A "Wah Wah" for build a "Lead Tone"

The "Bad Horsey" [from my musical bubble] is one of the most fabulous devices that Morley has launched. From my point of view, it has great advantages over other mechanisms that emulate this same effect. "The wah" is not a noise or sound filter, but "it’s a frequency filter of those sound or noise produced by our instrument signal". And the game between the lowest range and the highest range that our pedal can offer is part of the key to being satisfied with its sound projection.

In this case, the Bad Horsey is a pedal that has a good dynamic range of action. You can play quite well with the medium frequencies [which are the ones that usually give us notoriety and distinction at the time of the main arrangements].

Apparently, this particular effect, was designed to preserve the feelness contained in the amazing tone of "Steve Vai", and so, what I try to highlight is that, specifically, it is not a stuffing stompbox.

So, the character of the "Bad Horsey" is absolutely leading: then, once you crush it, nobody will ignore what comes out of it, good or bad sea. And this aspect protagonic could represent a disadvantage at some point if you still have doubts about the configurations prior to this stompbox [especially: overdrives, distortion, fuzz, and booster].

This "Wah" is not dark, it is not clean, it is not environmental, I mean it is not an additional element that improves or worsens the original signal of your instrument. Only the project merged with the range game that we control with the foot, resulting in the sound we all know as "Wah Wah".

This "Wah" is especially bright, crispy, vibrant. And once you press it the original signal of your guitar merges almost completely, although in a very interesting and attractive way, highlighting the loudness of the "Wha": even above other sounds in the chain of effects.

There is no need to press an on or off switch. There is no signal loss in the chain. It is not exactly "true by pass", but it behaves as such. It is not damaged easily. It is a battle tank. There is no internal potentiometer to take care of. There is no potentiometer wear.

The perfect wah

As much as I like the cry-baby, I always hated how you had to manually re-set it, and the number of times I'd leave it on by accident and not notice thanks to crap monitoring. I love this thing, spring loaded so it returns to neutral after use, no clicky buttons to accidentally turn on, just wah. Construction is rock solid, this thing isn't going to break any time soon. It also adds a bit of a high-mid boost as you wah to really cut through, which I personally love the sound of. I'm not swapping it out any time soon.

Great WAH

My 1st ever Wah and I got to try almost all of the Wahs you can find in the market at a store before getting this. It won simply because of the switch-less feature. It is very convenient especially when you have 20 other pedals (which i don't) and one less tap dance move is always a good thing right?

It wa and again stays a famous one in the quality of the sound

No switch ... very useful , electro-optical one, buffer is set to Steve's precise specs and equipped with Morley's superior electro-optical circuitry to handle the heavy wah, true bypass, and built like a tank , light for signal battery indication

Great-sounding, switchless wah.

Not everybody like Morley wahs. I do. And I especially like that i don't have to switch it on and off.