Ulrich Schnauss

"The QRS is probably the opposite of that, where the Ursa Major is very low-fi, and very gritty, this is probably one of the most high end most expensive sounding reverb i’ve ever heard. I actually think it’s superior to something like the expensive Lexicon stuff," says Ulrich Schnauss, at 4:07 in this video interview with Future Music Magazine.

A Boss VF-1 can be seen underneath Ulrich's Korg Triton Rack at 8:05 in this video with Future Music Magazine.

"I think with effects it’s actually quite similar to synths. I just try to buy stuff over the years that has an interesting character and adds a unique element to the overall sound, and the URSA MAJOR certainly does - that’s a very odd sounding unit," says Ulrich Schnauss, at 3:45 in this video for Future Music Magazine.

At 4:52 in this video with Future Music Magainze, Ulrich talks about this module saying "that Eventide stuff is classic anyway I think - I have a H3000 here as well but I think for, especially for sort of chorusing I think this is - I prefer this even - this is one of the nicest choruses I know."

At 6:24 in this video with Future Music Magazine Ulrich says "maybe one thing that I should mention is my favorite effects unit of all time - that’s probably why I have two of those as well, the Publison DSM 89 B 2."

The MXR Digital Delay can (quickly) be seen as the camera pans up at 6:46 in this video with Future Music Magazine.

At 2:34 in this video with Future Music Magazine, Ulrich talks about the GL4000 saying "I’ve been mixing stuff in the box for the last eight or nine years probably, and I always had a subjective feeling that the results weren't quite as good as the results that I used to have when I was still using a desk before that. I think the biggest problem is not even so much individual sounds, but when it comes to summing in the end, I always had the impression that the overall sound picture I was getting was lacking sort of detail and clarity and those details as well as separation and presence of individual elements. This summer I was working at a studio where I had the opportunity to use a desk again after a longer period of not doing it, and I just noticed that it wasn't just a subjective impression, I think actually objectively the summing is better in a desk, and that's why I decided to put one into the studio again."

A MOTU 828 MK1 can be seen on Ulrich's desk at 1:42 in this video with Future Music Magazine.

In a Tech Talk interview on Electronic Beats TV, Ulrich Schnauss discusses his use of the E-Mu E64 sampler.

At 4:11 in this video with Future Music Magazine, the SBF-325 can be see just below the Ursa Major Space Station.

At 4:50 in his interview with Future Music Magazine, Schnauss says "Obviously, all that Eventide stuff is classic. I have an H3000 here as well."

At 6:40 in this video with Future Music Magazine you can see the MXR Flanger directly above one of Ulrich's Publison DHM 89 B2's.

At 5:16 as the camera pans left to right in Ulrich's studio we can see his Apple iPad running Waldorf Nave.

“I just got this recently as I got interested in tempo-based modulations and while you can’t sync the LFOs to MIDI, you can trigger the filter envelope with MIDI signals and it works very nicely with any rhythmical, sequency stuff. It’s very characterful and powerful,” says Ulrich Schnauss, in this interview with Future Music Magazine.

“I just got this recently as I got interested in tempo-based modulations and while you can’t sync the LFOs to MIDI, you can trigger the filter envelope with MIDI signals and it works very nicely with any rhythmical, sequency stuff. It’s very characterful and powerful.” - via [Music Radar}(http://www.musicradar.com/news/tech/in-pictures-ulrich-schnauss-london-studio-594928/8)

official website of his projekt Quaeschning-Schnauss: ULRICH SCHNAUSS:Software: Steinberg Cubase all tracks bar PRISM and AMONG MANATEES** (Logic)*Peripheral equipment: Manikin Schrittmacher sequencer.*Hardware synths:Roland JD XA synthesizerRoland Jupiter-8 synthesizerRoland JD-800 synthesizerOberheim OB-8 synthesizerRoland System 1 synthesizerRoland MKS-70 synthesizer moduleRhodes Chroma synthesizerWaldorf Q synthesizerMicrowave XT synthesizer module*Software synths & effects: Various modules from Sonic Core’s SCOPE system.*Hardware effects: Ensoniq DP4

official website of his projekt Quaeschning-Schnauss: ULRICH SCHNAUSS:Software: Steinberg Cubase all tracks bar PRISM and AMONG MANATEES** (Logic)*Peripheral equipment: Manikin Schrittmacher sequencer.*Hardware synths:Roland JD XA synthesizerRoland Jupiter-8 synthesizerRoland JD-800 synthesizerOberheim OB-8 synthesizerRoland System 1 synthesizerRoland MKS-70 synthesizer moduleRhodes Chroma synthesizerWaldorf Q synthesizerMicrowave XT synthesizer module*Software synths & effects: Various modules from Sonic Core’s SCOPE system.*Hardware effects: Ensoniq DP4

A Ensoniq DP/4+ can be seen above Ulrich's Oberheim OB-Mx at 1:53 in this video with Future Music Magazine.

Ulrich's APC40 can be seen at 0:45 in the video

Ulrich's 1604VLZ4 Mixer can be seen at 0:45 in the video

the Polyend Seq can be seen in the background throughout the video