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The Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease. Let's look at the features.

The Angry Charlie has five controls: Volume, Drive, Bass, Mids and Treble. The Volume control acts as a standard master volume control on an amplifier. Simply turn the control to the right and you are louder, turn it to the left and you are quieter. The Drive control decides the amount of overall dirt/overdrive that enters the signal path. Turn it up for more distortion and down for less. New to the V3 are the Bass, Mids, and Treble controls. To faithfully replicate a Marshall amplifier we felt it was time to incorporate a full Marshall-style tone stack. All three of these controls act as a cut and boost, while at noon they are relatively flat. The right 1/4" jack is the input, and the left is the output.

If you are a glutton for high gain overdrive/distortion that has a British flavor full of rich bass response, thick mids, and a balanced high-end response, the Angry Charlie V3 will change your life. Well, your gear life.

This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5".

Overdrive-distortion Guitar Effects Pedal with Volume, Drive, Bass, Mids, and Treble Controls

Overdrive Pedal for Electric Guitar, True Bypass, with Volume, Gain, Tight, Presence, Bass, and Treble Controls

RUSSIAN MUFF DISTORTION METICULOUSLY RECREATED

The Wren and Cuff Box of War is a true recreation of the EH "Civil War" muff that is the result of painstaking digging into the legendary circuit to unlock its secrets. Similar in tone to the Tall Font BM's, the Wren and Cuff Box of War has a slightly darker tone overall with a bit more of a fuzzy feel. The response to the guitar volume knob is unparalleled in a muff style fuzz. While the Box of War can get an overdrivey feel on the bridge pickup, the tone is pure vintage fuzz with singing sustain and tons of harmonic content. Even at bedroom levels the Wren and Cuff Box of War provides that liquid lead tone but its true home is on the stage. The Wren and Cuff Box of War is perfect for the Tall Font lover that wants a bit of high frequency attenuation and the lovers of Gilmour and Thurston Moore will be amazed at the variety of tones available in this custom enclosure.

RUSSIAN MUFF DISTORTION METICULOUSLY RECREATED

A simple pure boost that pays reverence to the EP-3 pre-amp and captures the celebrated tones of the world's most famous players.

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp.
Xotic Effects have captured that magic in a new boost pedal, the EP Booster. Xotic Effects uses the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. Housed in a small 3.5"x 1.5" x 1.5" case with blue LED and transparent knob, the EP Booster can be powered by 9-volt up to 18-volts.

Boost Pedal for Electric Guitar, with 20dB Range

The widely anticipated Pipeline Tap Tremolo takes the vintage warmth that made the tremolo effect so iconic and pairs it with a modern edge for more radical situations.

Pipeline has both soft Vintage sine waves and solid Square blocks available at the flick of a switch and with up to 6 dBs of boost you'll never sound thin or deflated.

The footswitch is tap tempo-enabled for fast tempo adjustments and the Subdivision knob lets you splice the tempo into seven inspiring rhythmic accents.

And last but not least - it's TonePrint-enabled, giving you an endless array of possibilities in a little box that won't put a ding in your board.

• Vintage and Square Modes
• Tap Tempo
• Customizeable tremolo shapes and sequences

Compression is perhaps one of the most useful FX available to any guitarist who is interested in improving their sound. The purpose of the Compressor pedal is primarily to allow you to modify sustain and attack. Using classic variable gain techniques the Compressor will provide masses of clean sustain, which can enhance any playing style. The Compressor pedal senses the level of the incoming guitar signal and, as the signal level decays, the gain of the internal circuitry is boosted to provide extra level, hence sustain. The attack control modifies the dynamic response of the guitar signal (the effect of plucking a string) and allows you to achieve a range of effects from rounded and mellow chord sustain to muted, percussive funk lines. The Compressor also features an Emphasis control, which allows you to assign compression and target the frequencies you want to compress. This means that you can, for example, tighten up or compress your bass notes and let your treble notes ring out.

The original evolves.

Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, EH has added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi. It delivers all the classic sounds of the original NYC Big Muff Pi, plus more.

The MIDS EQ allows tonal shaping of the Big Muff distortion like never seen before, the GATE function lends itself to playing the Big Muff in new ways providing blasts of fuzz when you play and silence when you don't, the ATTACK control adds definition to chords and riffs without getting in the way of the Big Muff's original tone, and BASS BOOST brings back some low end when TONE is turned up to its treble settings.

Fuzz Pedal with Footswitchable Mids Section, Noise Gate, and Expression Pedal Input

Mini Compression Pedal with Output and Sensitivity Knobs, and Attack Button, and CA3080 IC

The MS-3 Multi Effects Switcher is a new-concept pedalboard solution that maximizes your creative options by combining a world-class multi-effects engine and multi-pedal switcher in one small, dedicated unit. Now, anyone can put together a professional effects system that’s incredibly compact, extremely light, and versatile enough to achieve nearly any sound imaginable. The MS-3 is a sonic powerhouse capable of running six internal pedal effects at once while seamlessly integrating three of your favorite external pedals. It also offers deep rig control capabilities, allowing you to switch amp channels, adjust effects in real time, work with MIDI devices, and more. With the MS-3, it’s easy to create a portable board or fly rig without the compromises associated with traditional loop switchers and all-in-one multi-effects units.

Overdrive Pedal with Controls for Level, Tone, Drive, and Hi/Lo

If there’s one thing that’s missing from the modern compressor world, it’s EQ. I know what you’re thinking—why would a compressor need an EQ? Well, friends, Rockett’s iQ answers this question for you: by running the EQ before the compression circuit, the compressor will emphasize and then compress these specific bands at levels you set.

