Powered by a Voodoo Lab Pedal Power 2 Plus, Satriani’s versatile pedalboard featured a Vox Big Bad Wah, Boss OC-2 Octave, Voodoo Lab Proctavia, Vox Saturator, Zvex Ringtone, Boss DM-2 Analog Delay, and two of the guitarist’s signature Vox Time Machine delay units

At 3:00 of this Rig Rundown for Stephen Carpenter of Deftones, he shows off some of his gear, including a ZVex Ringtone TT(Tap Tempo).

Junto al Boss SL-20, en este video también podemos ver a Gustavo haciendo uso del Ringtone para armar texturas sonoras. Unicamente utilizado dentro del estudio.

Nikki Sixx utilized the ZVEX Ringtone TT (Tap Tempo) pedal while recording the Sixx:A.M. album "Prayers for the Damned." As highlighted in an Instagram post by nikkisixxpixx, this pedal is praised for its ability to produce haunting sounds, especially effective with bass synths and bass guitar.

In this video Bill Frisell demonstrates his pedalboard. The ZVEX Ringtone is not feaured, but it is waiting for its turn near the board.

Jamie shows his pedal collection in his Xiu Xiu studio tour for Dear God, I Hate Myself, starting at 7:35 in the video.

Visible in this April 5, 2008 photograph of Deacon's equipment by Milo Winningham (taken at the Picador in Iowa City, Iowa) and in the Pitchfork In the Studio documentary on Bromst at 2:10.

In this image, taken from his Premier Guitar interview, many of his studio pedals are photographed. One of the pedals in this photo is ZVex Ringtone.

The item can be seen 2:47 into this video

The Getty Images photo from a 2010 show features Tom Bromley's pedalboard, which includes the ZVEX Ringtone TT (Tap Tempo) harmonizer.

Interview with EarthQuaker Devices:

"...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff.

In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."