Claudio Sanchez

"I have lots of pedals, all controlled by a Voodoo Lab switching system. A few of my favorites are an old MXR M-118 Analog Delay that sounds beautiful, The Great Destroyer fuzz by Dwarfcraft which sounds like you might expect given its name…"

"I have lots of pedals, all controlled by a Voodoo Lab switching system. A few of my favorites are an old MXR M-118 Analog Delay that sounds beautiful, The Great Destroyer fuzz by Dwarfcraft which sounds like you might expect given its name, and a Death By Audio Interstellar Overdriver Supreme, which I used on “Pearl of the Stars” on the new album."

I’ll usually put an OCD pedal on it, which I believe is done by Fulltone. You know, just to give it some dirt. Ibanez AD-9If I’m looking for nice clean sound, I’ll probably stick to the Twin Reverb and I’ll push the toggle to the middle position or the neck position. To give it that David Gilmour kind of warmth or Mark Knopfler. It’s more for solos, just to warm

That’s pretty much it. I’ll run through an effects pedal board, but I’m not really even using a whole lot there ? just a few delay pedals. There’s an Ibanez analog delay AD9, Line 6 delay modeler and a Bad Horsie Wah, that’s pretty much it. It’s not a massive pedal board. Basically I just rely on the guitar, the tone and the amps.

Mission Engineering at 9:54

That’s pretty much it. I’ll run through an effects pedal board, but I’m not really even using a whole lot there ? just a few delay pedals. There’s an Ibanez analog delay AD9, Line 6 delay modeler and a Bad Horsie Wah, that’s pretty much it. It’s not a massive pedal board. Basically I just rely on the guitar, the tone and the amps.

That’s pretty much it. I’ll run through an effects pedal board, but I’m not really even using a whole lot there ? just a few delay pedals. There’s an Ibanez analog delay AD9, Line 6 delay modeler and a Bad Horsie Wah, that’s pretty much it. It’s not a massive pedal board. Basically I just rely on the guitar, the tone and the amps.

Voodoo Lab ISO-5 at 10:14

"I have lots of pedals, all controlled by a Voodoo Lab switching system. A few of my favorites are an old MXR M-118 Analog Delay that sounds beautiful, The Great Destroyer fuzz by Dwarfcraft which sounds like you might expect given its name…"

In a Premier Guitar Rig Rundown interview with Rebecca Dirks, Claudio Sanchez of Coheed and Cambria is shown using the Boss TU-2 Chromatic Tuner as part of his live setup.

In this rig rundown claudio talks about the anna pedal he designed with wren and cuff. This is to celebrate the 20th anniversary of coheed. It is both a fuzz and overdrive pedal in one. The fuzz is based on a big muff, where as the overdrive is based on a boss super overdrive. Those two pedals are staples of claudio’s guitars tone. The artwork on the pedal is based on the artwork album second stage turbine blade

In this rig rundown claudio talks about his big muff pedal. He states that he stole this pedal from his music teacher in high school. Claudio found out years later the pedal was supposed to be gifted to him. The big muff is the inspiration for the fuzz tone on Claudios signature pedal with wren and cuff

In this rig rundown claudio states he uses a boss super overdrive. He states it has been a staple of his guitar tone for years. This pedal was the inspiration for the overdrive section of his signature pedal with wren and cuff