Pricing and availability
Average Price: $365
High-end/Boutique
$50
$176+
Price Tier
Budget
Standard
High-end
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Description
Unleash your creativity with the Death By Audio Interstellar Overdriver Supreme, a powerhouse pedal designed to take your guitar tone to the cosmos and back. This dynamic overdrive pedal offers a universe of sonic possibilities with its six unique modes. From smooth, warm low-gain overdrive to intense, fuzz-laden oscillations, the Interstellar Overdriver Supreme is a versatile tool for any guitarist looking to explore new frontiers in sound.
Crafted with a slightly larger enclosure, this pedal provides not only a robust build but also an intuitive layout that makes dialing in your perfect sound a breeze. The diode-clipping switch opens up further tonal sculpting opportunities, allowing you to tailor your sound with precision. Whether you're a seasoned performer or a creative experimenter, the Interstellar Overdriver Supreme delivers a palette of rich, immersive tones that will inspire and elevate your music.
Embrace the eccentric spirit of Death By Audio and transform your sonic journey with a pedal that promises both innovation and reliability. Perfect for live performances or studio sessions, this pedal is your ticket to discovering new dimensions of sound.
Key Features:
- Multi-mode, dual overdrive pedal
- Six selectable modes ranging from low-gain overdrive to oscillating fuzz
- Diode-clipping switch for expanded tonal options
- Larger enclosure for durability and ease of use
- Ideal for both live and studio applications
Product specs
| Brand | Death By Audio |
| Model | Interstellar Overdriver Supreme |
| Finish | Silver |
| Year | 2010s |
| Made In | United States |
| Categories | Overdrive and Boost Pedals |
| Pedal Format | Standard |
FAQs
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What makes the Death By Audio Interstellar Overdriver Supreme unique compared to other overdrive pedals?
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The Interstellar Overdriver Supreme offers dual overdrive circuits with independent controls, allowing for a wide range of tonal possibilities from subtle boosts to intense overdrive, making it highly versatile for different musical styles.
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Can the Death By Audio Interstellar Overdriver Supreme be used with a bass guitar?
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Yes, the Interstellar Overdriver Supreme can be used with a bass guitar, providing rich and dynamic overdrive tones that enhance the bass sound without losing low-end frequencies.
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What type of power supply does the Death By Audio Interstellar Overdriver Supreme require?
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The Interstellar Overdriver Supreme requires a standard 9V DC power supply, which is common for most guitar pedals, ensuring easy integration into your existing pedalboard setup.
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How does the Death By Audio Interstellar Overdriver Supreme handle stacking with other pedals?
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The Interstellar Overdriver Supreme is designed to work well in combination with other pedals, allowing you to stack it with fuzz or distortion pedals for more complex and layered tones.
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Is the Death By Audio Interstellar Overdriver Supreme suitable for live performances?
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Yes, the Interstellar Overdriver Supreme is suitable for live performances, offering robust build quality and a wide range of sounds that can be easily adjusted on stage to suit different songs and settings.
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Death By Audio Interstellar Overdriver Supreme.
Comparisons
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The BD-2 is frequently compared to the Interstellar Overdriver for achieving similar fuzzy tones, especially when pushed, and works well with solid state amps.
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The Interstellar Overdriver is considered a modification of a tube screamer circuit, while the Fuzz War is based on a Big Muff circuit, highlighting their fundamental design differences.
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The Interstellar Overdriver Deluxe stacks two circuits for higher gain, nearing fuzz territory, offering a different tonal palette compared to the Fuzz War’s high-gain fuzz.
Source
Use cases and applications
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The BD-2 is noted for its versatility, used by indie guitarists to create consistent tones with different amp setups, including backline amps.
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The Quilter SuperBlocks are praised for their versatility, covering Fender and Marshall/Vox sounds, making them a practical choice for budget-conscious players.
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The Fuzz War is noted for its capability to maintain good tonal quality at lower frequencies, especially when the tone knob is set around 25%.
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The Interstellar Overdriver has been described as sounding thin and overly trebly when paired with a Telecaster and a Twin Reverb amp setup.
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Features and functionality
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The BD-2 excels at maintaining tone and character even at low gain settings, making it ideal for less than ideal amp situations.
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The Tonemaster Princeton is appreciated for its power scaling and DI out features, useful for gigging and recording without volume issues.
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The Interstellar Overdriver Deluxe features two stacked circuits, allowing for higher gain settings that verge on fuzz tones, offering versatility in tonal shaping.
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The Interstellar Overdriver offers a unique gain character, distinct from classic overdrives like the Tube Screamer or BD-2, with tones ranging from clean boost to mid-gain distortion.
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User experience
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It's been highlighted that the Interstellar Overdriver Supreme might be too niche, with some users finding more control and satisfaction in alternatives like the Colour Box.
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Some users find the Interstellar Overdriver to sound thin and too trebley when paired with certain rigs, such as a Telecaster into a Twin Reverb.
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Owners mention that the honeymoon phase with the Interstellar Overdriver Deluxe can be short-lived, indicating it may not meet long-term expectations for some users.
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Some owners have experienced a short-lived "honeymoon phase" with the Interstellar Overdriver Deluxe, finding it wasn't quite what they wanted in an overdrive pedal.
Source
4.0 out of 5
Based on 0 Reviews and 1 Rating
Artist usage
Add artist
According to this site Josh currently uses the Death by Audio Interstellar Overdrive Supreme Pedal on the Getaway tour.
'I played a ’67 Harmony Bobkat through a Death by Audio Interstellar Overdriver Supreme pedal, usually straight into a late-’70s Fender Princeton— not lots of pedals, more driving the amp pretty hard.' - St. Vincent in this interview with Guitar Player.
"I have lots of pedals, all controlled by a Voodoo Lab switching system. A few of my favorites are an old MXR M-118 Analog Delay that sounds beautiful, The Great Destroyer fuzz by Dwarfcraft which sounds like you might expect given its name, and a Death By Audio Interstellar Overdriver Supreme, which I used on “Pearl of the Stars” on the new album."
In the provided photo of Christopher Reimer’s pedalboard, the Death By Audio Interstellar Overdriver Supreme can be seen.
Pictured and discussed in this September 26, 2021 KEXP Feedback interview.
I try not to get too fussy with pedals at live shows. The Holy Grail and DD-20 do the heavy lifting. The Small Clone is also rarely turned off. My favorite pedal, probably for sentimental reasons, is the Interstellar Overdrive Supreme I bought from Oliver [Ackermann, of A Place to Bury Strangers] back in the day when he was crossing wires and blowing up transistors in his bedroom at his Brooklyn warehouse. The TC Helicon Voicelive is for vocals (surprise) and takes up way too much room on this small board, but after several shows where the house sound guy mixed my vocals dry and up front, we revoked the house’s privilege of getting a dry mix. If I had more room, I’d add my Memory Man Deluxe and another Boss chorus/delay.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Death By Audio Interstellar Overdriver Supreme, it is most commonly used with the following gear.
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