Damon Albarn

App was used by Albarn in the recording of Gorillaz' "The Fall."

Used for Albarn's vocals on Gorillaz's "Charger", as mentioned by recording engineer and frequent collaborator Stephen Sedgwick in this July 2017 Sound on Sound interview about the production of Humanz.

“The vocals start at track 42, with Damon’s lead vocal. The main lo-fi telephone-like effect is the typical 2-D sound, because this is a 2-D song. I can’t tell you what it is, but it’s done with hardware. The plug-ins on the inserts are a Waves Renaissance De-esser and RVox, and the Waves Kramer PIE [compressor], which I use a lot on vocals. Below are two tracks of lead vocals with delays.

While recording, I often use the SoundToys EchoBoy for delays, but I replace that with hardware delays to get more character. In this case these two tracks are prints of me running Damon’s vocals through a Roland SDE 2000. I was having fun with that, doing fast delays and delays with modulation. Then there are some Damon harmonies, and the yellow tracks are him singing the chorus, and some of these are pitched down an octave with the Little AlterBoy. I usually compress vocals with outboard, either using Empirical Labs Distressors or sometimes the Summit TLA 100A or Tube-Tech CL1B compressor. If want to impose a lot of character I’ll engage an old Collins broadcast limiter. For reverbs on the vocals I often use the studio’s EMT 140 plate.

The Moog Filtatron App for iPad was used on the making of Gorillaz' "The Fall".

Used for Albarn's vocals on Gorillaz's "Charger", as mentioned by recording engineer and frequent collaborator Stephen Sedgwick in this July 2017 Sound on Sound interview about the production of Humanz.

“The vocals start at track 42, with Damon’s lead vocal. The main lo-fi telephone-like effect is the typical 2-D sound, because this is a 2-D song. I can’t tell you what it is, but it’s done with hardware. The plug-ins on the inserts are a Waves Renaissance De-esser and RVox, and the Waves Kramer PIE [compressor], which I use a lot on vocals. Below are two tracks of lead vocals with delays.

While recording, I often use the SoundToys EchoBoy for delays, but I replace that with hardware delays to get more character. In this case these two tracks are prints of me running Damon’s vocals through a Roland SDE 2000. I was having fun with that, doing fast delays and delays with modulation. Then there are some Damon harmonies, and the yellow tracks are him singing the chorus, and some of these are pitched down an octave with the Little AlterBoy. I usually compress vocals with outboard, either using Empirical Labs Distressors or sometimes the Summit TLA 100A or Tube-Tech CL1B compressor. If want to impose a lot of character I’ll engage an old Collins broadcast limiter. For reverbs on the vocals I often use the studio’s EMT 140 plate.

Used for Albarn's vocals on Gorillaz's "Charger", as mentioned by recording engineer and frequent collaborator Stephen Sedgwick in this July 2017 Sound on Sound interview about the production of Humanz.

“The vocals start at track 42, with Damon’s lead vocal. The main lo-fi telephone-like effect is the typical 2-D sound, because this is a 2-D song. I can’t tell you what it is, but it’s done with hardware. The plug-ins on the inserts are a Waves Renaissance De-esser and RVox, and the Waves Kramer PIE [compressor], which I use a lot on vocals. Below are two tracks of lead vocals with delays.

While recording, I often use the SoundToys EchoBoy for delays, but I replace that with hardware delays to get more character. In this case these two tracks are prints of me running Damon’s vocals through a Roland SDE 2000. I was having fun with that, doing fast delays and delays with modulation. Then there are some Damon harmonies, and the yellow tracks are him singing the chorus, and some of these are pitched down an octave with the Little AlterBoy. I usually compress vocals with outboard, either using Empirical Labs Distressors or sometimes the Summit TLA 100A or Tube-Tech CL1B compressor. If want to impose a lot of character I’ll engage an old Collins broadcast limiter. For reverbs on the vocals I often use the studio’s EMT 140 plate.

App was used by Albarn in the Gorillaz album "The Fall."

Used for Albarn's vocals on Gorillaz's "Charger", as mentioned by recording engineer and frequent collaborator Stephen Sedgwick in this July 2017 Sound on Sound interview about the production of Humanz.

“The vocals start at track 42, with Damon’s lead vocal. The main lo-fi telephone-like effect is the typical 2-D sound, because this is a 2-D song. I can’t tell you what it is, but it’s done with hardware. The plug-ins on the inserts are a Waves Renaissance De-esser and RVox, and the Waves Kramer PIE [compressor], which I use a lot on vocals. Below are two tracks of lead vocals with delays.

While recording, I often use the SoundToys EchoBoy for delays, but I replace that with hardware delays to get more character. In this case these two tracks are prints of me running Damon’s vocals through a Roland SDE 2000. I was having fun with that, doing fast delays and delays with modulation. Then there are some Damon harmonies, and the yellow tracks are him singing the chorus, and some of these are pitched down an octave with the Little AlterBoy. I usually compress vocals with outboard, either using Empirical Labs Distressors or sometimes the Summit TLA 100A or Tube-Tech CL1B compressor. If want to impose a lot of character I’ll engage an old Collins broadcast limiter. For reverbs on the vocals I often use the studio’s EMT 140 plate.

Damon Albarn used this app for the recording of Gorillaz' lp The Fall.

Damon Albarn used the SoundyThingie App on the Gorillaz's Christmas album, 'The Fall,' as mentioned in an article by Matt Wilkinson on NME.