Anthony Pirog

Interview with EarthQuaker Devices:

"In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."

Interview with EarthQuaker Devices:

"...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff.

In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."

Interview with EarthQuaker Devices:

"...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff.

In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."

Interview with EarthQuaker Devices:

"...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff.

In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."

Interview with EarthQuaker Devices:

"...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff.

In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."

Interview with EarthQuaker Devices:

"I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. "

Begins discusing/demoing the 4ms Pedals Noise Swash at 12:28 in the Premier Guitar Rig Rundown.

*Interview with EarthQuaker Devices *

"...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff..."

Boss FV-500L can be seen at 0:18 of video.

Interview with Earthquaker Devices: "...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff.

In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."

Interview with Earthquaker Devices: "...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff.

In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."

Interview with Guitar Moderne Zine:

"...From there, I go into the Digitech Whammy pedal mostly for an octave down, but sometimes an octave up. I have a Diamond compressor that I like a lot. I have a Boss volume pedal with the TC Electronics PolyTune plugged into it. Then I go into the Klon Centaur; I always hear people saying you can leave it on all the time and that is what I do. I use it to compress the sound a little bit and take some of the attack off the high end. When I use a Deluxe Reverb and a Tele, I can keep the amp volume at 2 or 3, turn up the Centaur gain, and it sounds like the amp is on 8 or 9."

Link: https://www.guitarmoderne.com/artists/spotlight-anthony-pirog

In the provided live picture, it is shown that Anthony Pirog is using the Strymon Flint.

In the provided live picture, it is shown that Anthony Pirog is using the Red Panda Tensor.

In the provided live picture, it is shown that Anthony Pirog is using the Greer Amps Lightspeed Organic Overdrive.