The iQ’s compression engine is a finely-tweaked example of the circuit family, with pre-set attack and release amounts expertly dialed in beforehand. Your controls are Volume and Blend, where Volume exists to offset the jump in volume caused by an increase in wet-dry ratio. Other than that, Blend is all you get, and Blend is all you need.

The six bands present in the EQ section are 100Hz, 200Hz, 400hZ, 800Hz, 1.5KHz and 3.2KHz. Because these are placed before the compression engine, you can choose just how much of each band you want compressed, for a fully immersive compression experience. This is extremely handy for bass players oor players who assigned to strictly “rhythm” or “lead” roles, letting you accentuate and then squish the frequency ranges you most likely find yourself in, while lending a smooth gloss to the rest.

Each band on the iQ contains an 18dB boost or cut, with center being flat, for an ultra-powerful push in whichever frequency band you like. With the Blend control all the way down, the iQ turns into a juicy EQ pedal with a volume boost as well. Viva versatility!

A synth engine that performs fluid glissandos, and creates oscillator like synthesizer effects.

The Electro-Harmonix Superego Synth Engine effects pedal is a new and unique product that combines elements of sampling, synthesis and infinite sustain. The Superego allows you to freeze sound, gliss between frozen tones, layer sounds and place an external effects loop on only the effect. In addition, the Superego can detect new notes or chords and sustain them automatically without requiring you to step on the footswitch. It even lets you tweak attack and decay, or use its effects loop to invent novel synth patches.

The Superego has three modes: Latch, Momentary and Auto. A toggle switch at the center of the Superego chooses between the three. Momentary mode is not labeled in the artwork; it is the center (or eye) position of the 3-position toggle switch.

Synth Engine Guitar Effects Pedal with Three Operation Modes, Infinite Sustain, Controllable Glissando, and Built-in Effects Loop

A synth engine that performs fluid glissandos, and creates oscillator like synthesizer effects.

The Electro-Harmonix Superego Synth Engine effects pedal is a new and unique product that combines elements of sampling, synthesis and infinite sustain. The Superego allows you to freeze sound, gliss between frozen tones, layer sounds and place an external effects loop on only the effect. In addition, the Superego can detect new notes or chords and sustain them automatically without requiring you to step on the footswitch. It even lets you tweak attack and decay, or use its effects loop to invent novel synth patches.

The Superego has three modes: Latch, Momentary and Auto. A toggle switch at the center of the Superego chooses between the three. Momentary mode is not labeled in the artwork; it is the center (or eye) position of the 3-position toggle switch.

A synth engine that performs fluid glissandos, and creates oscillator like synthesizer effects.

The Electro-Harmonix Superego Synth Engine effects pedal is a new and unique product that combines elements of sampling, synthesis and infinite sustain. The Superego allows you to freeze sound, gliss between frozen tones, layer sounds and place an external effects loop on only the effect. In addition, the Superego can detect new notes or chords and sustain them automatically without requiring you to step on the footswitch. It even lets you tweak attack and decay, or use its effects loop to invent novel synth patches.

The Superego has three modes: Latch, Momentary and Auto. A toggle switch at the center of the Superego chooses between the three. Momentary mode is not labeled in the artwork; it is the center (or eye) position of the 3-position toggle switch.

Super wide range control that makes you rethink the definition of "Booster."

The Xotic AC Booster Overdrive Pedal creates a warm and pleasant sound by using the finest quality parts available. The AC Booster is a natural sounding "overdrive" pedal. Not "heavy" distortion, but a sweet thick overdrive with an "open" non-compressed feel. It's capable of a 20dB+ boost with an adjustable ±15dB two band active EQ, which adds a wide range of harmonic content to your ideal sound. The super wide range gain control allows for enough gain for it to work as a distorion pedal when turned all the way up. Equipped with not only boost Gain but also Treble and Bass controls that allow you to adjust your sound anyway you like. The AC booster features true bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.

Boost Pedal for Electric Guitar with Gain, Treble, Bass, and Volume Controls

3-button Foot Switch for Use with the JHE, EX7, ZAS-BM, and JamMan Looper

Broadens your tonal horizons.

The BB Preamp from Xotic opens your tonal options to a wide variety of sounds. From pristine clean boost to smooth overdriven sound, the BB Preamp lets you dial in just the right lead tone you want with its 2-band active EQ.

Overdrive/Preamp Effects Pedal with Active 2-band EQ, Gain and Volume Controls, and True Bypass

15-watt 1-channel All-tube 1x10" Guitar Combo Amplifier

Gain Boost Pedal with up to 20dB of Boost, +/-12dB Bass and Treble EQ Controls, True Bypass Switching, Hand-built in the USA

Guitar Phaser Pedal with 100% analog OTA-based Circuit and Rate, Depth, Resonance, and Sweep Controls

4 stage OTA Based phaser ala the Ross Phaser and DOD 490 (Circuit is loosely based on both of these). Two LFO speeds that can go from painfully slow to ridiculously fast. Dry kill switch to get vibe/vibrato effect, depending on where the controls are set. Rate controls the speed of the LFO, extremely wide range in conjunction with the two mode switch. Depth controls the amount of phase shift mixed with the dry signal (not how the LFO shifts the filters) so you can get very subtle pseudo 2 stage through full on. Sweep controls the frequency range and resonance controls the regeneration which makes the effect more or less intense. The sweep and resonance have a large range and you can dial in classic subtle tones through over the top phasing.

Guitar Phaser Pedal with 100% analog OTA-based Circuit and Rate, Depth, Resonance, and Sweep Controls

Overdrive Pedal with True Bypass Switching, Gain Control, Bass/Treble EQ Controls with +/-12db of Boost/Cut, and up to 20dB of Signal Boost