The Chemical Brothers utilize the Mackie 32-8 Bus Analog mixer during their live performances, as noted in the Sound On Sound article by Matt Cox.

A Mackie 32-8 bus mixing desk can be seen in photos from Vagnelis' December 2011 concert in Qatar. Also seen in this Youtube video at 2'52 https://youtu.be/GWggDMDhwIA?t=172

"The Prodigy sound owes a lot to Mackie because I've been using their stuff for years. The first mixer I ever bought was a Mackie CR1604, which I got when I was a teenager, and I've now got a 32:8 analogue eight-buss console that I love because it gives us our distinctive Prodigy sound. It's a desk that lends itself to being driven very hard. It has a naturally warm sound that allows you to push the channels as far as they'll go. Part of the appeal of The Mews was that it had a 32:8, so I immediately felt at home."

"I’ve got an old Mackie analogue desk, a 32:8 bus. I use Apogee digital converters. I’ve got a huge amount of microphones which I’ve collected over the years, mainly from working in studios and remembering which microphones I really liked the sound of. I do a lot of experimenting with mics and placement. I’ve got a huge live room at home, which I’m lucky enough to have. I’m placing different mics at different distances. It all gets recorded into Logic Pro on a Mac. Then I’ve got the chance to fiddle around with the effects, the delays, the phase reversals, things like that. But I very much want to get a performance and a whole track down."

"I've got a 32-channel, eight-buss Mackie and there isn't anything in particular I like about it. It's just convenient. I bought it a long time ago and I didn't buy it for any special reason, I bought it for the price they gave me. It wasn't too big and there wasn't too many knobs, it was quite simple and straightforward."

A Mackie 32-8 with Meter Bridge can be seen in this photo of Coil's home studio

" In those days, I had a Mackie 32x8 console, loads of racked outboard and synths, because it was the '90s."

List of equipment in George Michael's studio, from the July 1996 issue of Sound on Sound:

RECORDING

AKG LSM50 cube monitors Aphex Expressor compressor Denon tape deck * Dynaudio Acoustics M1 monitors Lexicon PCM80 effects Lexicon LXP15 effects Mackie 32*8 32:8:2 8‑buss console Otari RADAR 24‑track hard disk recorders (x2) Tascam DA20 DAT * Yamaha NS10 monitors

SOUNDS

Akai S3000i samplers (x2) Akai S3200 sampler * Emu Procussion percussion module Emu Vintage Keys Plus module Emu Ultra Proteus synth module Korg Prophecy keyboard synth Korg Trinity Plus keyboard synth Kurzweil K2000 sampler/synth Roland JV1080 synth module Roland Juno 106 analogue keyboard synth Roland Vintage Synth MVS1 sound module Studio Electronics SE1 synth module * Yamaha SY77 keyboard synth Yamaha TG500 synth module

MISCELLANEOUS

DAC hard drive * Opcode Studio 4 MIDI interface (x2) Powermaster drive *

In the February 2011 issue of Future Music magazine (Issue No. 236), an interview with Photek about his classic album Modus Operandi features images showing him with the Mackie 32-8 Bus analog mixer.

Optical lists the item in this reddit AMA comment.

In this photo by Yves Krier for Keys magazine we can see DJ Koze in his studio standing over the [Mackie 32-8 bus analog] console. Source is here http://yveskrier.com/dj-koze/

"At home I do most of my mixing in the box–that’s to say, inside Pro Tools. For serious mixing I go off campus. On the input side I have a few nice pre-amps like Amek, Neve, API, Daking, and the underrated Drawmer 1960. And for overflow I have several Mackies (32×8, 1604, 1202) and a few Presonus pre’s."