Celldweller

Used during the recording of Wish Upon A Blackstar.

Me and @celldweller proclaiming our love of @renoise Everything I wanted from the ScreamTracker ImpulseTracker days

This item can be seen 16:48 into this video at the Future Music youtube channel in celldweller's studio tour video.

This item can be seen 17:06 into this video at the Future Music youtube channel in celldweller's studio tour video.

In this video Klayton can be seen using a Schecter Damian model.

Klayton has been using this one for studio recordings.

"Cool little epiphone my brother got me."

"I've got a Neumann M149 microphone, that runs into my A room, which is then running through my vintage Neve 1073, which is then running into my Avalon 747 for a little bit of EQ, and then finally into my LA2A." At 29:00 in the Celldweller Studio Tour with Future Music magazine.

At the beginning of this video, Celldweller's Red Panda Lab Particle can be seen.

At 1:48 in the video in which Celldweller shows off his studio to Future Music Magazine, you can see that he points at a module and says ". . . like this Gravity Well by Circuit Abbey, it just kinda does something where it mixes the frequencies of what you input in to it in really strange and unpredictable ways. I don't actually really know what it does, only know is it makes really cool sounds by the time it comes out from the other end".

At 6:08 in the video in which Celldweller shows off his studio to Future Music Magazine he shows where the devices are and then says "Here are the Volcas, I'm sure many people are familiar with these already. Again, fairly inexpensive. I think Korg is on their game because they're kinda bringing hardware back, they're bringing analog back, for those of us that are kind of a little burnt on the digital sound".

At 6:08 in the video in which Celldweller shows off his studio to Future Music Magazine he shows where the devices are and then says "Here are the Volcas, I'm sure many people are familiar with these already. Again, fairly inexpensive. I think Korg is on their game because they're kinda bringing hardware back, they're bringing analog back, for those of us that are kind of a little burnt on the digital sound". He also says that the second device is, indeed, the mechine for the bass lines a little bit later in the video.

At 9:10 in the video in which Celldweller shows off his studio to Future Music Magazine, you can see that he points at two modules and says "And I've got the 351 and 352 expanders which actually allow me to do input and output CV information".

This item can be seen 14:00 into this video at the Future Music youtube channel in celldweller's studio tour video.

This item can be seen 19:50 into this video at the Future Music youtube channel in celldweller's studio tour video.

This item can be seen 20:16 into this video at the Future Music youtube channel in celldweller's studio tour video.

At 3:37: "Pretty recently, I started using FL."

In this interview he is asked, "Your studio looks incredibly impressive, what sits at the heart of it?"

"I have a trash can Mac running Cubase 8. I was a long time Pro Tools user and lived under that somewhat tyrannical regime for a while, but grew so tired of the politics within the whole Avid system I had to get out."

At the beginning of this video, Celldweller says "my DAW, which is Cubase".

"It's mostly Eurorack, but I have a classic Moog Voyager and a Synthesisers.com set up that emulates the old Moog 5U modular system. Then I have things like the TTSH (Two Thousand Six Hundred), which is an ARP 2600 replica, an original Roland System 100M - I love the way that thing sounds, a Roland Juno-106, a Juno-160 and a couple of Prophet 600s. I also have a Buchla set up, and a Swarmatron, which I use a fair amount as well, so I can kind of do anything I want."

"It's mostly Eurorack, but I have a classic Moog Voyager and a Synthesisers.com set up that emulates the old Moog 5U modular system. Then I have things like the TTSH (Two Thousand Six Hundred), which is an ARP 2600 replica, an original Roland System 100M - I love the way that thing sounds, a Roland Juno-106, a Juno-160 and a couple of Prophet 600s. I also have a Buchla set up, and a Swarmatron, which I use a fair amount as well, so I can kind of do anything I want."

"FabFilter EQs, in fact the whole FabFilter suite sounds incredible - there's not a session that doesn't have a ton of Fab Filter Pro-Q2s and Simplons on it. Soundtoys also makes great sounding plugins that can really destroy or sweeten your sound, and they're all over my productions."

"FabFilter EQs, in fact the whole FabFilter suite sounds incredible - there's not a session that doesn't have a ton of Fab Filter Pro-Q2s and Simplons on it. Soundtoys also makes great sounding plugins that can really destroy or sweeten your sound, and they're all over my productions."

"The Sherman Filter Bank 2, which is another great... filter... I don't really know what to call it. Kinda is a filter, but it does a lot more than that."

At 13:00 Celldweller describes his Sherman Filterbank 2, and how he doesn't limit himself to only using it as a filter.

He shows this plugin in his video at 15:15. He use it with Cubase

In the official concert film "Celldweller Live Upon A Blackstar," Celldweller can be seen playing a Schecter C-6 Deluxe, which features a distinctive personal sticker on the fretboard.

In this video, Clayton has this guitar. https://youtu.be/yVtRJZ5IweQ?t=58

The item can be seen 23:25 into this video

At 0:33 in the video in which Celldweller shows off his studio to Future Music Magazine you can see him use the Evin 209 at the bottom-left corner on his modular system.

At 0:33 in the video in which Celldweller shows off his studio to Future Music Magazine you can see that he has the Noisering on his modular system at the bottom-left corner of the video.

At 0:33 in the video in which Celldweller shows off his studio to Future Music Magazine you can see that he has the Borg 2 filter on his modular system at the bottom-left section of the video right next to the Noisering.