MCJ

One of the most versatile & powerful Marshall amps ever produced. Amazing tones from pristine clean to aggressively nasty overdrive/distortion. Tone stays consistent at any master volume setting. Great amp for rehearsal, recording, and gigs!

L6 FP+ covers all the basic effects very well. The editing features for all effects give players enough control to customize their sound. The amp and cab modeling has some good tones choices for players to pick and choose. FP+ shines in it's built-in features: built-in bank switches, built-in foot controller, built-in expression pedal, built-in MIDI ports, computer editing for saving and loading tones.

NS-2 is one of the best noise gate/noise suppressor (ng/ns) pedals every designed. The threshold and decay controls let you customize the sound for any amp volume level and/or amp gain level. Built-in loop works well to help isolate and control noisy pedals or use NS-2 in four-cable method/X-pattern wiring. Pedal is designed to supply power to other Boss pedals. Great pedal that's easy to use and very effective.

With vast array of effects, programmable built-in expression pedal, decent amp and cab modeling, the RP250 is great for recording, rehearsal, and gigs. The editing features are simple yet powerful in customizing your tone. The rear ports cover the basic needs for recording, rehearsal, gigs, and practice. The scrolling options are a little of a compromise, but can be worked out with some forethought. When coupled with computer editing software, RP250 allows further editing options as well as save and loading tones from a computer to the RP250.

One of the best tone shaping tools on the market. Boss PQ4 design reflects similar EQ controls on most amps: low, mid, and high. Additional knobs allow for customization of presence and overall level. Unlike graphic EQ, which usually only let you boost a certain frequency, PQ4 lets you set the frequency as well as boost the level of that frequency. Powerful little pedal!

A good distortion/overdrive/dirt pedal that sounds great with a variety of amplifiers and guitar combinations. SD-1 has a unique, throaty tone that lends itself great for solo/lead guitar work. Very simple to use and adjust, the SD-1 adds a unique dimension to a guitarist's tone arsenal.

A very versatile delay pedal, the DE7 was one available on the cheap brand new (now discontinued). DE7 also sported unique knob controls that could be pushed into the pedal lessening the chance of accidentally moving knob setting. Three easy parameters to adjust along with several delay styles make this a great little basic delay pedal.

One of the best stereo chorus pedals I've ever used. Four parameters allow for good customization of sound quality yielding various stereo chorus styles from smooth and graceful to warble and jittery (kinda like a rotovibe). Simple yet effective, FX64 is great for someone looking for easy to use pedal with effective controls.

Controls are simple yet effective. Data wheel offers many options. Built-in microphones produce fantastic quality. Unfortunately DP004 doesn't have any built-in EQ controls, but if you guitar, amps, and effects have effective EQ controls, then you should get great tone recorded onto the DP004. If you're looking for a great little recording unit, you can't go wrong with this one.

A great wah that does the basics very well. Morley PS2 was sounds great with clean tones to crunchy tones. Unfortunately, it loses some of the wah definition when using lots of overdrive/distortion/dirt tones. Still, if you're looking for a basic wah to pair with clean and/or low gain tones, Morley PS2 is a good option.

A great little unit that quickly produces results on tuning. Brightness mode is good on most days except very sunny days (display gets a little washed out). TU3 (like TU2) offers several tuning modes and let's you program and save a specific tuning. Additionally, TU3 (like TU2) can be used to supply power to other Boss pedals. Good, straightforward pedal that does exactly what it says.

Amazingly aggressive and super hot pickup. With clean tones PATB Distortion doesn't sound very impressive, but add the slightest distortion/overdrive/gain/dirt and this pickups comes alive big time! The most distortion/dirt/overdrive/gain you pile on, but better it sounds. I use mine in a strat with a high gain Marshall JVM410H. Super balls to the walls power.

I have several Spectraflex Original cables of various lengths and plug ends. My oldest Spectraflex is over 17 years old and still produces a strong, clear signal. High quality plugs make solid connection with guitar, amp, and effects. Not exactly cheap, but guaranteed to give you years of use. Lots of great colors to choose! Without doubt it's the best cable I've ever used.

Amazing guitar! The stock pickups and stock wiring produced great tones for almost any genre of music. Fantastic clean tones with a good balance of low, mid, and high frequencies on the neck pickup, while aggressively sweet tones from the bridge pickup & an overdriven amp. The top is an amazing blend of golden yellow, red, and brown. Smooth bends anywhere on the neck and super fast action.

A strat that's hot rodded right out of the box! Lace Sensor pickups (I had all gold) produce a great single coil sound with less noise than traditional/vintage design single coil pickups. Locking tuners and hipshot tremsetter work well to help stabilize tuning. Setup and adjustments were easy. TBX control was effective. Great guitar overall.

I used to own the 425B cab, not 425A but they're very similar. 425 cabs sound great with jazz, blues, rock, country, funk, and some metal. The stock G12C speakers produce great low, mid, and high frequencies. A very "warm" sound that's a great pair with almost any amp.