Charles Michael Parks, Jr.

I was using a Pro Co RAT for a long time for my overdrive tones, but I just got a Tone Bender clone from a company called Tomkat, and that’s been awesome.

"I used a Blackout Effectors Mantra for all my bass distortion on the first two records."

Then he has a Tomkat Bender Fuzz and a ZVEX Sonar—this will be its first time it sees the stage as it’s been a pedal that he just bought and has only fooled around with it at home.

The T-Rex ToneBug Reverb, an Electro-Harmonix Bass MicroSynth—used on “Blood and Sand”— a Nobel AB-1 Active A/B Selector, and Voodoo Lab Pedal Power 2 Plus close out his pedalboard.

The T-Rex ToneBug Reverb, an Electro-Harmonix Bass MicroSynth—used on “Blood and Sand”— a Nobel AB-1 Active A/B Selector, and Voodoo Lab Pedal Power 2 Plus close out his pedalboard.

Parks’ board starts with a Korg DT-10 tuner that he got cheaper than a case of beer at a used bookstore.

Parks’ board starts with a Korg DT-10 tuner that he got cheaper than a case of beer at a used bookstore. The next one up is an Xotic SP Compressor that he uses to help the bass cut through a little more.

Then he has a Tomkat Bender Fuzz and a ZVEX Sonar—this will be its first time it sees the stage as it’s been a pedal that he just bought and has only fooled around with it at home.

His favorite gizmo right now is the Red Panda Raster Delay because he loves its reverse delay setting.

The MXR Phase 100 is a bass-only pedal and it gets used on “Death of Coyote Woman.” The T-Rex ToneBug Reverb, an Electro-Harmonix Bass MicroSynth—used on “Blood and Sand”— a Nobel AB-1 Active A/B Selector, and Voodoo Lab Pedal Power 2 Plus close out his pedalboard.

The T-Rex ToneBug Reverb, an Electro-Harmonix Bass MicroSynth—used on “Blood and Sand”— a Nobel AB-1 Active A/B Selector, and Voodoo Lab Pedal Power 2 Plus close out his pedalboard.

The T-Rex ToneBug Reverb, an Electro-Harmonix Bass MicroSynth—used on “Blood and Sand”— a Nobel AB-1 Active A/B Selector, and Voodoo Lab Pedal Power 2 Plus close out his pedalboard.

I’m using an Xotic SP Compressor and an Akai Headrush, which I use for its looping.

In an Instagram post by Ben McLeod and Premier Guitar, a Shure GLXD6+ Wireless Guitar Pedal Receiver is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, an Electro-Harmonix Hum Debugger is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, an Ibanez ES-2 Echo Shifter is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, a Radial Twin City ABY Switcher is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, a Boss GE-7 Graphic Equalizer is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, a Amptweaker Bass Tight Fuzz is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, a Greer Amps Little Sampson is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, a Keeley 30ms Automatic Double Tracker is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, a Hiwatt Filter Fuzz MKII is visible on Jr's pedalboard in the second slide.

In an Instagram post by Ben McLeod and Premier Guitar, an Electro-Harmonix Pitch Fork is visible on Jr's pedalboard in the second slide.

In the video "All Them Witches Rig Rundown" by Premier Guitar, at the 46:22 mark, Charles Michael Parks, Jr. is seen displaying his pedalboard setup. At this point, a Radial HotShot DM1 Dynamic Microphone Output Selector / Mute Switch is clearly visible positioned outside his pedalboard, to the left of the screen.

In the video titled "All Them Witches Rig Rundown [2026]" by Premier Guitar, at the 46:26 mark, an Amptweaker Bass TightFuzz pedal is visibly present on Charles Michael Parks Jr.'s pedalboard, confirming his use of this specific gear.