Autechre

A forest of Digital Performer automation and MIDI controller data gives some clue as to the detail that goes into Autechre's programming and sound editing.

Autechre said in their Sound on Sound interview, "In 1988 a friend in Rochdale let us use his studio, where we began using an Atari and Cubase".

Unsurprisingly, Autechre have dozens of programs on their Macs, including Peak, Audio Hijack...

In an article from Sound on Sound, Autechre is noted for using Emagic Logic Audio as part of their diverse music production setup.

This interview describes Autechre's use of Max/MSP. "Cycling 74's Max/MSP allows them to take the same creative approach in software, designing and implementing their own controllers, connections and sound generators."

Listed among the recording gear in the January 1995 issue of Future Music magazine.

Unsurprisingly, Autechre have dozens of programs on their Macs, including Peak, Audio Hijack, Soundhack, Audioscope, Amadeus, MOTU's Mach V, and many others, as well as a Symbolic Sound Kyma system.

Unsurprisingly, Autechre have dozens of programs on their Macs, including Peak, Audio Hijack, Soundhack, Audioscope, Amadeus, MOTU's Mach V, and many others, as well as a Symbolic Sound Kyma system.

Unsurprisingly, Autechre have dozens of programs on their Macs, including Peak, Audio Hijack, Soundhack, Audioscope, Amadeus, MOTU's Mach V, and many others, as well as a Symbolic Sound Kyma system.

Unsurprisingly, Autechre have dozens of programs on their Macs, including Peak, Audio Hijack, Soundhack, Audioscope, Amadeus, MOTU's Mach V, and many others, as well as a Symbolic Sound Kyma system.

Sean Booth and Rob Brown have always had a penchant for modifying and building their own hardware. Cycling 74's Max/MSP allows them to take the same creative approach in software, designing and implementing their own controllers, connections and sound generators. As you can see from the screen shots in this article, some of these are quite elaborate, with unusual and attractive visual interfaces.