luxiu's Activity

The smaller and more modern answer to the well loved limited run Ghost Disaster from 2010!

The Dispatch Master is a digital delay and reverb unit with an all analog direct signal path and true bypass switching. It is capable of producing nearly 2 seconds of delay time with near-infinite repeats and a cavernous reverb. Both effects can be run separately or in unison. Even though it is a DSP based effect, the sound is warm and full. No sterile lifeless tones here! The delay signal is clear and strong with no after effects or signal degradation and the repeats decay into a nice ambient swell with no oscillation. The reverb is MASSIVE and is sure to please those who love the Ghost Echo but want more depth and less artifacts. The perfect "Black Hole Ambience Generator"!

The smaller and more modern answer to the well loved limited run Ghost Disaster from 2010!

The Dispatch Master is a digital delay and reverb unit with an all analog direct signal path and true bypass switching. It is capable of producing nearly 2 seconds of delay time with near-infinite repeats and a cavernous reverb. Both effects can be run separately or in unison. Even though it is a DSP based effect, the sound is warm and full. No sterile lifeless tones here! The delay signal is clear and strong with no after effects or signal degradation and the repeats decay into a nice ambient swell with no oscillation. The reverb is MASSIVE and is sure to please those who love the Ghost Echo but want more depth and less artifacts. The perfect "Black Hole Ambience Generator"!

Solidbody Electric Guitar with Alder Body, Maple Neck, Rosewood Fingerboard, and 2 Single-coil Pickups

The Pro Junior III is a simple, uncluttered 15-Watt tone machine, a great grab & go tube amp for stage or studio. It's got the fat mid tones characteristic of EL-84 output tubes, a dual 12AX7 tube preamp, and a 10-inch Fender Special Design speaker with vintage cone. These ingredients add up to incredibly touch-sensitive dynamic response that experienced players prefer.

Other features include a unique clean-to-drive volume control, and external speaker capability. The new Pro Junior III also includes these upgrades: Easier reading black control panel with front reading text; New badge; Vintage Fender "dog bone" handle; Vintage sized jewel light; Lower-noise shielding; Rattle reducing shock absorbers for EL-84 tubes; Heavy duty set screw "chicken head" knobs.

An envelope filter and auto way with 3 modes to mess with your sound and your mind.

The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes- Up Sweep, Down Sweep and Sample and Hold. With Range, Resonance and Filter controls you can get super emphasized filter sweeps in the Up and Down modes.

The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you've got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you're a neo-bedroom rock god.

In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the mix (before or after) and you've just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counter clockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Earthquaker recommends placing the Spatial Delivery first in your signal chain. However, due to its envelope control, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further.

Each Spatial Delivery is hand made bit by bit in silver studded Akron, Ohio.

An envelope filter and auto way with 3 modes to mess with your sound and your mind.

The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes- Up Sweep, Down Sweep and Sample and Hold. With Range, Resonance and Filter controls you can get super emphasized filter sweeps in the Up and Down modes.

The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you've got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you're a neo-bedroom rock god.

In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the mix (before or after) and you've just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counter clockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Earthquaker recommends placing the Spatial Delivery first in your signal chain. However, due to its envelope control, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further.

Each Spatial Delivery is hand made bit by bit in silver studded Akron, Ohio.

A classic reinvention of the octave fuzz that takes tone to a new level of awesome.

The Octapussy is, essentially, an octave-up fuzz in the tradition of the Octavia. But it's not a clone of that circuit! Nope, it's an original circuit utilizing three silicon transistors and two diodes that takes the tradition to the next level! The preamp section is custom voiced to give you an extremely dynamic playing response. You'll get those famous high-octave lead tones up high on the guitar neck but you'll also get an amazing array of fuzz tones anywhere else on the neck - just by how you play it and how your guitar's volume, tone and pickup selector is set.

A classic reinvention of the octave fuzz that takes tone to a new level of awesome.

The Octapussy is, essentially, an octave-up fuzz in the tradition of the Octavia. But it's not a clone of that circuit! Nope, it's an original circuit utilizing three silicon transistors and two diodes that takes the tradition to the next level! The preamp section is custom voiced to give you an extremely dynamic playing response. You'll get those famous high-octave lead tones up high on the guitar neck but you'll also get an amazing array of fuzz tones anywhere else on the neck - just by how you play it and how your guitar's volume, tone and pickup selector is set.

