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Description
The Alesis ADAT XT is a staple in the world of studio recording gear, particularly for those who value quality mastering and precise audio reproduction. As a part of the renowned ADAT family, this 8-track digital audio tape recorder offers a seamless integration into both home and professional studios. Its ability to record at a standard sample rate of 48 kHz with 16-bit resolution ensures that your audio projects maintain clarity and depth, making it ideal for both music production and post-production environments.
The ADAT XT stands out with its S-VHS tape format, which allows for longer recording times and greater durability compared to traditional DAT tapes. This model is equipped with advanced features like optical digital I/O, which facilitates easy connection with other digital equipment, enhancing the flexibility of your recording setup. The user-friendly interface and robust build make it a reliable choice for seasoned professionals and ambitious newcomers alike.
Whether you're archiving live performances or crafting studio masterpieces, the Alesis ADAT XT is designed to meet the demands of high-quality audio recording while providing a straightforward, intuitive user experience.
Key Features:
- 8-track digital recording capabilities
- Standard sample rate of 48 kHz with 16-bit resolution
- S-VHS tape format for longer recording times
- Optical digital I/O for seamless equipment integration
- User-friendly interface for straightforward operation
- Reliable build quality suitable for both studio and live settings
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Alesis ADAT XT.
Setup and maintenance
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ADAT machines need formatting of tapes in real-time to record clock, preventing time display loss and aiding in tape management.
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Longer S-VHS tapes are thinner and prone to ripping, making 45-60 minute tapes more reliable for frequent shuttling.
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Fast winding tapes before use ensures smoother spooling and prevents sticking, essential for tapes stored for long periods.
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Consider transferring ADAT tapes in bulk at studios with multiple XT20 machines to avoid wear on older, less reliable personal units.
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Features and functionality
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ADAT records at 4X normal VHS speed; a T160 tape allows for about 40 minutes of recording time, not the indicated video length.
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Use cases and applications
Comparisons
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M20 models, built around broadcast video deck transports, are more robust and better sounding than earlier ADAT versions.
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Software and compatibility
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Using a digital interface with various input configurations can simplify transferring ADAT tapes, especially when dealing with potential master clock sync issues.
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User experience
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Real-world concern about LX20's reliability after years of inactivity, leading to preference for professional studio services for bulk transfers.
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Critic Reviews
4.5 out of 5
Based on 1 Review and 7 Ratings
289
The Alesis ADAT is the greatest advancement to audio recording in history...
I have the ADAT XT and an ADAT LX-20. I can't say how much I enjoyed using these units. I have them set up but I haven't wired them up for years. Needless to say, I would like to set them up and use them again soon. Maybe this year I can find the time. I got rid of the Alesis ADAT "black box" and eventually bought these in the early 2000's.
Artist usage
Add artist
This machine was used solely on the Pure album. Ideas were sent backwards and forwards between producers Rob/Monti and me via this ADAT. It hasn’t been used since Pure was finished.
This article lists Jakko’s gear in his Silesia Sound Studios, including this one.
Long a fan of digital equipment, Steve tries to keep as much of his recording chain digital as he can, but feels that you can only get the best out of such a system if analogue signals entering the digital domain (for example vocals and acoustic instruments) are recorded to as high a spec as possible. Consequently, although his setup is based around four Alesis ADAT XT digital multitracks, an Emu EIV and Yamaha 02R and 01V digital desks, the mics and preamps at his disposal comprise some of the finest (and most expensive) analogue gear around — of which more later. Steve: "That's the kind of signal path I like; you go straight from this very expensive analogue input stage into the 02R, and then digitally on to the ADATs."
"A UNIQUE OPPORTUNITY!
Ex-BBC Radiophonic Workshop (Blake’s Seven, The Living Planet) and current film and TV composer Elizabeth Parker is selling the famous circular studio she took with her from the BBC when the RW was disbanded.
The studio is virtually complete, including nearly all the equipment she has been using on a regular basis in her profession - up to and including a film project she is finishing in the first half of November before the studio is dismantled. Just add a mother keyboard, mastering, monitoring, and video, and you have virtually the complete set- up used for prestigious projects like the BBC’s World Cup coverage, The Human Body, Weird Nature, Animal Olympics, the Monty Python Holy Grail DVD, Michael Palin TV series, etc.
The custom woodwork and cabling alone is believed to have cost £4500 in the late 1980s, and is probably one of the most famous studio designs in the world. When it was removed from the BBC, the installation and re-design at Liz's private studio was masterminded by Rupert Brun, one of the BBC's most highly respected engineers.
Full documentation is included in the sale. Removal and/or packing and shipping is a serious task, so please bear that in mind before bidding. VEMIA will assist at cost if you need."
