URSA MAJOR Echo unit used on the mixing of The Great Deceiver: KC Live 1973-74 (just re-released).

In this image of Tycho's studio, you can see the Space Station. More images of Tycho's studio, as well as confirmation of this being his studio can be seen here.

Part of Utley's studio, as specified in this November 2008 Sound on Sound interview.

For general tone and feel, Adrian Utley has a huge amount of vintage gear, which is pressed into service as often as possible — Neumann and Calrec EQs, Pye, Urei and Teletronix compressors and limiters, a pair of Neve 1272 preamps, Astronic graphic EQs, Vortexion and Binson four–channel mixers — the Vortexion signed by Tom Jones after a session that blew Adrian away with the power of his voice. There's also an Ursa Major Space Station SST–282 from the late '70s, the one with the preset called 'Fatty'.

In the EMusician article "STRAIGHT SHOOTER," James Murphy is noted for using the Ursa Major Space Station SST-282, highlighting its role in his studio recording setup as an effects processor.

"I think with effects it’s actually quite similar to synths. I just try to buy stuff over the years that has an interesting character and adds a unique element to the overall sound, and the URSA MAJOR certainly does - that’s a very odd sounding unit," says Ulrich Schnauss, at 3:45 in this video for Future Music Magazine.

"Well, it's a Soundcraft one-inch 16-track and the little Soundtracs 16-in, 16-out desk which is great value money-wise and for what it can do. It's pretty much the ultimate for home studios and I suppose it's just about workable as a commercial studio. That's my basic set-up, with Dolby Noise Reduction on the 16-track, Little Red monitors and a Quad amp. I don't have many mics, just the UH7, C451 with C85 capsule and a PZM. I've got a few other things in operation, but as it's basically a one-man operation, I'm unlikely to need more than those three mics. If I'm doing drums I have to beg, borrow or whatever. I've also got a Drawmer compressor/limiter and Drawmer Gates - which are the best - and an Ursa Major Space Station, a Rebus rack and a couple of gates and a delay package. Then there's a Dimension D, a TC stereo parametric, Klark Technik Graphic and a Sony PCM F1 for mastering."

"Other than that reverbs are very important and other effects such as my Space Station, which I have two of: One original from the 70’s and a newer version which came out a good ten years ago and essentially does exactly the same thing.

Those are the secret weapons which get used time and again in pretty much every mix. With the vintage Space Station which gives a great 3D feeling on basslines like almost no other reverb or delay device I work with," says Hannes Bieger at 6:34 in this video.

you can see the SST-282 starting at 0:55

In this rack photo, Ursa Major Space Station unit is visible.

** Timo Maas says: ..."another favourite piece of outboard is the **Princeton Digital Ursa Major Space station SST-282. This signal processor gives an old-school feeling due to its unique performance."

According to a list of equipment which is used in his studio, Crowdspacer, Joakim is also a user of Ursa SST-282 space station.

In this video you can see Philippe Zdar showing a Ursa Major Space Station