The Kingsley Jester is a hand-wired tube overdrive and boost pedal that uses two 12ax7 tubes running at high voltage. The circuit is hand wired and features hard-wire by-pass on/off footswitches. The overdrive circuit is designed to capture the essence of the Kingsley Deluxe series overdrive tone in a footpedal format. The circuit is based on the overdrive channels of the Deluxe 32 and ToneBaron amplifiers, with the necessary adjustments made to allow the circuit to drive the front end of other amps.

Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn't want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.

A pedal that bends time and tones to make awesome music.

The Pigtronix Quantum Time Modulator produces a parallel universe of analog time stretching effects with only three knobs and a single switch. Reflecting the fundamental principals of modern atomic physics in pedal form, the Pigtronix Quantum can be in any number of places at once and will change in response to both input and observation.

Pigtronix Quantum utilizes multiple bucket brigade delay lines with independent clocks modulated by a continuous blend of envelope and LFO sources. The corresponding sensitivity, speed and source controls are augmented by a Chorus / Vibe switch which allows the user to choose between pure effect or a mix of clean signal and modulated audio. This eminently flexible, yet easy to use configuration, combined with a TRS stereo output provides numerous sound field configurations for mono, true stereo, wet / dry and wet / dry / wet rigs.

Going well beyond the event horizon of existing modulation pedals, the Pigtronix Quantum slams the classic tones of complex rack units such as the Zappa's MicMix DynaFlanger, Lifeson's TC 1210 Spatial Expander & the venerable Roland Dimension D into a tiny and affordable analog stompbox while also blazing new territory that provides a musical analogy to the essential nature of reality itself.

Chorus/Vibe Pedal with Bucket Brigade Delay Lines, Sensitivity, Source, and Speed Controls

The Philosopher's Tone Compressor/Sustainer is an ideal front end to any guitar player's pedalboard. It can also serve as the perfect companion to the Pigtronix Mothership Guitar Synthesizer or any other pitch-tracking musical equipment, delivering more accurate tracking and increased note duration. As a bonus, the Grit control mixes a layer of smooth, diode-clipping distortion into the effect.Unlike the many compressor clones and their variations that have become so popular in the past 10 years, the Pigtronix Philosopher's Tone is not based on a CA3080 chip. The result is more sustain and less noise. The dynamic range, touch sensitivity, overall transparency, and outright sustain of the Philosopher's Tone are unparalleled in the crowded world of compressor pedals.

Compressor/Sustainer/Distortion Pedal with Blend, Treble EQ, Ratio, and Threshold Controls

An organ emulator with a distinct analog feel.

The Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique "Guitorgan". The organizer has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It tracks all over the neck on both guitar and bass and will transpose single notes as well as chords. The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog direct (dry) signal path.

An organ emulator with a distinct analog feel.

The Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique "Guitorgan". The organizer has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It tracks all over the neck on both guitar and bass and will transpose single notes as well as chords. The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog direct (dry) signal path.

A miniature version of the Hall of Fame reverb jam packed with tone and small enough for any pedal board.

Reverb is very much about space, but then again so is your pedal board. So what if you could combine unlimited space for your reverbs with a miniature footprint? What? You'd be partying on for days? Well break out the confetti, because it's here!

Reverb Royalty
TC Electronic's reverbs are among the best out there. They've been on countless records and movies and used by guitarists around the world­ rock stars to bedroom shredders all swear by them. That's why Hall of Fame Mini comes pre­loaded with one of the very best; the legendary hall reverb. All of the amazing reverbs from their award-­winning Hall of Fame reverb are also available as TonePrints and can easily be loaded into Hall Of Fame Mini. So whether you crave spring, hall, room, plate or the amazing lush cathedral reverb, you're covered.

Infinite Reverbs, Limited Space
If Hall Of Fame Mini was proportionate to the amount of tone possibilities packed in there, it'd have its own moon orbiting around it. But, as you probably noticed from the name Mini, it's really small. Built on TC Electronic's renowned Mini platform that also spawned Ditto Looper and PolyTune Mini, there's always room on your pedal board for this one, and the amount of tone choices never ends. It's the best of both worlds! What you get is a guitarist's reverb that may remind you of guitar's most heralded amps from yesteryear: one knob - awesome tone no matter what.

