Barry Burns

Item can be seen at 1:06 into this video.

Barry's amplifier can be seen here, and words are clearly seen as "Rockerverb 100, MK II".

Seen playing this synth live during the song, "Remurdered" at 2:35

Barry Burns uses the Arturia V Collection 8, as evidenced by a user-uploaded photo on the Arturia website.

Barry's rig is being shown here. The Gibson SG is described here as "The SG", or the budget SG.

Barry Burns is associated with the Roland PC-180 MIDI Keyboard Controller, as mentioned in Alexis Tanet's article on Memoire Online about post-rock's cinematic underestimation.

The first pedal introduced for Barry. This one is the Memory Man with Hazarai.

On the product page under WHAT ARTISTS SAY ABOUT BOLT:

Barry Burns // Mogwai “Within 5 minutes of using this synthesizer I had something that I used with Mogwai straight away – it was really easy to get something usable. It is an unusual process of making a sound up, which is way more interesting than on a usual synthesizer. My favourite thing probably is the LFO function, there’s 3 LFOs and you can assign them to pretty much anything. (…) I plan to have it on most of the next album.”

Barry Burns uses the Boss RV-3 Digital Reverb/Delay, as mentioned in the Memoire Online article "Le post-rock et sa sous-estimation au cinéma" by Alexis Tanet.

Barry Burns is noted for using the Pro Co RAT distortion pedal, as detailed in the Memoire Online article "Le post-rock et sa sous-estimation au cinéma" by Alexis Tanet.

In the article "Le post-rock et sa sous-estimation au cinéma" on Memoire Online, it is mentioned that Barry Burns uses the Electro-Harmonix Big Muff Pi fuzz pedal.

Barry Burns is associated with the Zoom Sampletrak ST-224, as documented in the article "Le post-rock et sa sous-estimation au cinéma" on Memoire Online.

Just to the right of the Memory Man is a Boss Tuner.

Just above the tuner is a Voodoo Lab Pedal Power. This is the 2+ model.

Barry also mentions his cabinet, which he shows is the Joe Satriani signature cab.

Sitting on top of Barry's Orange head is a Fender brass slide.

Keyboard can be seen at 3:16.

Item seen at 19:40.

Barry Burns utilizes the Boss DD-3 Digital Delay pedal, as noted in the Memoire Online article "Le post-rock et sa sous-estimation au cinéma" by Alexis Tanet.

Barry Burns is associated with the Danelectro DJ-14 Fish & Chips 7 Band EQ pedal, as noted in the Memoire Online article "Le post-rock et sa sous-estimation au cinéma" by Alexis Tanet.

Barry Burns uses the Boss LS-2 Line Selector, as detailed in Alexis Tanet's article on Memoire Online about post-rock and its cinematic underestimation.

Barry Burns is associated with the Akai S5000 sampler, as mentioned in the article "Le post-rock et sa sous-estimation au cinéma" on Memoire Online.

Barry Burns uses the Roland MC-505 Groovebox, as mentioned in the article "Le post-rock et sa sous-estimation au cinéma" on Memoire Online.