seanmarshall9

Mine is a 60s reissue body with a Musicraft roasted maple neck. This thing is as fundamental to electric guitar sounds as it gets. It doesn't possess the craftsmanship of a Gibson, but it's not meant to- it's built to last and to be played. Tonally, it is a bit restricted, so I swapped out the neck pup for a Dimarzio 36th Anniversary PAF, which makes it a bit more versatile.

This is a fantastically valued guitar. It has a great sound and can do just about any genre IMO. It's not "better than a Gibson" as some reviews tout, but it's still a great value.

As good as they come. Mine's a '92 with a chunky neck. Not as loud as a D28 or other big Martin Dreadnoughts, but superb tone and perfect for the songwriter.

I've tried to many live acoustic solutions with poor results, and while I am usually not much of a digital guy, the "images" on this DI are spectacular. Quite simply, this is as good as live acoustic sound gets.

Precise, consistent, and durable. The industry standard, and probably the most important pedal I own.

Similar to my Epiphone Sheraton II, this pedal is a great value for getting as close to expensive tones as possible without spending the 4-figure $$ tag that comes with a Klon Centaur.

As close to on-board trem tone as it gets. Love the pre-amp's sound so I leave it on all the time. Great options for 2 speeds, and will last forever.

Not setting any records with this guy, but it gets me my delay tones on the cheap.

This is the all-in-all best package amp I have played. It might not have the boutique tonality of some of the highest priced amps, but for a working musician, this package doesn't get much better. On the low side, the Reverb tank wired sometimes come loose and are noisy. In a perfect world, this would have tube Reverb and onboard Trem, but at this point who is counting?