Glenn Fricker
Glenn Fricker's Gear
In this video, Glenn Fricker can be seen comparing the amp sims from BIAS Amp to the real deal. He later concludes that this is a tool that he wished he had when he first started out.
In this heavy bass recording tutorial, Glenn Fricker can be seen using a Voxengo Boogex, AudioTechnikk Equilibre and a Modern DeathCore Compressor VST. For the analog route, he uses a Tech 21 Sansamp Bass DI and a rackmount Distressor.
In this video, Glenn Fricker can be seen using a Mesa Boogie 1992 Dual Rectifier, a Peavey 5150 head and a Framus Cobra head.
In this video, Glenn Fricker can be seen using an Ibanez RG7321 modded with a Seymour Duncan pickup in the bridge.
Glenn Fricker can be seen in this video where he demos a Peavey Windsor head, a tube amp on the cheap.
In this video, Glenn Fricker can be seen reviewing the Focusrite Scarlett 2i2.
In this video, Glenn Fricker reviews the Rosen Digital cabinet IR's, as well as showcasing his own package of impulse responses. The PULSE software can be seen at 1:23.
In this video, Glenn Fricker can be seen demoing a Two Notes Torpedo Captor, the 8 ohm version.
In this video, Glenn Fricker demos the Adam A7X and provides a positive feedback on the A7X studio monitors.
At 1:02 in this video, Glenn Fricker's Jackson V can be seen equipped with EMG 81 and 85 pickups.
Glenn Fricker is endorsed by Cleartone Strings - at 1:45, he shows a pack of Monster Heavy 7-string set.
At 0:49 in this video, Glenn Fricker is shown to be using the Vintech Dual 72 in his studio.
In this video, Glenn Fricker creates his signature "Invader" toneprint for the Flashback 2 Delay.
In this video, Glenn Fricker uses the following products for a $1500 recording studio project: -Focusrite Scarlett 18i20 -Samson DK-707 Drum Mic Pack -2 Shure SM57's -CAD Audio M179 Condenser Microphone -Mackie CR3 Monitors -Cockos Reaper DAW -Behringer Xenyx 802 Mixer
In this video, Glenn Fricker uses the following products for a $1500 recording studio project: -Focusrite Scarlett 18i20 -Samson DK-707 Drum Mic Pack -2 Shure SM57's -CAD Audio M179 Condenser Microphone -Mackie CR3 Monitors -Cockos Reaper DAW -Behringer Xenyx 802 Mixer -Slate Digital Bundle Pack -B&H Drum Leveler
In this video, Glenn Fricker uses the following products for a $1500 recording studio project: -Focusrite Scarlett 18i20 -Samson DK-707 Drum Mic Pack -2 Shure SM57's -CAD Audio M179 Condenser Microphone -Mackie CR3 Monitors -Cockos Reaper DAW -Behringer Xenyx 802 Mixer -Slate Digital Bundle Pack -B&H Drum Leveler
In this video, Glenn Fricker uses the following products for a $1500 recording studio project: -Focusrite Scarlett 18i20 -Samson DK-707 Drum Mic Pack -2 Shure SM57's -CAD Audio M179 Condenser Microphone -Mackie CR3 Monitors -Cockos Reaper DAW -Behringer Eurorack UB802 Mixer -Slate Digital Bundle Pack -B&H Drum Leveler
At 11:36 in this video, Glenn Fricker mentions that in 1999, he started out with KRK V8 studio monitors.
In this video, Glenn Fricker reamps the guitar tracks of one of his mixes with Ignite Amps Emissary and Ignite Amps TS-999.
In this video, Glenn Fricker A-B'd the Harley Benton 2x12 cabinet against his Mesa Boogie 4x12 cabinet.
In this video, Glenn Fricker uses a PreSonus Studio One.
At 10:48 in this video, Glenn Fricker is shown with a Radial J48 direct box.
In this video, Glenn Fricker was seen using a Fractal Axe-FX Ultra.
In this video, Glenn Fricker was seen using the Peavey Invective 412 cabinet.
In this video, Glenn Fricker demoed the Two Notes Le Clean and Le Crunch pedals.
In this video, Glenn Fricker demonstrates the Electric Eye Audio Mud Killer Overdrive pedal.
Glenn Fricker is endorsed by Cleartone Strings - at 1:33, a 10-52 string pack can be seen.
In this video, Glenn Fricker unboxes a Line 6 POD GO digital modeller.
Glenn says that his dream came true now that he has his own official guitar string set.
This is a community-built gear list for Glenn Fricker.
- Find relevant music gear like Studio Equipment, Software Plugins and VSTs, Headphones, and other instruments and add it to Glenn Fricker.
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