Signature Effects
You know about TonePrints, right? It's the best of TC Electronic's effects, customized from the ground up by the best artists out there. They weren't sure if combining the two would cause the universe to collapse, but as it turns out the universe became a place with better tone!

TonePrints give you access to an effect as it is used by the artist of your choice­ so you can tap directly into the TC tones used by rock royalty and turn your stompbox into the signature pedal of your favorite axe­slinger - totally free of charge!

Knob Fiddling
Hall Of Fame Mini opens up the world of reverb to you like no other pedal ever could. You can beam your favorite TonePrints directly to your pedal via your smartphone, including all the default sounds of the original Hall Of Fame.

Added to that, the TonePrint Editor allows you to shape, sculpt and form YOUR ideal reverb from the ground up. The editor is an easy to use tool but it gives you complete tonal liberty via a set of intuitive, deep controls that allow you to to create any classic reverb type you like. For all of it's awesomeness, Hall Of Fame Mini is super easy to understand. Just look at it. One knob for more or less reverb and the option to use TonePrint. That's it. But the sounds you can get span the entire history of reverb, from the original sounds of cavemen screaming into a canyon, to classic surf, lush 80's ˜verbs, modern huge ambient washes and everything in between.

True To Tone
You love tone, so does TC Electronic and Hall of Fame Mini testifies to that. With optimized headroom, a True/Buffered Bypass switch and Kill­Dry on/off, this pedal oozes optimal tonal integrity and zero loss of tone.

True Bypass
True Bypass for zero tone coloration.

Analog­-Dry­-Through Design
Keeps your tone yours. Your dry signal is never converted, so you'll always shine through with zero latency and total tonal transparency.

All Signals Go
Works flawlessly with guitar and line level/FX Loop signals.

A miniature version of the Hall of Fame reverb jam packed with tone and small enough for any pedal board.

Reverb is very much about space, but then again so is your pedal board. So what if you could combine unlimited space for your reverbs with a miniature footprint? What? You'd be partying on for days? Well break out the confetti, because it's here!

Reverb Royalty
TC Electronic's reverbs are among the best out there. They've been on countless records and movies and used by guitarists around the world­ rock stars to bedroom shredders all swear by them. That's why Hall of Fame Mini comes pre­loaded with one of the very best; the legendary hall reverb. All of the amazing reverbs from their award-­winning Hall of Fame reverb are also available as TonePrints and can easily be loaded into Hall Of Fame Mini. So whether you crave spring, hall, room, plate or the amazing lush cathedral reverb, you're covered.

Infinite Reverbs, Limited Space
If Hall Of Fame Mini was proportionate to the amount of tone possibilities packed in there, it'd have its own moon orbiting around it. But, as you probably noticed from the name Mini, it's really small. Built on TC Electronic's renowned Mini platform that also spawned Ditto Looper and PolyTune Mini, there's always room on your pedal board for this one, and the amount of tone choices never ends. It's the best of both worlds! What you get is a guitarist's reverb that may remind you of guitar's most heralded amps from yesteryear: one knob - awesome tone no matter what.

Signature Effects
You know about TonePrints, right? It's the best of TC Electronic's effects, customized from the ground up by the best artists out there. They weren't sure if combining the two would cause the universe to collapse, but as it turns out the universe became a place with better tone!

TonePrints give you access to an effect as it is used by the artist of your choice­ so you can tap directly into the TC tones used by rock royalty and turn your stompbox into the signature pedal of your favorite axe­slinger - totally free of charge!

Knob Fiddling
Hall Of Fame Mini opens up the world of reverb to you like no other pedal ever could. You can beam your favorite TonePrints directly to your pedal via your smartphone, including all the default sounds of the original Hall Of Fame.

Added to that, the TonePrint Editor allows you to shape, sculpt and form YOUR ideal reverb from the ground up. The editor is an easy to use tool but it gives you complete tonal liberty via a set of intuitive, deep controls that allow you to to create any classic reverb type you like. For all of it's awesomeness, Hall Of Fame Mini is super easy to understand. Just look at it. One knob for more or less reverb and the option to use TonePrint. That's it. But the sounds you can get span the entire history of reverb, from the original sounds of cavemen screaming into a canyon, to classic surf, lush 80's ˜verbs, modern huge ambient washes and everything in between.

