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Description

Elevate your mix to new heights with the W. A. Production Outlaw, a dynamic processor plugin designed to effortlessly balance audio levels with precision and ease. Whether you’re a seasoned studio engineer or a live sound enthusiast, Outlaw is your trusty sidekick for achieving smooth, consistent volume across a variety of soundscapes. Say goodbye to tedious volume automation and let Outlaw’s intelligent gain-riding technology mimic the adept fader moves of a seasoned audio engineer.

Outlaw's intuitive interface features four primary controls: Mix, Target, Gate, and Gain, offering you broad yet precise control over your audio dynamics. The Mix dial lets you adjust effect intensity, while the Target control sets your desired RMS target level. The Gate allows Outlaw to overlook softer sounds, maintaining focus on your primary signals. Fine-tune the master output with the Gain dial for impeccable level matching.

Dive deeper into your mix with advanced settings designed for meticulous audio engineers. Customize the gain algorithm with high-pass and low-pass filters and various slope settings to tackle pesky frequency issues. Shape your transients with Attack and Release options, and use the Direction parameter to control gain-riding dynamics—up, down, or both.

Outlaw also provides real-time visual feedback, displaying Peak and RMS volume for both channels, so you can monitor the plugin's effect on your audio at a glance. Developed using the JUCE framework, Outlaw is optimized for seamless operation on both Mac and PC, supporting all major plugin formats including AAX for Pro Tools users.

Key Features:

  • Mix, Target, Gate, and Gain controls for flexible dynamic processing
  • Advanced filtering options with HPF/LPF and adjustable slopes
  • Attack, Release, and Direction controls for transient shaping
  • Real-time visual feedback for precise monitoring
  • Compatible with VST, AU, and AAX formats on Mac and PC
  • Supports retina and high-definition screens
W. A. Production

W. A. Production

OUTLAW Gain Rider Plugin - All Gain. No Pain (VST, AU, AAX)

Video thumbnail for OUTLAW Gain Rider Plugin - All Gain. No Pain (VST, AU, AAX) by W. A. Production

OUTLAW Gain Rider Plugin - All Gain. No Pain (VST, AU, AAX)

W. A. Production

W. A. Production

Video thumbnail for Plugin Look | Outlaw by W.A. Productions by PoundSound

Plugin Look | Outlaw by W.A. Productions

PoundSound

PoundSound

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about W. A. Production Outlaw.

Features and functionality

  • Users appreciate the advanced panel for transparent leveling, allowing speed adjustments to maintain clean sound without harsh compression.

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  • Outlaw allows users to adjust ballistic settings for precise volume control, offering an alternative to Waves Vocal Rider with more user-defined control.

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User experience

  • Some experience issues with the gate, which can pick up -60dB noise despite being set to -10dB, necessitating additional noise control measures.

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  • The interface of Outlaw is noted for being user-friendly and visually appealing, supporting extended sessions without causing strain.

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Comparisons

  • Unlike typical compressors, this plugin automates gain control without altering sound character, resembling a virtual engineer adjusting volume levels.

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  • It's noted that Hornet might have a similar feature to Vocal Rider, though the specific product name wasn't recalled.

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Software and compatibility

  • The plugin lacks sidechain input, unlike Vocal Rider, which can maintain vocal-to-music RMS volume balance, especially noted by FL Studio users.

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  • Outlaw does not print automation to the DAW, unlike Waves, which can impact workflow depending on user preferences.

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Value and pricing

  • The full version of Outlaw is considered a great value at $9.99 during sales, though many users find the free version sufficient for basic needs.

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Use cases and applications

  • Outlaw is praised for its versatility, effectively managing volume dynamics not only in vocals but across various audio tracks.

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5.0 out of 5

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