"The studio consists of:
The studio desk, custom made for the Radiophonic Workshop, out of limed Ash. (Buyer dismantles and collects). Complete with a vast quantity of high-quality cabling, with every cable, jack, phono and XLR numbered and labelled by Rupert Brun, with full diagrams, spreadsheets, etc. Roland XV 5080 with 8-voice expansion unit for sample playback Emu Proteus 2000 (with Proteus 1, 2, and 3 (World) Expansion Cards) Proteus 2 and Proteus 3 World Modules. Emu 4XT Ultra with maximum memory. Roland 760 Samplers (x3) with maximum sample and playback memory + mouse unit for 2 of them Emu Xtreme Lead 1 with MoPhat Card. Yamaha 01 Digital Mixer. Yamaha 01V Digital Mixer. Yamaha KM802 Mixer. Spirit Folio F1 100mm Fader Mixer. Peavey PC 1600X Midi Command Stations (x3) Alesis ADAT XT 8 track digital recorder + remote control. Denon DRM-550 Cassette Deck. Akai Professional rackmount DP3200 Routers (x3) 48-Way Patch Bays (x3) Iomega 250 Zip Drives (x2 - one still in box) CD Rom Players (x3) - one still in box. Emu Proformance Piano Module. Emu Procussion Module. Opcode Studio 4 Midi Interfaces (x2) [Opcode] Studio 5 Midi Interface. Apple 7600 computer with unused new RAM + 21" monitor Apple 8600 computer + monitor. PPM Meter - West German, made by RTW, Köln, and bought from the BBC. Magneto Optical 230 drive. Apple Mac G4, Dual Processor with 512MB RAM, 40GB hard drive in four partitions, extra internal 230GB hard drive."
David Ferguson's equipment list:
Apple G3 266 computer, 96Mb RAM/4Gb HD. Akai S3000XL sampler. Alesis ADAT XT digital recorder/BRC remote. Alesis Microverb effects. Bit 99 synth. Drawmer DS201 Gate & LX20 compressor. Emagic Logic Platinum 2.6 sequencer. Emu Proteus 1, 2 & 3 sound modules. ("On the album, the 'Hall Strings' preset from Emu's first Proteus module is used a lot, because it's a great marcato string sound.") Emu Proformance piano module. Ensoniq VFX synth. FriendChip Timecode Refresher. Iomega Jaz drive. Korg 1212 PCI card. Korg DRV3000 effects. ("Weird and sometimes wonderful.") Korg Wavestation SR synth. Lexicon MPX1000 effects. Logan String Melody keyboard. ("The last of Random Hold.") Mackie 32:8:2 mixer. Oberheim DPX1 sample player. Roland D550 synth. Roland S760 samplers/SP700 playback unit. Sony 600Mb optical drive. Sony DTC690 DAT recorder. Spirit Absolute 2 monitors. SPL Vitalizer enhancer. Symetrix 511A noise reduction. Tascam DA30 MkII DAT recorder. TC M2000 Wizard effects. Yamaha AN1x synth. Yamaha SPX50 effects.
Gear
Kurzweil K2500 (two) "I use one K2500 as my controller keyboard and I have an additional rackmount K2500. I use those to control my sound library of real orchestral sounds." Akai S2000 Roland JV1080 "I use this with the orchestra expansion card for some of the orchestral sounds that are mostly in the background — in other words those that don't require so much authenticity. It allows me to layer up sounds without having to use up any of the memory I need for my better CD‑ROM orchestral samples." Studio Electronics ATC1 "This one I use when there's a need for analogue sounds. You can switch from one type of sound to another depending on what cartridge you put in." Roland Juno 106 "I used the Juno 106 for Mercenaries and a bunch of other titles that needed more industrial types of sounds." Tech 21 SansAmp PSA1 "This is great for recording guitar sounds. It has a whole bunch of different guitar distortions and effects and plugs straight into the board — you don't have to go through a separate amplifier, but it creates the sound just as well." Alesis ADAT XT "Occasionally when I have all the samplers filled up and I don't have any more memory I dump them on to different tracks on the ADAT and record them that way." Tascam DA30 DAT recorder JVC Pro Series Digital S video deck "I use this half‑inch deck to sync up films and timecode." Apple Power Mac 4400 running MOTU's Digital Performer "I've been trying various different sequencers to see which one I like the best and, although they all have their pros and cons, I find that Digital Performer works really well for what I'm doing." Digidesign Pro Tools "I don't use Pro Tools that much. Sometimes I will if I need to sync up different dialogue and sound effects to the music, but mostly I do the final mix onto DAT and if necessary I'll load that back into Pro Tools to burn CDs."
Genre Usage
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Used With
Based on how musicians on Equipboard use Alesis ADAT XT, it is most commonly used with the following gear.
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