Travis Scott

In a recent Instagram post by DJ Khaled, Travis Scott is seen using the Antares Auto-Tune Pro X backstage, highlighting its role in crafting their latest anthem.

In a documented photo, Travis Scott is observed utilizing Antares Auto-Tune Pro X for vocal tuning, providing direct visual evidence of his use of this specific vocal processing plugin.

Here's a shot of Travis Scott recording "Butterfly Effect". Although blurry, you can see Waves Doubler loaded in the Pro Tools session on screen.

In a screenshot of Travis Scott recording "Butterfly Effect," an instance of the Softube Tube-Tech CL 1B plugin is visible. The plugin is identified as the Softube version by the distinct orange/light brown tinge in the bottom left corner, which is part of the Softube logo.

In the "Franchise (Cactus Slatt)" studio session, an instance of Antares Auto-Tune Antares Auto-Key is visible on the screen before Travis Scott begins recording, as shown in the provided image.

In a session for "Nightcrawler," a screenshot shows Travis Scott using the Antares Auto-Tune EFX, identifiable as the first version due to the absence of the bottom section for effects seen in EFX 2 and later versions.

In a studio session in France for "Utopia," a screenshot reveals the use of the Soundtoys EchoBoy Analog Echo Processor on the right side of Travis Scott's screen. Despite the image being blurry, the distinct layout with the Soundtoys logo above the Saturation section, along with the visible "mode" knob and the labels for different modes and the "feel" knob, confirm the presence of EchoBoy.

During a studio session in France for his Utopia album, the bottom-left section of Avid EQ III (1-Band version) can be seen in Pro Tools, confirming his use of this plugin. Its minimal layout distinguishes it from the standard multi-band EQ III interface.

Waves Doubler is confirmed to be part of Travis Scott's setup, as it appears in the session for "Through the Late Night," indicating its use in his vocal chain. This is supported by an image from the session.

In a studio session image for Travis Scott's track “Company,” an instance of the AIR Distortion plugin is visible on the screen. The plugin is identifiable by its unique skin and color scheme, consistent with the AIR Creative FX Collection Plus suite. Notably, it is the only plugin in this suite featuring two knobs on each side, with the left knob positioned slightly higher than the right. Additionally, two distinct black header areas, corresponding to the Tone and Clipping sections, and four knobs beneath them are visible, corroborating its identification as AIR Distortion.

In a shot of the session for the track "No Bystanders" from Travis Scott's album Astroworld, the Waves H-Delay Hybrid Delay plugin is visibly open, confirming its use in the production process.

You can see Antares Auto-Tune 8.1 being used in the session for "Sicko Mode", you can find the second image below which shows a close up of the label "Auto-Tune 8.1" in the Pro Tools window.

Second image: https://imgur.com/a/SonvMKk

In Travis Scott’s Look Mom I Can Fly documentary, Mike Dean can be seen using Slate Digital FG-X on the final mix and master of Stargazing prior to its submission.

In Travis Scott’s Look Mom I Can Fly documentary, Mike Dean can be seen using EQ III on the final mix and master of Stargazing prior to its submission.

In Travis Scott’s Look Mom I Can Fly documentary, Mike Dean can be seen using VisLM on the final mix and master of Stargazing prior to its submission.