""All I Need" from Isn't Anything by My Bloody Valentine

There was a drum machine beat just going like a heartbeat effect. I played an acoustic guitar to it and then it's basically an Alesis Midiverb II, it's the reverse reverb program. If I ever had a secret weapon it's the Alesis and the [Yamaha] SPX 90 and again, it's the reverse reverb program."

Buckethead has been using the Alesis Midiverb II since the 1990s, incorporating it in the effects loop of his EVH 5150 50-watt head. He often utilizes presets 98 and 99, as shown in the user-uploaded photo from Dmcdn.

This is an Alesis Midiverb II multi-effects processor. This is the piece of kit that Cressa would operate for Squire when the Roses played live.

10:32 In this video it has Phil showing his Alesis Midiverb 2

In this video, Phil Collen shows his rack rig which consists of two Alesis Midiverb II rack units.

(@16:50) "Also the Alesis Midiverb II"

For the "Field Day" lp and tour, Brian played a 1967 Gibson Firebird 12 string, a 1988 Charvel Model 4 with EMG 81 pickups, and a 1986 Gibson SG with EMG 81 pickups. His amps were two Marshall 100-watt heads, four Marshall cabinets with 35-watt Celestion speakers, and a Roland JC-120. He also used an Alesis Midiverb 2, Roland SDE 1000 delay and Samson Stage Series wireless.

Per "Rock This Town" publication, special issue 1991:

In 1991, the setup was as follows: [Rock This Town special issue 1991]

Sound studio: Analog Synths: Roland System 100/100M/101 (+Roland Midi interface MPU-101);YAMAHA CS-40M (in the Take One video); Oberheim Matrix 1000; Digital Synths: Yamaha DX-7 (2); Ensonic VFX; Roland DDR30; Yamaha tg77; Korg Wavestation; Sequencer: Atari 1040 (Sequ. Cubase 2.0); Samplers: AkaiS9000 (2); AkaiS1000 (8Mg + Hard Drive Mfile 44); AkaiS1000PB (4Mg); Emulator II; akai 1100, e-mu Procussion, roland s-10 for live use @ the mixing desk; Effects: Lexicon 480L; Yamaha SPX90 II (2); Roland SRV-2000; Roland SDE-3000; Alesis Midiverb II; Alesis Quadraverb; ART DRX; spx 1000 (x2); Eventide h3000 se; Mixing: Table TAC Scorpion 32/16; Recorder TASCAM MS16 tracks; Recorder DAT Luxman; Speakers Yamaha NS 10M pro ATC SCM50; QUAD ampli (for NS-10M); Diverse: compressor/limiter, noise gate, parametric eq. Live: Backline: Akai S9000; Roland DDR30; Simons & Roland Pads; Emulator II; TASCAM238 8

Graphic Studio: Commodore Amiga 2500 (6Mg + Hard Drive 40Mg); Commodore Amiga 500; Digitizer SNAPSHOT; Camera Sony CCD V-200E; Laserprint NEC Silentwriter LC890; Monitor NEC Multisync 2A.

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

"In the effects loop of the preamp, I have the Eventide Time Factor, and I also have and an old Alesis MidiVerb 2, which I only use on preset 45, which is called the 'Bloom' setting. It's a reverse reverb kind of thing, and it's very beautiful."

You can see the Alesis midiverb 2 in his rig here, you can tell it is his rig from this photo: https://render.fineartamerica.com/images/rendered/default/print/5.5/8/break/images/artworkimages/medium/3/richard-patrick-of-nine-inch-nails-performing-in-raleigh-nc-david-ilzhoefer.jpg

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS10 monitors. A visiting M1 is subjected to his derision, much to the amusement of the programmer. Upstairs he shows me the 16-track studio, home to a Tascam MSR16 and a Soundtracs PC series desk, and the small editing suite with its Macintosh and Soundtools digital editing. Finally there's the demo room, with a Tascam M312B desk, Atari, S1000, Midiverb II, SPX50D, NS10s', and, surprisingly, a DX7II. The latter instrument is being played by Jaz Coleman, who's making a gothic-sounding godawful racket together with Geordie Walker on electric guitar.