Liam Howlett, of The Prodigy, utilizes the E-MU PROTEUS 3 ETHNIC SOUND module for its versatile and high-quality sound capabilities. This sound module features 32-note multi-timbral polyphony and 16 MIDI channels, offering 192 preset sounds, including drum kits, horns, strings, and more. As detailed on The Prodigy website, it allows for easy editing of existing presets, enabling users to create and save custom sounds.

List of equipment used by Klaus Schulze, from the February 1993 issue of Sound on Sound:

4x Akai S1000PB (32MB) 2x Akai S1000KB (32MB) Akai S900 Akai S612 Akai S7000 Moog Modular CIII 2x Moog MiniMoog Studio Electronics MIDIMini Mellotron Yamaha CS80 Yamaha CP70 Yamaha TX81Z Yamaha SY99 Korg M1 Korg M1 EX Korg T1 Korg T3 Korg DVP1 Roland U110 Roland U220 Roland D50 Roland S50 sampler & monitor Roland Planet S & editor Roland Super Jupiter & editor 2 Roland TR505 Roland Octopad Roland JD800 Roland Super JX10 4x Hohner HS2/E sampler 5x Hohner HS1/E sampler Hohner HS1KB sampler Waldorf Microwave GDS computer synth Misc. Crumar keyboards Fairlight CMI Series II SCI Prophet 2000 SCI Prophet 2002 Emu Proteus/2 Emu Proteus/3 World Emu Emulator II Kurzweil K1000 Kawai K4 EMS Synthi A PPG Wave 2.2 Linn 9000 4x Oberheim DPX1 Yamaha RY30 drum machine Sonor timpanies and octo toms Paiste gongs and cymbals Martin 12-string guitar

Koji Kondo's studio features an E-MU PROTEUS 3 ETHNIC SOUND module, as seen in the second photo on the HCS Forum's VGM/Others Instrument Source Thread.

List of equipment used on the album Universal:

SYNTHS • Emu Proteus 1 (x2) • Emu Proteus 2 (x2) • Emu Proteus World • Emu Classic Keys • Korg M1R • Korg O3R/W • Oberheim Matrix 6R • Oberheim Matrix 1000 • Quasimidi Quasar • Roland Alpha Juno 2 • Roland D550 • Roland JD800 • Roland JV1080 (with Orchestral, Vintage Synth, Piano, and World expansion boards) • Roland JX8P • Roland MKS30 • Yamaha DX7S • Yamaha TX81Z (x2)

SAMPLERS • Akai S1100 • Akai S1100EX

RECORDING • Alesis Quadraverb • Digitech Vocalist (hired) • Fairchild compressors • Focusrite EQ • Opcode Studio 4 MIDI interface • Pultec EQP1A EQ • Urei 1176 compressors

COMPUTERS & SOFTWARE • Apple Macintosh Quadra 650 • Digidesign Pro Tools II & 442 interface • Digidesign Sound Tools II • Emagic Logic Audio v2.5.3

"There’s a prototype World module there, because I did a lot of presets for the World module. A lot of the Proteus 3 samples are mine. In payment I got the prototype."

The Synclavier system may be at the heart of the studio, patched through a Soundcraft Sapphyre LC mixer, but that's not it for "MIDI boxes", as Mark refers to them: the studio also accommodates a Roland S760 sampler, Kurzweil MicroPiano module, an Emu Proteus 1, 2 (source of the famous X‑Files whistle, in combination, apparently, with a sample of Snow's wife whistling!) and 3, Emu Morpheus, Korg M1R and Wavestation SR. But these are adjuncts to the core sound produced by the Synclavier and its large library: "I have all these great samples on the Synclavier's magneto drives." Mark doesn't do much sampling of his own: "There are so many sample disks available that I have people transfer them onto Synclavier format." And is there anything else he'd like to add to the studio? "Well, the only thing that means anything to me is new sounds or new combinations of sounds. All I care about is if somebody has a great new sound library. That's what I'm looking for. Since my background is music, rather than electronics and technology, I just know as much as I have to. There are so many other composers who know about sampling rates and all that technical stuff, but none of that really interests me. So apart from new sounds, I could maybe upgrade the RAM and the number of voices on the Synclavier..."

Kenji Kawai is confirmed to use two E-MU PROTEUS 3 ETHNIC SOUND modules, as listed on his official website.

When asked in regards to the modules Josh used on Crash Bandicoot, he said he used a Proteus/1, 2, and 3, Pro-cussion, Vintage Keys, Morpheus, and the Carnaval. Recalls all of them being the standard version. Later replaced either a Proteus/1 or 2 with a Proteus 2000.

A UNIQUE OPPORTUNITY!

"Ex-BBC Radiophonic Workshop (Blake’s Seven, The Living Planet) and current film and TV composer Elizabeth Parker is selling the famous circular studio she took with her from the BBC when the RW was disbanded.

