Gesaffelstein

The Roland Juno-106 Synthesizer makes an appearance in Gesaffelstein's studio in this video, about 0:37 in. It's the keyboard on the top rack.

At 1:07 into this video, the classic Roland SH-101 Synthesizer makes an appearance in Gesaffelstein's studio. It's evidenced by the VCO and SOURCE MIXER sections of the synth.

In this photo of Gesaffelstein's performing live, a Roland MC-202 MicroComposer synth can be seen in the upper right corner of the gear setup (photo originally sourced from http://nickydigital.com).

In the lower right corner of Gesaffelstein's live setup, it can be seen that he uses a MFB Synth II Monophonic Analog Synthesizer (photo originally sourced from http://nickydigital.com).

In this video "Brodinski & Gesaffelstein Bromance #1", Gesaffelstein controls the Access Virus TI2 Polar Synthesizer (starting at the 0:50 mark).

At 0:24, he says that he likes this synthesizer and that it's very efficient.

On en profite pour le faire parler de son éducation musicale, qui a commencé par une passion pour les musiques industrielles et deux groupes en particulier : les Allemands de D.A.F. et les Anglais de Nitzer Ebb. Il achète alors le synthé emblématique de ces pionniers de l’electro : le Korg MS20.

Traduction : We take the opportunity to talk about his musical education, which began with a passion for industrial music and two groups in particular: the Germans of D.A.F. and the English by Nitzer Ebb. He then bought the iconic synth of these pioneers of electro: the Korg MS20.

In the official leaked stems of the track, some of the drum tracks were labeled DFAM, suggesting a Moog DFAM was used.

https://youtu.be/ZGDGdRIxvd0?si=oQO0ELu07Uq1j49Q&t=96

While the stems were not released through official channels, they are widely recognized among music production communities and closely match the elements heard in the final mix. The distinct analog drum textures present in the track are also consistent with the Moog DFAM’s signature sound, further supporting its use in the production.