features including dual custom Seymour Duncan® Super’Tron pickups, short scale length (30.5”), a specially designed 12-string Space Control™ bridge and Gretsch “Cadillac” tailpiece, gloss-finish maple neck with “C” profile, 12”-radius ebony fingerboard with 22 vintage-style frets and mother-of pearl inlays, gold hardware and pickguard, and more. With Petersson’s name and style, Gretsch’s first and only 12-string bass model is surely the most powerful Falcon ever."

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"The members of Cheap Trick have reigned as the high priests of hard-rocking U.S. power pop for more than 40 years, with an influential and infectiously ever-youthful sound driven by the impeccable playing of bassist and co-founder Tom Petersson

Now, on the heels of Cheap Trick’s April 2016 induction into the Rock and Roll Hall of Fame, Gretsch is proud to introduce the G6136B-TP-AWT Tom Petersson Signature 4-String Bass. Stunning in style and tone, it puts Petersson’s distinctive stamp on the classic White Falcon Bass design, with premium features including a Gretsch Rumble'Tron neck pickup and custom Seymour Duncan® Super’Tron middle pickup, short scale length (30.3”), Adjusto-Matic™ bridge and Gretsch “Cadillac” tailpiece, gloss-finish maple neck with “U” profile, 12”-radius ebony fingerboard with 22 medium jumbo frets and mother-of pearl inlays, gold hardware and pickguard, and more. Deluxe hardshell case included."

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And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

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Listed as the gear that Tom Petersson uses on the official Orange website. https://orangeamps.com/portfolio-item/tom-petersson-of-cheap-trick/

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Listed on the official Orange amp website.

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According to Shure's artist page, Cheap Trick uses Shure's Beta 57A microphone for their guitar cabinet.

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In a feature by Vintage Guitar® magazine, Tom Petersson is shown with two Fender Precision Basses, including a 1957 model, one in red and one in green.

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If you scroll to his equipment you can see that he uses a 1965 Fender P bass

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"The members of Cheap Trick have reigned as the high priests of hard-rocking U.S. power pop for more than 40 years, with an influential and infectiously ever-youthful sound driven by the impeccable playing and volcanic sound of bassist and co-founder Tom Petersson.

Petersson pioneered the creation and use of the 12-string bass guitar, and the Gretsch Custom Shop is supremely delighted to introduce the G6136B-TP12 Custom Shop Tom Petersson Signature White Falcon™ 12-String Bass, Relic. Stunning in style and utterly seismic in tone, it puts Petersson’s distinctive stamp on the classic White Falcon Bass design, with premium features including dual custom Seymour Duncan® Super’Tron pickups, short scale length (30.5”), a specially designed 12-string Space Control™ bridge and Gretsch “Cadillac” tailpiece, gloss-finish maple neck with “C” profile, 12”-radius ebony fingerboard with 22 vintage-style frets and mother-of-pearl inlays, gold hardware and pickguard, and more. With Petersson’s name and style, Gretsch’s first and only 12-string bass model is surely the most powerful Falcon ever."

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Listed on Tom's official Orange artist page.

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Listed on Tom's official Orange artist page.

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And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

Find it on:

And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

Find it on:

And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

Find it on:

And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

Find it on:

And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

Find it on:

And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

Find it on:

And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

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