The studio is virtually complete, including nearly all the equipment she has been using on a regular basis in her profession - up to and including a film project she is finishing in the first half of November before the studio is dismantled. Just add a mother keyboard, mastering, monitoring, and video, and you have virtually the complete set- up used for prestigious projects like the BBC’s World Cup coverage, The Human Body, Weird Nature, Animal Olympics, the Monty Python Holy Grail DVD, Michael Palin TV series, etc.

The custom woodwork and cabling alone is believed to have cost £4500 in the late 1980s, and is probably one of the most famous studio designs in the world. When it was removed from the BBC, the installation and re-design at Liz's private studio was masterminded by Rupert Brun, one of the BBC's most highly respected engineers.

Full documentation is included in the sale. Removal and/or packing and shipping is a serious task, so please bear that in mind before bidding. VEMIA will assist at cost if you need."

The studio consists of:

The studio desk, custom made for the Radiophonic Workshop, out of limed Ash. (Buyer dismantles and collects). Complete with a vast quantity of high-quality cabling, with every cable, jack, phono and XLR numbered and labelled by Rupert Brun, with full diagrams, spreadsheets, etc. Roland XV 5080 with 8-voice expansion unit for sample playback Emu Proteus 2000 (with Proteus 1, 2, and 3 (World) Expansion Cards) Proteus 2 and Proteus 3 World Modules. Emu 4XT Ultra with maximum memory. Roland 760 Samplers (x3) with maximum sample and playback memory + mouse unit for 2 of them Emu Xtreme Lead 1 with MoPhat Card. Yamaha 01 Digital Mixer. Yamaha 01V Digital Mixer. Yamaha KM802 Mixer. Spirit Folio F1 100mm Fader Mixer. Peavey PC 1600X Midi Command Stations (x3) Alesis ADAT XT 8 track digital recorder + remote control. Denon DRM-550 Cassette Deck. Akai Professional rackmount DP3200 Routers (x3) 48-Way Patch Bays (x3) Iomega 250 Zip Drives (x2 - one still in box) CD Rom Players (x3) - one still in box. Emu Proformance Piano Module. Emu Procussion Module. Opcode Studio 4 Midi Interfaces (x2) [Opcode] Studio 5 Midi Interface. Apple 7600 computer with unused new RAM + 21 monitor Apple 8600 computer + monitor. PPM Meter - West German, made by RTW, Köln, and bought from the BBC. Magneto Optical 230 drive. Apple Mac G4, Dual Processor with 512MB RAM, 40GB hard drive in four partitions, extra internal 230GB hard drive."

Included in his studio are synthesizers such as the Roland MKS-70, two MKS-50s, a MKS-80 and D-50; Yamaha TX-81Z; four Oberheim Matrix 1000s, E-mu Orbit and Morpheus, and a Casio VZ-10M. Sample players include Kurzweil 1000AX+, Roland U-110, Oberheim DPX-1, E-mu Proformance Piano and Proteus (as well as the Proteus 2 and 3), Alesis NanoBass and samplers, including a Casio FZ-10M, two Akai S-1000s and three Akai CD-3000s. He also turns to E-mu Procussion, Roland R-8M, Alesis DM-5, Roland BD-1 and a Roland SPD-11 for drum sounds.

David Ferguson's equipment list:

Apple G3 266 computer, 96Mb RAM/4Gb HD. Akai S3000XL sampler. Alesis ADAT XT digital recorder/BRC remote. Alesis Microverb effects. Bit 99 synth. Drawmer DS201 Gate & LX20 compressor. Emagic Logic Platinum 2.6 sequencer. Emu Proteus 1, 2 & 3 sound modules. ("On the album, the 'Hall Strings' preset from Emu's first Proteus module is used a lot, because it's a great marcato string sound.") Emu Proformance piano module. Ensoniq VFX synth. FriendChip Timecode Refresher. Iomega Jaz drive. Korg 1212 PCI card. Korg DRV3000 effects. ("Weird and sometimes wonderful.") Korg Wavestation SR synth. Lexicon MPX1000 effects. Logan String Melody keyboard. ("The last of Random Hold.") Mackie 32:8:2 mixer. Oberheim DPX1 sample player. Roland D550 synth. Roland S760 samplers/SP700 playback unit. Sony 600Mb optical drive. Sony DTC690 DAT recorder. Spirit Absolute 2 monitors. SPL Vitalizer enhancer. Symetrix 511A noise reduction. Tascam DA30 MkII DAT recorder. TC M2000 Wizard effects. Yamaha AN1x synth. Yamaha SPX50 effects.

Howard Goodall confirmed his use of the E-Mu Proteus modules by stating, "Well, for those electro-music buffs who might know about it, I have all the Proteus machines, which are all very good sampled sounds." This information is sourced from the Red Dwarf Smegazine (November 1992) available on the Internet Archive.