amelia_crowe

I've had mine for a few years and it just works. It's really easy to play, and I love how the pitch wheel feels.

I went to pick up a new keyboard at GC one day and tried all of them. I brought this one home and have loved it ever since. It's especially useful for when I'm making chord stacks, or wanna lay down a quick beat.

This thing has absolutely changed the way I do music, especially since I bounce stems out for mixing in Reaper. Every bit of this device's software sounds phenomenal, and the controller works wonderfully.

I got this when my old Audiobox started crapping out.I miss the midi ports that I lost when I made the switch, but I love having that big knob on the front.

The first time I had put these on my head, I felt like I had been lied to for years. Before then I had been using Audio Technica ATH M30x's, and I never quite realized how inaccurate they were. Now that I have these bad boys, I can hear my music with more clarity than ever before, and feel like I have a reason to reach for them while I'm mixing.

I love this little thing. I can run around with it or maybe sit in the garage with the door open on a rainy day and just chill and work on it. But then when I plug it into my computer I get all of it's functionality as well.

I've never been so happy with a compressor (with the exception of Ableton's Glue Comp, and DMG's Trackcomp). It sounds good on everything, and adds a level of aggression and punch that some of my tracks can't do without.

From the compressors, to the synths, to the Kontakt libraries, this package has had all I've needed for years, and I'm always finding more in it.

Definitely a powerful synth. Really shines on basses and is pretty crucial imo.

I use this on so much. It's one of my absolute favorite saturators.

I picked it up when I realized that I had no Linear Phase EQ's. I'm not a huge fan of how it works, but I can live with it.

Not much to say here beyond that it works.

A good sounding transient shaper, but just not my cup of tea. The ones I typically use have attack and release controls, which puts them far ahead of Flux in my list of things I use a lot.

I very rarely find myself reaching for this plugin, as I have others that can do the same/more. I like to keep it in case someone I'm working with uses it, but it's not a staple.

It's a cool little box that I never use. I'm sure it can do some neat stuff, but I haven't found any reason to choose it over even the most basic multiband compressors. Like sure I could use this, but I can grab Ableton's Multiband Dynamics and actually have control over all of the parameters.

Definitely a great product, but I tend to reach for the Ableton vocoder instead. Ease of use and integration are important to me. Why use this when I can grab something stock and run with it?

I use this on the rare occasions when I can't throw a rough master together. Sure, I favor some of it's modules (especially the widener module), but I wouldn't call it fantastic.

I have KClip Pro 2 and it's an absolute monster.

When I started dipping my toes into modular, I realized how much control and customization I had over it. Ultimately it has influenced my work in such a way that I seek out ways to apply it to my workflow. Enter: Reaper. It's sleek, easy to use, impossible to fully understand, and can be redesigned by the user to do almost anything.It's not quite where I want it to be yet, but all in all I feel as though it's the ultimate DAW, and look forward to the day it replaces Ableton for me.

I've been using Live for years (currently on 10 Suite), and I've never found a suitable alternative to it. It's an integral part of my workflow and allows me to get my ideas out faster than anything else.

There are a lot of monitoring options out there, but these just sound the best to me. I also definitely appreciate how they look in my studio.