True To Tone
You love tone, so does TC Electronic and Hall of Fame Mini testifies to that. With optimized headroom, a True/Buffered Bypass switch and Kill­Dry on/off, this pedal oozes optimal tonal integrity and zero loss of tone.

True Bypass
True Bypass for zero tone coloration.

Analog­-Dry­-Through Design
Keeps your tone yours. Your dry signal is never converted, so you'll always shine through with zero latency and total tonal transparency.

All Signals Go
Works flawlessly with guitar and line level/FX Loop signals.

Head amplifier with 120W power. HI-TREBLE is added to EQ instead of Bright switch.

Compact JC with portability. 50W power. 2 x 8" speaker.

The Ibanez PM7 from the Tone-Lok Series features 3 types of wave forms combined with 3 phase modes to deliver a range of sounds from classic phase to 21st century DJ-style effects.

On the outside, Tone-Lok effects are equipped with the Ibanez exclusive "set and forget" Push-Lok rotary pots. Push the knobs down and your tone settings lock securely inside the case”no more lost settings or broken knobs.

On the inside, Tone-Lok pedals feature hi-fidelity components carefully tweaked with the constant input from a new generation of Ibanez players. And all this great stuff comes encased in cool looking, road-tough metal boxes at prices the working player can afford.

If you've gone through one phase after another, maybe it's time for the final phase. The PM7 Phase Modulator offers three types of waveforms to give you everything from classic phaser to DJ effects to toy ray gun sounds. Since good things come in threes, the PM7 also has three phase stages: vintage, deep and dry, and deep and pronounced. With some minor tweaking, the PM7 goes from traditional to 21st century and beyond.

The Ibanez PM7 from the Tone-Lok Series features 3 types of wave forms combined with 3 phase modes to deliver a range of sounds from classic phase to 21st century DJ-style effects.

On the outside, Tone-Lok effects are equipped with the Ibanez exclusive "set and forget" Push-Lok rotary pots. Push the knobs down and your tone settings lock securely inside the case”no more lost settings or broken knobs.

On the inside, Tone-Lok pedals feature hi-fidelity components carefully tweaked with the constant input from a new generation of Ibanez players. And all this great stuff comes encased in cool looking, road-tough metal boxes at prices the working player can afford.

A brain-melting polyphonic harmonizer combined with a face-shredding distortion.

The Pitch Bay is a three-part polyphonic harmonizer and distortion generator in one compact enclosure. It features two voices of adjustable polyphonic pitch shifting, one above the root and one below. Each voice can be adjusted by stepped semitones, from 1 semitone to 12 semitones (one full octave) above and below the root. Each voice (Pitch up, Pitch down and Root) has an adjustable mix control so they can be blended, cut or boosted to your hearts desire. The Pitch Bay also features an adjustable input gain that goes from clean to heavily distorted to unleash your inner hesher. This device has an all analog adjustable gain preamp, all analog signal path for the root, all-digital pitch-shifting engine and true bypass switching for activation. Each Pitch Bay is made one at a time by hand in the private beach front resort sector of Akron Ohio.

A brain-melting polyphonic harmonizer combined with a face-shredding distortion.

The Pitch Bay is a three-part polyphonic harmonizer and distortion generator in one compact enclosure. It features two voices of adjustable polyphonic pitch shifting, one above the root and one below. Each voice can be adjusted by stepped semitones, from 1 semitone to 12 semitones (one full octave) above and below the root. Each voice (Pitch up, Pitch down and Root) has an adjustable mix control so they can be blended, cut or boosted to your hearts desire. The Pitch Bay also features an adjustable input gain that goes from clean to heavily distorted to unleash your inner hesher. This device has an all analog adjustable gain preamp, all analog signal path for the root, all-digital pitch-shifting engine and true bypass switching for activation. Each Pitch Bay is made one at a time by hand in the private beach front resort sector of Akron Ohio.

Authentic and classic three dimensional phase shifting”from rapid rotary speaker to impressive jet plane effects! This BEHRINGER product has been designed to compete head to head with leading products on the market. There are dedicated Rate control and separate Tone switch for fine-tuning of effects speed and tone. A status LED for effect is included, plus there is a true hard-wire bypass for ultimate signal integrity. No matter what phasing effect sound you'e after, VP1 is bound to make getting there easier! The VP1 runs on a 9V battery or a DC power supply (not included).